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68 pages 2 hours read

Marianne Cronin

The One Hundred Years of Lenni and Margot

Fiction | Novel | Adult | Published in 2021

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Part 1, Chapters 12-28Chapter Summaries & Analyses

Part 1, Chapter 12 Summary: “A Morning in 1940”

Margot tells Lenni a story from when she was nine. In 1940, after her father’s deployment in World War II, her “least favorite grandmother” moved in with Margot and her mother (66). Her grandmother put much effort into her appearance every Sunday before church. She berated Margot’s mother for not praying for Margot’s father, saying that he could be in “pieces on a field somewhere” (67). The unfeeling words reduced Margot’s mother to tears. Margot consoled her mother by helping her find the love letters that her father hid around the house. The girl saved a letter in case a telegram announcing his death arrived.

Part 1, Chapter 13 Summary: “Lenni and New Nurse”

Back in 2014, New Nurse kicks off her shoes, sits on Lenni’s bed, and asks about her notebook. Lenni explains that she’s writing the story of her life, which now includes explanations of the paintings that she and Margot are creating together. New Nurse produces two lollipops, one for Lenni and for one herself. She confides to Lenni that she used to keep a diary but says that it was rather dull since it mostly described the trouble she got into. New Nurse asks if she’s in Lenni’s notebook, but Lenni says no because she knows that the nurse will want to read what she has written if she tells her the truth.

Part 1, Chapter 14 Summary: “An Evening in 1941”

In another of Margot’s recollections, in 1941, when she was 10 years old, World War II was raging, and people rationed food and water. Two soldiers built an air raid shelter in the family’s backyard. One evening, the air raid siren went off, and Margot and her mother hurried to the shelter. Margot’s grandmother was already inside. Thinking that she was the only person at home, she was in the act of relieving herself into a bucket when her relatives entered the shelter. Seeing the stern woman flushed with embarrassment made Margot and her mother laugh.

Part 1, Chapter 15 Summary: “Lenni and Forgiveness, Part 1”

The narrative returns to 2014. Lenni engages Arthur in a conversation about forgiveness. Her Sunday school education left her with an incomplete understanding of the Bible, but she knows forgiveness is an important part of Christianity. Arthur sees forgiveness as something that brings lasting good, but Lenni argues that she might not live long enough to achieve such hindsight and is therefore tempted toward revenge. Arthur knows that Lenni has already forgiven him, so he asks whom she wants to avenge herself upon. Lenni declines to talk about this person, saying that she hasn’t “seen her in years” (78). Instead, Lenni tells Arthur about the art room, Margot, and their plan for the 100 paintings. Arthur promises to pray that Margot and Lenni live long enough to complete their project.

Part 1, Chapter 16 Summary: “Margot and the Night”

Margot tells Lenni a story from 1946, when she was 15 years old. Her father survived the war but returns home a changed man. In the middle of the night, he thought that a bomb broke through a window. Obeying the “muscle memory of the trenches” (80), he leaped on top of the object to shield his wife and daughter from the blast. In reality, the object was a slipper. Her father’s screams woke Margot, and she found her father huddled on the floor and her mother watching him in silence.

Part 1, Chapter 17 Summary: “Lenni and Forgiveness, Part II”

Lenni recalls a time in Sweden in 2002, when she was five. She heard someone preparing a meal in the middle of the night. She wasn’t scared until she realized that the person making the ruckus wasn’t an intruder but rather her mother. Lenni’s father came downstairs and looked at his wife as though she was “someone far out in the ocean who couldn’t swim” (83). For almost a year, her mother’s “crashing and chopping and sizzling” (83) in the kitchen was a nightly occurrence. Each morning, Lenni’s father carried her downstairs, where her mother had prepared an enormous breakfast. Lenni’s mother never joined them at the table. Instead, she stared out the kitchen window. Eventually, Lenni’s mother went to a doctor, and her husband and child found her asleep at an empty table one morning. Lenni’s father told her that she needed to forgive her mother, that her mother might not be sick anymore, and that her mother loved her.

Part 1, Chapter 18 Summary: “The First Kiss of Margot Macrae”

Margot recounts a story from 1949. Johnny, the slim young man she met on the train to Edinburgh, was a 20-year-old apprentice at a glassworks. He took her on her first date when she was 18. He brought her a corsage because Margot told him that no boy had ever given her flowers. The night of their second date, Johnny’s brother, Thomas, knocked on Margot’s door. She briefly mistook him for Johnny, and Johnny didn’t appreciate Thomas’s joke. Johnny kissed Margot even though her mother was standing right behind her, and Margot was too embarrassed to look at her mother when she left with Johnny for their date.

Part 1, Chapter 19 Summary: “Margot’s Getting Married”

In May 1951, Margot is 20, and she and Johnny told her mother that they were engaged. Her mother rarely smiled anymore, but the news brought her joy. Margot’s mother began planning for the ceremony and complimented the engagement ring, a “gold band” with “a small square emerald” (90) that had belonged to Johnny’s mother. Margot’s father already knew about the engagement because Johnny asked him for Margot’s hand. Margot’s father had what’s known as “combat stress reaction” (91). He couldn’t bear to leave the house and had a vacant stare. His condition led Margot’s grandmother to retreat back to her own home. Margot felt guilty about leaving her mother alone with her father even though she felt like this was the natural pattern of life. Her friend, Christabel, was already married and living in Australia.

Part 1, Chapter 20 Summary: “Father Arthur and the Sandwich”

The narrative returns to 2014. Father Arthur nearly chokes on his egg and cress sandwich when Lenni bursts into his office. The room is sparsely decorated with a picture of Jesus, a photograph of a dog, and—to Lenni’s surprise—“a photograph of himself with other people” (92). They chat about cars, and Lenni speculates whether Jesus would drive a car if he came back.

Part 1, Chapter 21 Summary: “The First Winter”

On September 1, 1951, when Margot was 21, she married Johnathan Edward Docherty. Some of Johnny’s interest and charm wore off as Margot became more familiar with him. Sometimes, she felt as though she could see right through him, and other times she felt as if he merely reflected her own emotions. She also had to contend with her mother-in-law, who insisted that she accompany the family to church every Sunday. Margot became pregnant in 1952 but kept the pregnancy a secret until Christmas. Johnny embraced her and then insisted that they go tell his mother the news at once.

Part 1, Chapter 22 Summary: “Lenni Moves to Glasgow”

When Lenni was seven, in February 2004, she moved from Örebro, Sweden, to Glasgow, Scotland. Lenni’s father recorded Lenni’s mother waving goodbye to their house, but Lenni refused to do the same. The home movie picked up with the family waiting in the airport. Lenni’s mother looked “almost translucent” (98) as she slept in a chair and held Lenni’s hand as she cried. The next clip showed Lenni tightly hugging her toy pig, Benni, as the plane took off, and her father assured her, “It’ll be okay, pickle” (98). Next, Lenni’s father recorded a tour of their new home. A week later, he recorded Lenni coming home from her first day of school. She proudly showed off her new school uniform, and her father enthusiastically noted that she was smiling. He asked whether she made friends at school, but the video ended before she gave her answer.

Part 1, Chapter 23 Summary: “May Flowers”

On May 11, 1953, Margot’s son was born. Johnny and 22-year-old Margot named their child David George (or Davey for short). Margot’s mother brought her yellow carnations. Margot’s father was in “a voluntary treatment center for men with shell shock” (100), and Margot felt mingled guilt and relief at his absence. Margot felt a “celestial” love for her son and her mother. Johnny took photos of their newborn son. As the last picture was taken, Davey’s yellow hat popped off because it was too small for him. Margot still carries this photograph.

Part 1, Chapter 24 Summary: “The First and Only Kiss of Lenni Pettersson”

In 2011, 14-year-old Lenni attended a party with “the group of girls who let [her] hang around with them” (103), and a boy kissed her. The kiss was nothing like how she imagined her first kiss, which she always envisioned taking place under a tree while she was barefoot. To make at least part of her imaginings true, Lenni walked home from the party barefoot. Her mother was asleep at the table, and the “ghosts under her eyes” had “started haunting her again” since she divorced Lenni’s father (104). As Lenni cleaned up her mother’s dishes, she told the slumbering woman about her first kiss and how she thought it would mean something.

Part 1, Chapter 25 Summary: “Margot and the Man on the Beach”

On Troon Beach in Scotland, in November 1956, Johnny asked 25-year-old Margot to walk with him even though it was sleeting. Through tears, he told her that he was leaving her because “[h]e had your eyes” (108).

The narrative returns to 2014. Lenni imagines herself on the beach consoling the 25-year-old Margot. Not yet grasping the implications of Margot’s story, Lenni asks where the baby was.

Part 1, Chapter 26 Summary: “Father Arthur and the Motorbike”

Once again, Lenni startles Arthur by slipping into the chapel. Lenni encourages him to take piano lessons after he retires, but he’d prefer to learn to ride a motorcycle. Lenni updates Arthur on her and Margot’s progress toward their goal, saying that they’ve completed 15 of the paintings. She also shares that she slightly regrets suggesting the project due to Margot’s skill with a brush and that she’s writing down the stories to make up for her “lack of artistic talent” (112). When Arthur asks what Margot’s like, Lenni answers that her friend is “like nobody [she has] met before” (112). After a pause, she adds that she thinks Margot lost a child.

Part 1, Chapter 27 Summary: “The Second Winter”

On December 3, 1953, 22-year-old Margot was at St. James Hospital in Glasgow, and the doctor said that Davey had just hours left to live because of a heart condition. The nurses searched in vain for Johnny. Not knowing how to say goodbye to her son, Margot instead told him a story about what his life would be like. In her story, he grew up healthy and happy, owned a grocery store, married, and had three children. Margot kissed her son’s cheek over and over, promising to love him “[f]or the rest of [her] days and more” (116). She succumbed to sleep, and Davey was dead when she awakened.

Part 1, Chapter 28 Summary: “Lenni”

The narrative returns to 2014. Lenni hears voices telling her to remain calm. The speakers are unidentified, and Lenni lies in bed, unable to respond.

Part 1, Chapters 12-28 Analysis

In this section, Lenni and Margot share more of their life stories with one another, and the teen’s fading health makes their time together all the more precarious and precious. Lenni’s memories reveal how a Swedish girl ended up alone in a Scottish hospital. Her conversation with Father Arthur in Chapter 15 introduces another of the novel’s major themes, Finding Acceptance and Forgiveness. This theme is explored further in Chapter 17, which reveals that the person Lenni struggles to forgive is her mother. Lenni’s family started to fracture when she was five. For a year, her mother engaged in an unhealthy pattern of preparing lavish meals for her husband and child at night and then isolating herself from her family. Cooking is a task traditionally relegated to women, so the way her mother’s mental health condition manifested subtly suggests that she might have felt trapped by gender roles and expectations.

Lenni’s world was upended again when she was seven. Chapter 22 shows that she clearly didn’t want to move to Scotland. The fact that her father commented on Lenni’s smile on the first day of school reveals that this was a rare, noteworthy occurrence. Throughout the home video, Lenni didn’t say a word. Indeed, the recording ended as she opened her mouth to speak. Her father did most of the talking, which suggests that the move was his idea. He told her not to cry but didn’t ask why she was crying, and he asked whether she made friends at school but didn’t film her answer. He wanted his daughter to be happy, but didn’t listen to her thoughts and emotions. Her father’s behavior and the unanswered question of whether Lenni had friends reinforce the loneliness of her childhood.

Loneliness also permeates Chapter 24, which reveals that Lenni’s parents divorced and that her mother’s mental health condition returned when Lenni was in secondary school. Lenni didn’t call the group of people she went to the party with her friends but rather saw them as acquaintances who generously tolerated her presence and “let [her] hang around with them” (103). The painful, deeply personal memories Lenni and Margot share with each other demonstrate their deep mutual trust and reveal the comfort they find in opening up to one another.

In addition, the stories they share help show the similarities between the two characters. Like Lenni, Margot had reasons to feel conflicted about religion. In Chapter 12, her grandmother cruelly used faith as a weapon against Margot’s mother by implying that if Margot’s father died in the war, it would be because of her impiety. Also, like her young friend, Margot is familiar with finding humor in frightening situations. Chapter 14 presents an unexpected moment of humor in the otherwise terrifying memory of Margot and her mother’s dashing to the air raid shelter and there witnessing the cold and usually dignified grandmother using a bucket to relieve herself.

Unfortunately, lighthearted moments were few and far between for Margot. Although her father survived the war, he came home with “combat stress reaction” (91), now known as post-traumatic stress disorder. Because of her father’s condition, her mother and father both became changed and distant. Although she felt guilty for leaving her mother alone, Margot accepted Johnny’s proposal because she hoped that their marriage would offer an escape from loneliness. However, by marrying Johnny, Margot traded one domineering woman who tried to force religion on her for another—and her husband enabled his mother’s controlling behavior.

In Chapter 23, the unhappiness of Margot’s memories is broken by a blissful and vibrant memory. The day Margot gave birth to Davey, her mother brought her yellow flowers, and her newborn son wore a yellow hat. Throughout the rest of the novel, yellow is associated with Davey and joy. Looking at her son, Margot experienced an outpouring of love: “The love I felt for him, this little pink thing, it was celestial. And for my mother too, who had done this all before and had done most of it alone” (100). Margot’s “celestial” love didn’t, however, extend to her husband, foreshadowing the dissolution of their marriage in Chapter 25. The themes of friendship and stories intersect when Lenni imagines herself on the beach consoling Margot in the past. In Chapter 27, Margot shares the most painful memory yet—her son’s death. This pain was made worse because Johnny left her to face it alone. Margot develops the theme of stories by inventing a beautiful life for Davey, one she knew he wouldn’t live to see. By introducing Lenni to Davey, Margot shares with her friend the greatest joys and deepest sorrows she experienced in her long life.

In this section, the author uses literary devices, including foreshadowing and symbolism. In Chapter 27, Davey’s heart defect foreshadows Margot’s health concerns. Arthur says he’ll pray for Lenni and Margot to live long enough to see their art project to completion in Chapter 15. In the end, Lenni lives just long enough to see the achievement of their goal, and she dies the next day. In Chapter 13, Lenni’s diary becomes a motif that develops the theme of stories. Lenni feels as though her artistry doesn’t measure up to Margot’s, but she can still help to express their stories by writing them all down.

A very brief and concerning chapter closes Part 1. Lenni experiences a medical emergency, but the details, like the identities of the individuals speaking to her, remain unclear. Chapter 28 serves as a grim reminder of how fragile Lenni’s life is. Lenni and her friends have all the more reason to cherish the relationships they’ve built because they don’t know how much time she has left.

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