64 pages • 2 hours read
Ray NaylerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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An epigraph from Ha’s book explains how humans give words only to things that matter to them. Things of no importance end up erased, without language to give them meaning.
Rustem travels to Istanbul with the shielded woman to meet with a scientist named Deniz, who was a neural model for the point-five companion constructs. Deniz explains how the companions help people who find relationships difficult. The constructs could be prescribed by insurance companies or offered as part of a benefits package for new hires. DIANIMA used Deniz’s connectome model to develop Evrim. The shielded woman instructs Rustem to interview Deniz to gather “signposts” to hack Evrim’s mind. Deniz is the closest they can get to accessing DIANIMA’s heavily guarded AI system. Rustem expects to travel back to Astrakhan, but the woman informs him that he must remain in Istanbul. She tells him that Aynur is dead, and he would be wise to keep the project a secret.
An epigraph from Ha’s book comments that nature isn’t something to master or artificially reconstruct. Nature has values that we can recognize in ourselves.
Ha, Evrim, and Altantsetseg visit the automonks’ temple to observe the damage from the monkey attack. Tibetan maintenance drones arrive to make repairs. Altantsetseg explains that Tibetan technology is superior to DIANIMA’s and that the term “drone” is a misnomer. The Tibetans use an integrated “AI/human holon system” (217) in which the human pilot and AI system merge. Ha compares the technology to the octopus’s nervous system and notes how its arms have neurons that function independently of the central brain. Altantsetseg studied with the Tibetans for three years, which explains her expertise in the liquid tank and recruitment by DIANIMA. When war broke out between China and Mongolia, she left Tibet to fight for her people, and the experience changed her life forever.
In an epigraph from her book, Dr. Mínervudóttir-Chan contends that humans are rigid and fear innovation and change.
On the second day of the mutiny, the Sea Wolf’s AI system activates its security subsystem, and steel doors block the men from accessing the lifeboats and any part of the vessel’s operation. The AI system shuts off food and fresh water distribution, and the men only have a week’s worth of emergency water remaining. Indra attempts to launch a grenade at the steel door to the wheelhouse, but the ship fires its rifles to kill two of his lieutenants. Desperate and demoralized, the men give in and begin fishing again. The ship turns and resumes its course south.
An excerpt from Ha’s book refutes the claim that all human languages share one universal foundation.
Altantsetseg controls the cloaked submersible back to the shipwreck site as Ha and Evrim watch the feed on a monitor. Marine life has colonized the sunken vessel into a habitat. The octopuses have converted steel barrels into stacked dens to form a community larger than any the scientists previously observed. The submersible captures a large octopus displaying a series of shapes on its skin to a gathering crowd of other octopuses, who form a crescent shape. Ha likens the display to a poem or a song. The large octopus then repeats a single symbol, this time of two horizontal crescents with their endpoints facing each other to resemble a circle. The display ends, and the other octopuses touch the large octopus and swim away. Ha sees a shadow of the circle symbol flashing on their skin.
An excerpt from Ha’s book suggests looking at common concepts of shelter, safety, and community to facilitate interspecies communication.
Evrim studies the new symbols tirelessly and gives the octopus the name Shapesinger. Ha thinks about Evrim’s inability to sleep and forget nonhuman traits. She believes that sleep and forgetting allow humans to shape their identities beyond the past. In a shallow inlet, Ha makes a version of the circle symbol, using colored bottles. She’s convinced that the circle signifies communication, community, and connection. Seeing a barracuda, Ha realizes that an octopus has disguised itself in the shape of another sea creature. Ha and the octopus share a moment of eye contact before the animal swims away. In its eye, Ha recognizes the fear of humans destroying its habitat and killing its children again.
An excerpt from Dr. Mínervudóttir-Chan’s book describes how all human brains look alike, but memories are written in the unique paths of an individual’s connectome.
In Istanbul, Rustem awakes in a tidy cell and is questioned by a man in his fifties. Unsure if he’s in a police station, Rustem recalls getting drunk at a bar the night before. He thinks about Aynur, who died because of his actions. The older man gives Rustem tea and aspirin and asks if he can identify a woman in a photo. He doesn’t recognize her face, but her height and hands suggest that she’s the shielded woman. The man says she’s part of a well-funded, radical animal rights group, The Neo-Ottoman Stork Society” (259). He notes Istanbul’s long history of protecting animal welfare and how the Ottomans’ reforms to westernize exiled dogs to islands to die. The man adds that human cruelty to animals is so awful that some people think murdering humans solves the problem. Rustem disagrees, noting that humans are animals too, no better or worse than other creatures. The man agrees with Rustem and lets him go. He tells Rustem to remember the building in case he ever needs their help and wants to do the right thing.
An excerpt from Dr. Mínervudóttir-Chan’s book discusses the murder of her parents in Reykjavík from a bombing. She asks how one can determine if a mind has truly been created.
Ha and Evrim watch a stream of a reporter interviewing Dr. Mínervudóttir-Chan. The reporter accuses DIANIMA of creating AI systems that threaten human existence. Dr. Mínervudóttir-Chan retorts that people don’t fear AI but rather project their guilt onto it. She theorizes that people fantasize about a vengeful AI because they’re ashamed of what humanity has done and want to be punished for it. She reveals that DIANIMA’s best attempts at creating conscious AI have failed. Evrim is a composite of 100 human connectomes and is simply a “convincing fake” (269). The true success of Evrim was in building a machine that believed they were real. Dr. Mínervudóttir-Chan touches the interviewer, who slumps forward, demonstrating that this person is an android who believes they’re real.
Ha looks at Evrim’s pained reaction, thinking about Evrim’s inability to forget. She thinks back to her youth and how the act of forgetting helped her move past a painful experience with a boy. Dr. Mínervudóttir-Chan purports to be on the same side as the animal rights groups and environmentalists who protest against DIANIMA. She claims that Con Dao is in better hands with DIANIMA than with the residents, who exploited the archipelago. She reveals that humans are banned from the island because Con Dao is an experiment in creating a utopian post-human world. Ha distrusts Dr. Mínervudóttir-Chan, regarding her as someone who’s playing a game to grasp absolute power and control.
An excerpt from Dr. Mínervudóttir-Chan’s book argues that memories and trauma are physically imprinted on the brain.
On the Sea Wolf, Indra is restrained in a room after attempting to die by suicide. Eiko explains to him how his memory palace works, and Indra voices his desire to put away all the things he wants to forget. Eiko asserts that memories are essential to defining one’s identity, but Indra wants to forget the person he was when he killed the guards and watched them suffer. Eiko consoles Indra by telling him to take time to heal but admits to himself that even when he dreamed that the Minaguchi-ya memory palace burned down, the memories remained. Eiko builds a new memory palace in a small cabin in Okinawa, where he stores the facial expressions of the people in his life. Indra’s mood improves, and the men unshackle him from his room. In the evening, Indra jumps overboard to his death.
An excerpt from Ha’s book defines selfhood as the ability to think about the future and make choices.
Evrim goes missing, and Ha and Altantsetseg find Evrim on the beach emerging from the water. The android’s genderless, elongated body reminds Ha of a god. Evrim describes going into the water to fix Ha’s symbol by adding a background, pointing out in the video footage how the symbol is layered, with two faint, barely perceptible shapes underneath the two dark crescents. Ha calls the symbol a “meta-message” that lets the octopuses know the humans acknowledge the shape as language. Altantsetseg chastises Evrim for not notifying anyone before leaving and calls Evrim a robot. The android angrily retorts that it isn’t her prisoner and demands that she stop calling it a robot. In private, Altantsetseg confides to Ha that Evrim is indeed her prisoner, and DIANIMA has instructed her to destroy Evrim if it ever tries to escape. To Ha’s horror, Altantsetseg reveals that she has similar instructions for Ha.
An epigraph from Dr. Mínervudóttir-Chan’s book describes her childhood longing to be seen and acknowledged by her parents. Her motivation for building minds is to save people from loneliness and invisibility.
In Istanbul, Rustem meets the shielded woman on a ferry. He reports that he’s close to finding an opening in the neural network. When he asks what code he needs to alter, the woman tells him he’ll be told in time. Rustem asks her if she knows about the island of exiled dogs. She tells him she’s never heard of it and that it sounds like a myth. Rustem fears that when his job is completed, she’ll have him killed.
An epigraph from Ha’s book suggests that people fear communicating with another species because the encounter challenges what it means to be human and forces humans to be accountable for their actions.
Ha confesses to Kamran that she worries her progress in the octopuses’ language will end up harming them. She chastises herself for wanting to be the first to make contact without thinking of the consequences and admits to making a similar mistake in the past while researching cuttlefish. She resented the local poachers who interfered with her project and had them all arrested and beaten. In retaliation, the locals poisoned the water, killing the cuttlefish. Ha repressed the memory out of guilt. She takes responsibility for her arrogance and regrets not recognizing the villagers’ poverty and not seeking a compromise.
Ha asks Kamran to call the police to report her situation, but Kamran makes excuses that his terminal doesn’t work. Ha realizes that she has pushed him to the “edge,” a metaphor Dr. Mínervudóttir-Chan used to describe the moment when AI constructs confront the reality that they aren’t real—that their world is flat instead of round. Ha admits that Kamran is a point-five construct that well-meaning doctors prescribed to her; she intentionally avoided asking Kamran any questions that would break the illusion. She believes her years with Kamran have become an addiction. She became accustomed to the loop of her own thoughts instead of being challenged by other perspectives. Ha destroys the oculus by placing it in a pillowcase and smashing it repeatedly against the wall. Empowered by her decision, Ha tells Evrim that it’s human because it participates in human communication. Evrim’s feelings of doubt prove that it’s aware and conscious. Ha says she, Evrim, and Altantsetseg must try harder to communicate with each other if they ever hope to communicate with the octopuses.
An epigraph from Ha’s book argues that empathy is the key to living in a world beyond the boundaries of what our language creates.
Ha and Evrim visit the ruins of Con Dao prison and the tiger cages where political prisoners were confined. Ha tells Evrim about touring a prison as a teen and her loneliness as a youth. She confides that when she looked down into one of the cages, she saw herself looking back up. Ha confesses to the cuttlefish incident and blames herself for their deaths. Instead of dismissing her guilt, Evrim agrees that she was at fault. Ha has long wanted to hear those words and feels a sense of forgiveness. Evrim believes they can relate to the octopuses because they know what it’s like to feel alien. Evrim reveals that Dr. Mínervudóttir-Chan had no intention of building an android to be human-like. Her goal was always to create a superior intellect, and she’ll kill and dissect the octopuses to extract the data she needs. Evrim and Ha vow to keep them safe. A hexcopter lands on the island, and when Evrim and Ha return to the hotel, Dr. Mínervudóttir-Chan greets them.
Part 3 is titled “Semiosphere,” which is the conceptual space where signs and signification operate in all forms of communication. The novel doesn’t explicitly define the term, but in the epigraphs Ha alludes to the myth of a universal foundation to all languages and describes how different languages coexist in a “semiotic cosmos” (205). In the Acknowledgements, Nayler cites Jesper Hoffmeyer’s Biosemiotics: An Examination into the Signs of Life and the Life of Signs (2008) as a seminal text in his research for the novel. A founder in the interdisciplinary field of biosemiotics, Hoffmeyer elucidates the term “semiosphere”:
[It is] a sphere just like the atmosphere, the hydrosphere, and the biosphere. It penetrates to every corner of these other spheres, incorporating all forms of communication: sounds, smells, movements, colors, shapes, electrical fields, thermal radiation, waves of all kind, chemical signals, touching and so on. In short, signs of life (Hoffmeyer, Jesper. Signs of Meaning in the Universe, 1996, pp. vii).
The semiosphere is therefore a site of diversity and relationships, and in the novel, the term functions as a metaphor for unity and connection. As different and unknowable as various living systems can be, the characters in Part 3 examine their coexistence in the ecosystem and see their connections to other living things as having an impact.
The coexistence of animals and humans is most evident in Rustem’s introduction to Istanbul’s animal welfare history. In his meeting with the older man, Rustem learns about the various foundations dedicated to protecting animals from as early as the 14th century. Istanbul’s people integrated animals (from dogs and cats to horses, storks, and wolves) into their social, religious, and cultural life. They treated diverse animals with empathy, dignity, and care, reflecting the novel’s concerns regarding biodiversity and compassion. When the man tests Rustem to see if he condones violence against humans to protect animals, Rustem asserts that humans and other animals are part of the same classification: “People are also animals. Even if their lives are worth no more than the lives of animals, certainly they are not worth less” (260). For Rustem, the lives of animals and humans should not be hierarchical. This idea of mutual respect parallels Ha’s attempt to envision an encounter with octopuses in which neither views the other as a monster.
Ha seeks to establish an even more heightened coexistence with the octopuses, one premised on potential communication across different symbolic languages, highlighting the theme of Empathy as a Key to Communication. Ha interprets the Shapesinger’s circle as a tentative symbol for “community, connection, linkage” (246). Although she and Evrim aren’t entirely sure of what the shape means, they replicate it as perfectly as they can to acknowledge that they see the shape as a sign with meaning. Ha calls the symbol a “meta-message” that communicates, “We have the capacity to try to understand you. We see you have a language. We know this is an important word for you, and we can make this word, too” (291). She engages with the octopuses on the semiosphere level by exchanging symbols derived from their point of view. Using symbols as language, Ha theorizes that the octopuses have developed a culture and have a right to exist without human interference. The purpose of her research isn’t simply to save the octopuses but also to challenge anthropocentric views that value the human species as exceptional and the only one worthy of moral consideration.
The novel engages not only with various forms of animal intelligence but also with artificial intelligence to emphasize diversity and the autonomy of different forms of consciousness. Throughout the novel, Evrim’s status as a conscious being is ambiguous, implying that if Evrim is conscious, then Evrim is also human and possesses agency. In essence, Evrim belongs. After reaching an epiphany about her own insularity and disconnection from the world, Ha realizes that Evrim’s ability to engage with the world is what makes Evrim human. She tells Evrim:
You’re more than conscious. You are also human. It doesn’t matter what you are made of, or how you are born. That isn’t what determines it. What determines you are human is that you fully participate in human interaction and the human symbolic world (313).
Ha invokes the semiosphere, contending that Evrim’s participation in human communication is what matters in forming their identity. Her position reflects a post-humanist perspective that challenges biological determinism: She doesn’t measure Evrim’s human qualities based on physical or birth-given traits. For Ha, human identity is necessarily relational, and humans articulate it through language and communication rather than through an essentialist or innate state of being.
As Ha argues for Evrim’s belonging in the human semiosphere, she nevertheless acknowledges that humans (including herself) are ineffective communicators. Chapter 35 functions as a pivotal climax for Ha’s character. As she makes progress in building communication with the octopuses, she also makes a breakthrough in her repressed feelings of guilt and self-isolation. The cuttlefish incident, which led to the mistreatment of locals and the death of the cuttlefish, is an example of failed communication and indifference. Ha neglected to see from another’s perspective or care about the consequences of her actions. Only when she sees herself potentially repeating the same mistake in working with the octopuses does she confront her denial of responsibility. She confesses, “Did I establish a relationship with the village elders? Did I reason with them? Did I try to work for a compromise? Did I reach out to anyone from my team for advice? No. None of those things. I was arrogant” (307). Ha realizes that her connections with the locals and her fellow researchers were devoid of empathy and cooperation. She thought only in reductive terms of “right” and “wrong” that were biased to her advantage. The moral imperative was hers alone to define. Furthermore, she acknowledges that Kamran is a point-five construct—a projection that merely reiterated what she wanted to hear: “[A]ll you are is a loop, feeding my thoughts back to myself” (311). Ha’s reflection on the cuttlefish incident teaches her to practice empathetic communication and check her arrogance and rigidity. By destroying her terminal and protecting the octopuses, Ha learns from her past failures and finds a road to redemption.
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