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As “Act 3” begins, Rosie loses her baby. Detective Crowe visits the apartment to question Rosie and Chad about Xavier’s death. Crowe reveals that Abi was not on duty, and that there are no recordings of the roof that night. He also reveals that Dana had plans to sue the couple over the apartment with evidence that they manipulated Ivan. She claimed to have a nurse, Betty Cartwright, who had witnessed the manipulation. Their lawyer Olivia insists that Rosie and Chad are artists with a clean criminal record. As Crowe leaves, he corrects her, saying that Chad’s record is not clear.
In 1963, Willa has sex with her lover in the apartment while Paul is at a writers’ retreat. Afterward, she thinks privately that she will never leave Paul and plans to end things permanently with her lover. As they leave to go out for the night, Willa sees Miles hiding in the shared service area foyer between the two apartments. Willa is horrified that her secret will become Windermere gossip, but her lover promises to take care of the situation. That night, Willa is awakened by Ella screaming in the hall as she finds Miles dead in the elevator shaft.
In a flashback, Rosie learns that Chad, who she recently started dating, was charged with murdering his high school girlfriend, Bethany. During the trial, her brother confessed to the murder, and Chad was exonerated. The brother later recanted his confession. Just a year later, his parents died in a car crash, and rumors spread about his involvement. Chad encourages Rosie to do her own research. In the present, Crowe comments that Chad is surrounded by death. Olivia demands that Crowe not contact the couple without a warrant. When he leaves, she tells the couple to live their lives as usual.
A few days later, Max checks in on Rosie at the request of Chad, who is upstate working on his new show. Rosie tells Max everything, including that she is afraid of Abi, whom both Dana and Xavier warned her about. Max encourages her to focus on her work, but Rosie obsessively scours Xavier’s social media to learn more about him. She finds a picture of him with Dana at an art opening and is shocked to find Chad in the background leaning into Lilian, Charles and Ella’s daughter. She tries to call Chad, but the connection fails.
In 1963, Willa and Paul attend the funeral of Miles Aldridge, who died when he stepped into an empty elevator shaft at the Windermere. Willa bitterly regrets her past cruelty to Miles and is grateful that Paul left the retreat early to be with her. Willa spots her lover at the funeral and remembers him saying he’d take care of Miles. She wonders if he is capable of hurting a child, and she vows not to see him again. Will sees her husband talking to Ella and realizes that Ella knows about the affair and has told Paul.
Rosie leaves for an interview with Arthur Alpern, a historian of New York architecture who wrote a book similar to the one she’s proposing. As she walks away from the Windermere, she feels herself growing lighter. Alpern claims that buildings and places have memories, and that what people describe as hauntings are really these location-specific memories becoming visible. He suggests that Rosie is drawn to the Windermere because of the dark memories lingering there, and he compares her relationship with the building to a romantic relationship. Alpern reveals that Charles Aldridge’s grandmother was a famous medium. He suggests that buildings can also be healed by their residents, just as people can be healed of traumatic memories.
Xavier’s funeral is crowded with his friends, family, and the residents of the Windermere. Rosie sits with Charles and Ella, wondering how they can stay in the building after their son’s death. During the service, Rosie sees a ghost that she recognizes as Willa Winter, and she follows her into the basement of the church. Willa warns Rosie that she is being watched and is in danger. As Willa disappears, Rosie hears footsteps and sends a frantic text to Detective Crowe. Suddenly, her sister Sarah appears.
Sarah explains that she had another dream that Rosie was in trouble and that she came to New York to take her home. Rosie says that she doesn’t need help, but Sarah insists that she needs her family. Rosie returns to the funeral, where she sees Abi and a new doorman, George, mourning along with the rest of the building. Sensing a chance, Rosie and Sarah return to the Windermere, which Sarah criticizes as overly expensive. Rosie uses a key left by Ivan to open the building’s surveillance room.
In 1963, Willa waits anxiously for Paul to confront her about the affair, which she believes Ella has revealed. Because Paul has been distant and cold toward her, she is vulnerable and lonely when her lover, who is revealed to be Abi, approaches her in the Windermere’s laundry room. Willa and Abi have passionate sex. Abi denies responsibility for Miles’s death and begs Willa to leave Paul. When Willa returns to the apartment, Paul reveals that he didn’t believe Ella’s claims until he saw her with Abi. He strangles her to death and then shoots himself.
Rosie and Sarah sneak into the surveillance room, which contains a simple desk with three monitors. Rosie begins looking frantically for the letter stolen from Dana’s box or any other clue that Abi is involved in the murders. She logs on to view one set of cameras in public spaces but is unable to access a second page of other cameras. When Abi unexpectedly appears, she pretends to be collecting her dry-cleaning. Abi presses her, and she admits that she was looking for clues about him. He assures her there is nothing going on.
These chapters reflect the novel’s thematic interest in The Interaction Between Place and Memory. In Chapter 30, Rosie interviews historian Arthur Alpern, who has written books similar to the one she’s proposing on the Windermere, about the significance of New York architecture. As a part of their discussion about haunted apartments, Alpern argues that New York apartment buildings “have memories […] they dream” and that they are “alive with everything we do and have done” (276, 278). In this framework, the haunting of a building like the Windermere is reinterpreted as “just memories lingering” (276). Though Alpern’s explanation for the hauntings is less grounded in science than Dr. Black’s, it is ultimately more comforting for Rosie in that it allows her to step away from center stage. It is not that vengeful ghosts are targeting her and her friends; instead, the building itself is a site of communal memory. The repeated use of the word memory and the intentional references to human action (“everything we do and have done”) in these passages indicate that the haunting is not external to human activity but caused by it. As a positive example, Alpern offers the example of his own apartment, where he has lived for 60 years. He explains that his late wife “lives on in every nook and cranny” of the apartment, and that “all our memories dwell here like ghosts” (275). The use of the words live and dwell in these passages suggest that this is not a metaphor for Alpern, who feels strongly that, as a result of these memories, his wife has a concrete presence in the apartment, and that “to leave here would be to leave her behind” (275). Alpern’s memories of his late wife make their shared apartment a sacred space, allowing him to feel close to her even after her death.
Willa Winter offers a darker example of the connection between memory and place. Chapter 33 reveals that Paul killed Willa in their apartment when he learned of her affair. In the moments after her violent death, Willa’s spirit begins to “float above my poor body” (296), taking her “higher, higher” until “the ceilings are made from fog and I can see all my neighbors, living their lives” (296). This scene suggests that her spirit is tied to the Windermere: Although Rosie can leave her body, she is unable to move beyond the limits of the Windermere, and her first task as a ghost is to watch the other residents. The violence of her death in the apartment ties her firmly to the building, suggesting that the traumatic memory of her death dramatically impacts the nature of the Windermere itself. The novel suggests that, like Arthur Alpern’s wife, Rosie materially and permanently changes the spirit of the apartment in which she lives.
This section of The New Couple in 5B contains the conclusion of the 1963 narrative. In Willa’s final chapter, it is revealed that the unnamed lover she’s been seeing is the Windermere’s doorman, Abi. As Willa watches the building in the moments after her death, she sees Abi “crying” with “his head in his hands” and finally acknowledges that the child she was carrying “belonged to him” (297). This tragic revelation may initially lead readers to believe that Abi remained in the building as a way of maintaining the memory of his relationship with Willa and the child they shared. These details act as a red herring distracting readers away from the actions of Charles and Ella Aldridge, which are revealed in the novel’s final section.
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