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52 pages 1 hour read

Beverley Naidoo

The Other Side of Truth

Fiction | Novel | Middle Grade | Published in 2000

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Chapters 1-10Chapter Summaries & Analyses

Chapter 1 Summary: “Lagos, Nigeria”

Sade hears screaming from outside, and she runs out to find that her mother was shot. Papa is there, and Uncle Tunde arrives with a doctor who says that Sade’s mother was shot in the heart and never stood a chance of survival. Papa’s editor-in-chief leaves to warn the rest of his staff that they may be in danger. Sade goes into the study, where she answers the phone and is told to tell her father, Folarin, “If we get the family first, what does it matter?” (6). Sade’s father asks Mama Buke, Sade’s aunt, to take care of Sade and her brother, Femi. Sade and Femi go into their father’s study, where Uncle Tunde is telling Folarin that the people who killed Mama are going to do everything they have to do in order to shut him up. Uncle Tunde picks up a newspaper and reads that Father criticized the Brass Buttons—the soldiers—and their approach to education. Uncle Tunde tells Folarin that they all know he is brave, but he asks him if he is wise. Folarin tells the children that they will have to go away for their safety and that he should have listened to their mother.

Chapter 2 Summary: “‘Say Nothing!’”

Folarin’s passport was confiscated before he was scheduled to speak at a conference about human rights, and the children do not have passports. Uncle Tunde, who is normally very cautious, goes out to get them fake passports. Femi complains that he does not want to go to London. The children cannot tell anyone that they are leaving. Uncle Tunde returns, but he has passports for only the children. It will take longer to get Folarin one, so he will not be able to leave at the same time as his children. They will travel to London pretending to be the children of a woman named Mrs. Bankole.

Chapter 3 Summary: “A Small Bag and a Rucksack Each”

Mama Buke, the children’s aunt, helps them pack, and Sade thinks about how long it will be before they see their home again. She cannot take her favorite ornaments, wooden statues called Iyawo and Oko, because they are too heavy. Mama Buke gives Sade the aso-oke Mama made for Sade to wear for a wedding and tells her to bring it. The children will meet Uncle Dele either at the airport or at the college where he works. Papa hates lying, but it is necessary now. Sade remembers playing with her father outside. The children get into the car on the floor in the back seat, and Uncle Tunde puts a blanket over them. Femi moves away when Sade tries to talk to him.

Chapter 4 Summary: “‘So, You Two Will Be My Children’”

The car leaves, and Sade imagines all they are passing, including nature, the market, and a billboard that holds memories. They make it through the first police check out of Lagos. These roadblocks always angered their father. The police often require payment, particularly from taxis, in order to pass. The police have a torch at the next roadblock. The officer asks Uncle Tunde what is under the blanket, but he says the blanket is to hide the mess in his car from his mother, who he is about to pick up. Uncle Tunde does not answer when Sade asks him if he gave the officer money, and he tells the children to sit up in their seats because they will all be in trouble if they are found under the blanket. They arrive at the airport. When Uncle Tunde goes to find Mrs. Bankole, Femi tells his sister that he does not want to leave, and he suggests they run away. Sade tells them that they cannot because their father would have to go to the police, and then he would be caught. Femi takes his hand away from Sade’s. Mrs. Bankole arrives wearing a green scarf and purple lipstick. She tells them that she has children their age, and they must use her children’s names until they safely arrive in London. Again, Sade considers the difference between this urgent Uncle Tunde and the one she is used to who is always confident in court.

Chapter 5 Summary: “Spinning into Darkness”

Mrs. Bankole and the children have their baggage checked. Sade sees her show the agent where money is, and the agent puts it in his pocket. They pass through guards waving a wand by them, and when Sade says the purpose is to make sure they are not smuggling anything, Femi says, “But we’re being smuggled” (33). They meet a Black American man who is going back to America after having visited Africa to find the land of his ancestors. Mrs. Bankole gives the children permission to look in a nearby shop, where Femi notes how unfair it is that people kill baby alligators to make them into purses. Sade sees a statue like the one on her desk at home and feels sick. She goes into the bathroom, where she tries to stifle her cries, and Mrs. Bankole comes in and says it is time to leave. Sade considers just how much has changed in the past day. As they fly over their homeland, Sade thinks of the vegetation and her desk at home. She feels like even Femi is slipping away from her.

Chapter 6 Summary: “Flight”

The children are in the plane being flown farther and farther from home. Sade tries to sleep overnight. She eats in the morning and realizes that the last real meal she ate was made by her mother. She looks out the window and sees “the colors drained of their brightness and soon even those were a hazy mist” (40). She sees the buildings of London.

Chapter 7 Summary: “London, England”

Mrs. Bankole warns the children not to speak, as there are long lines of people trying to enter the country. Sade is worried about the passport and whether the authorities could use her and Femi to get to their father. They are called over by a customs agent who wants to search their luggage. Sade realizes that they are looking for drugs. They cut the bag that Mama had made for Sade, but the agent explains that sometimes parents use their children to smuggle items in.

Chapter 8 Summary: “Victoria Station”

People remind Sade of a page in her encyclopedia because she sees people from all over the world. Uncle Dele is not there. Mrs. Bankole tells the children that if they ever tell anyone her name, the agent who helped them will not help their father, and he will not be able to come to London. She speaks with a man and sends the children to get a snack and a drink. Mrs. Bankole disappears.

Chapter 9 Summary: “Where Is Uncle Dele?”

The children do not see Mrs. Bankole, and they do not have the paper that has Uncle Dele’s information. They go outside, but they cannot figure out which bus to take. Most people are not willing to help them, but finally someone directs them. They get on the bus and ask the driver to tell them when to get off. Everything is foreign, but Uncle Dele will be the “one person who came from their real world” (58). They get to the college, but no one has seen Uncle Dele in a long time. The woman at the college tells them that they may have some information that could help the police, but the children leave.

Chapter 10 Summary: “Thieves and Vandals”

Sade and Femi have nowhere to go. They go into a couple of shops; one of them sells food similar to that in Lagos, but the suspicious shopkeepers shoo them away. Femi sits down in an alleyway, but an unhoused person tells them that this is his area and makes them leave. They see a video shop that is open until 11:00pm. The worker asks if they need anything, and then two boys come in and vandalize the place. Sade and Femi try to leave, but the employee will not let them.

Chapters 1-10 Analysis

The major internal conflict that exists in the novel is initiated in the first chapter when Uncle Tunde mentions that Folarin is brave but wonders if the man is also smart. Folarin is a man of high values, and one of his strongest values is standing up for what is right and Speaking Out Against Injustice. Everyone knows this about Folarin. Later, it is acknowledged that while Folarin is relatively unknown outside Nigeria, he is famous there for speaking out against corruption. When given a choice between speaking out and staying silent, he chooses speaking out, despite the death threats that Sade will later learn he had been receiving. This internal conflict between bravery and wisdom or prudence will be repeated numerous times throughout the novel. For example, Mariam’s uncle has to decide whether to give in to bullies, and Sade is distraught trying to make a similar decision about the wisdom of speaking out. All of these characters handle the moral dilemma in different ways, but throughout the novel, Folarin stays committed to speaking the truth.

Harsh circumstances sometimes force people to act in ways they would not normally behave, and this is first shown in Uncle Tunde. He is normally very reserved and cautious, but after the death of Mama, he immediately goes to find fake passports for the family to leave Africa. While Folarin makes an exception later for his children, he generally sticks to his values despite difficulties. Uncle Tunde here is shown to act differently in these trying circumstances, and Sade will do so as well when she is forced to make decisions that go against her family’s values. Sade learns throughout the novel that sometimes wisdom comes from balancing competing values. She will face great internal conflict, however, before she learns this lesson, and she judges herself harshly for her mistakes.

Sade’s Iyawo and Oko statues are first described in Chapter 3, and they come to represent home to her. As with almost every other aspect of her life, she must leave the statues behind. They are too heavy for her to carry with her. She sees a replica of one of them later in the airport, and she will eventually associate one of the people who helps her in London with the Iyawo doll. During tough times, she likes to think of the dolls, but eventually life will get so difficult for her that even this comfort will be taken from her. She will not be reunited with these dolls until she is reunited with her father, and this is also the same moment when she finally feels at home again. In the meantime, however, these moments in her house in Nigeria with her statues are the last time she will feel at home for quite some time.

These chapters establish The Effects of Political Corruption as one of the narrative’s core concerns. Government corruption is shown both in Femi’s desire to escape and in the police officer’s demand for money at checkpoints. These fictional examples are used to draw attention to the similar severe corruption that was occurring in Nigeria at that time and that still occurs in places throughout the world. When the police and the government are part of the danger, this leaves no safe authority figures for people like Femi, Sade, and their father to go to for help. Therefore, the children have to be careful not to do anything that could cause their father to have to go to the police. In Chapter 9, while they are in London, the children leave when the receptionist tells them they can help the police find their uncle: It is largely the police that they are afraid of. In a similar manner, there is nowhere for the people of Nigeria to go to complain about corrupt police officers who want bribes, because these police officers are part of the overall corrupt government in the country.

This novel can be read through a postcolonial lens. This means that the book provides a message about the negative effects that Nigerians faced while they were part of the British Empire and the tragedies that can still occur now that Nigeria is free. An example of this is seen in the shop the children visit at the airport that has alligator bags and an Iyawo statue. Baby alligators are killed just to make purses, and a statue like the religious one that means so much to Sade is for sale, likely for tourists who do not understand its value. Through these two items, Beverley Naidoo explores the ways that parts of Africa are taken and pillaged in order for outsiders to make money. This mirrors the way many believe the British Empire pillaged lands and people for its own gain.

In the novel, London is shown as being vastly different from Nigeria. Throughout the book, Nigeria is associated with warmth, color, and rich smells. London, on the other hand, is described as gray and dreary. Sade sees cement everywhere. She misses home; most things and people that remind her of home throughout the novel are brightly colored, and their food is described as smelling of home. Meanwhile, that which is foreign and cold and uncomfortable is described as gray, most notably their school, where they are never welcomed by most of the students. One exception to this is the people in the London airport. There, Sade is reminded of a page in her encyclopedia because there are people of all different colors and nationalities. This does not make Sade feel more or less comfortable. It is merely an observation that she makes and that represents the cosmopolitan nature of London in particular and airports in general.

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