logo

62 pages 2 hours read

Jessie Burton

The Miniaturist

Fiction | Novel | Adult | Published in 2014

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 1, Chapters 1-8Chapter Summaries & Analyses

Part 1: “Mid-October, 1686: The Herengracht Canal, Amsterdam”

Part 1, Chapter 1 Summary: “Outside In”

Eighteen-year-old Petronella (Nella) Oortman arrives at her new home in Amsterdam, having traveled from her rural home in Assendelft. The house stands on the Golden Bend of the Herengracht Canal, Amsterdam’s wealthiest area. An unsmiling older woman eventually opens the door. Mistaking the woman for the housekeeper, Nella explains she is Johannes Brandt’s new wife. The woman says she is Johannes’s sister, Marin, and that her brother is not there. Marin introduces the servants. Johannes’s servant, Otto, is the first Black person Nella has met. The maid, Cornelia, looks at her with undisguised curiosity, and Nella feels she is being ridiculed. She is also surprised that a wealthy merchant like her husband has only two servants.

Nella is accompanied by her pet parakeet, Peebo. Despite Nella's protests about the cooking fumes, Marin insists Peebo’s cage must go in the kitchen. Nella’s bedroom has a view of the canal, but the room’s walls display paintings of dead animals and overripe fruit, which unsettle her. After a frugal meal, Nella asks if they have any marzipan. Marin tells her they rarely have sugar in the house, as it is bad for the soul. She also comments disapprovingly on Nella’s lily perfume. Meanwhile, Nella notices that Marin smells of nutmeg.

Part 1, Chapter 2 Summary: “Cloak”

Nella’s father had an alcohol addiction and left his family with debts when he died two years earlier. Nella’s mother told her daughter she must marry a wealthy man and arranged her introduction to 39-year-old merchant Johannes Brandt. The couple met only once before marrying, and Johannes left on business immediately after the wedding. The marriage is still unconsummated, and Nella is eager for their married life to begin.

In the early hours of the morning, Nella hears Johannes return with his whippets, Rezeki and Dhana, and ventures downstairs to see her husband. Johannes kisses Nella’s hand and speaks kindly to her but retreats into his study. Frustrated, Nella returns to bed.

Part 1, Chapter 3 Summary: “New Alphabet”

Cornelia wakes Nella for breakfast. Nella notes that the maid’s lack of subservience borders on impudence. Johannes has bought Nella a beautiful gown, but it is far too big.

Breakfast is a frugal meal of herring. Nella feels out of her depth as Marin knowledgeably questions her brother about his business interests. To pass the time, Nella imagines Johannes naked. Marin insists that Johannes must sell a consignment of sugar stored in his warehouse. The sugar belongs to a woman called Agnes Meermans. Johannes seems reluctant, and the siblings squabble over whether Otto would approve of them trading in sugar. Marin tells her brother that the burgomasters (the city’s heads of government) recently had three men drowned with weights around their necks. Johannes excuses himself, claiming he has business to attend to. Marin follows him out, and Nella overhears Marin pointedly reminding Johannes that he has a wife.

Part 1, Chapter 4 Summary: “Trompe-l'œil”

Nella is surprised to find Peebo in the “best kitchen”—a clean, bright space full of china from Johannes’s travels. The room has a trompe-l'œil painted on the ceiling, creating the illusion of a domed roof arching to the sky. Otto is polishing the silver, and Nella asks about her husband’s business interests. Otto says that Johannes’s wealth continues to grow. However, he predicts that once Johannes reaches the peak of success, “Things will spill over” (37). The conversation is interrupted by Marin, who rebukes Nella for disturbing Otto’s work. Otto warns Nella not to unnecessarily provoke Marin. He also advises her to keep Peebo’s cage shut.

Part 1, Chapter 5 Summary: “The Gift”

For two nights, Nella waits in vain for Johannes to visit her bedroom. She hears doors open and close, and someone leaves the house, returning early the next morning. During the day, Nella explores the house, and Marin scolds her for touching one of Johannes’s lutes. Nella is angry that Marin still assumes the role of “mistress” of the house. She is also surprised that Marin, not Johannes, reads aloud to the household from the Bible.

On the third day, Nella interrupts Marin while she is working on the household ledgers. When Nella says she wants to visit Johannes at work, Marin advises against this and suggests her expectations of marriage are unrealistic.

Johannes has a cabinet delivered as Nella’s wedding gift. Inside is a replica of the house’s rooms in miniature. Marin is furious when she learns that the cabinet cost 3,000 guilders. However, Johannes insists the miniature house will be educational for Nella. Nella feels insulted at receiving a gift more suitable for a child. When Marin storms out, Nella sneaks upstairs to investigate her sister-in-law’s room.

Part 1, Chapter 6 Summary: “Trespasses”

Nella expects Marin’s room to be an austere space. Instead, it smells of rich spices and is crammed with exotic items such as birds’ feathers and pinned butterflies. On the wall is an annotated map of Africa, and controversial books line Marin’s shelves, including The Unfortunate Voyage of the Ship Batavia by Heinsius. As Nella finds a note written by Marin’s lover, Marin surprises her and roughly ejects her. In the early hours of the morning, Nella moves Peebo’s cage to her room, scared of Marin’s retribution.

Part 1, Chapter 7 Summary: “Smit’s List”

Nella lets Peebo fly round her room and is surprised when Marin does not protest. Giving Nella a copy of Smit’s List (a directory of Amsterdam craftsmen) and a book of promissory notes to spend, Marin suggests Nella should furnish her cabinet. Nella writes to a miniaturist from Bergen who works on the Kalverstraat. She commissions a lute, a wedding cup, and a box of marzipan.

Cornelia gives Nella a buttered roll in the kitchen and asks if Marin hurt Nella’s arm when she threw her out of the bedroom. Cornelia claims that, although Marin always wears black, her plain dresses are lined with fur and other luxurious fabrics. When Nella says she is going to the Kalverstraat to deliver a letter, Cornelia says she will accompany her.

Part 1, Chapter 8 Summary: “On the Kalverstraat”

Nella plans to track down the miniaturist on the Kalverstraat, a shopping street in Amsterdam. When Cornelia asks why Nella wants to visit that area of the city, Nella deflects, saying only that she wants to deliver a “message” to “a craftsman.” As the two of them head toward their destination, Cornelia reveals that Otto leaves the house as little as possible because people stare at him in Amsterdam (Johannes bought Otto from a Portuguese slave ship, and Otto and Cornelia joined the Brandt household at the same time). The two women also drop by to see Cornelia’s friend, Hanna, who is married to the confectioner Arnoud Maakvrede. Nella feels envious of the close friendship between the women.

After visiting Hanna, Nella finds the miniaturist’s premises under a sign of the sun—a stone plaque displaying the celestial body, laid into the brick wall. No one answers her knock, so she slips her letter under the door. Suddenly, Nella is aware that Cornelia has disappeared, and a fair-haired woman is staring at her intently. Nella tries to follow the woman but loses her when she sees Cornelia angrily kicking the door of an orphanage. Cornelia explains she lived there before Johannes took her in when she was 12.

Nella goes home to find the cabinet installed in her room. The smell of lilies is overpowering, and Marin claims the men who moved the cabinet knocked over her perfume.

Part 1, Chapters 1-8 Analysis

Chapter 1 begins in October 1686, more than two months before the events of the Prologue. The chapter introduces the protagonist, Nella, and the third-person narration gives insight into Nella’s thoughts and feelings.

The chapter title, “Outside In,” reflects Nella’s role as an outsider as she enters a strange household. The novel creates a mysterious, unsettling atmosphere as Nella observes people and scenarios she does not understand. Conversations between Johannes and Marin have a confusing undercurrent, while the comings and goings Nella hears at night suggest sinister secrets. The protagonist’s sense of alienation is expressed in her feeling that the household speaks “a second silent language” she cannot interpret (33). Nella’s perception of events is figuratively represented in the trompe-l'œil painted on the best kitchen’s ceiling. The optical illusion reflects how the Brandt household presents a false façade to Nella. Appearances do not match reality.

Johannes’s persistent evasiveness adds to Nella’s loneliness. The protagonist’s naivete is emphasized as she yearns to find romantic love with the husband she barely knows. Nella is both frustrated by Johannes’s failure to consummate the marriage and fearful of the sexual act. Her impatience to have sex is not so much an expression of desire as an eagerness to fulfill prescribed gender roles. Nella’s mother has presented marital sex as a trade-off women must make for financial security. Consequently, Nella is keen to perform the transaction as soon as possible.

These chapters introduce the central motif of the cabinet when Johannes presents his wedding gift to Nella. Nella initially takes offense at the gift, which seems “a monument to her powerlessness, her arrested womanhood” (49). The miniature replica of her home emphasizes Nella’s awareness that she is not the mistress of her household. She also feels infantilized by Johannes’s declaration that the cabinet is “for her education” (45).

The Contradictions of Amsterdam manifest in the Brandt household. While Johannes spends an exorbitant sum on Nella’s cabinet, Marin’s frugality is evidenced in the unappetizing herring meals and the presence of only two servants. Marin establishes her religious piety by declaring sugar “makes people’s souls grow sick” (15). However, she displays hypocrisy soon after, urging her brother to sell the Meermanses’ sugar. This conflict between spirituality and materialism is summed up by Nella’s conclusion that Marin and Johannes are fixated on “souls and purses” (31).

Marin’s character embodies the contrast between Amsterdam’s wealth and the city’s strict Calvinist doctrine. She makes an intimidating first impression on Nella, with her severely pulled-back hair and cap “starched and pressed to white perfection,” but also exudes the exotic “scent of nutmeg” (9). Cornelia’s revelation that Marin’s stark black dresses are lined with “[s]able fur and velvet” emphasizes this contradiction (61). The maid’s claims about Marin are confirmed when Nella trespasses into her sister-in-law’s room. Instead of the expected “bare cell,” Nella finds an “overflowing cell of fantasy” (51). Marin’s room reflects her sensuality and longing for adventure: the side of herself she keeps carefully hidden from the public.

These chapters hint in various ways at Marin’s subversive character. Nella notes that her sister-in-law’s involvement in Johannes’s business interests “is surely crossing a forbidden boundary” (29). Her sister-in-law’s reading material is also surprisingly controversial. The Unfortunate Voyage of the Ship Batavia is an account of a nautical mass murder in which a Dutch woman, Lucretia Vans, was alleged to have played a part. The play True Fool by Hooft (1617) features a character expecting a child conceived out of wedlock—a foreshadowing of the later revelation that Marin is pregnant by Otto.

In this section of the novel, Nella begins a power struggle with Marin. Perceiving her sister-in-law as restrictive and controlling, Nella fights for her autonomy. The women’s conflict is reflected in their disagreement over where Peebo should be kept. The caged parakeet represents Nella’s sense of imprisonment and her craving for liberty. Although she initially cedes to Marin’s insistence that Peebo must stay in the kitchen, Nella later defies her sister-in-law by releasing the parakeet in her own room.

The foreshadowing in these early chapters creates a sense of foreboding. Otto’s warning to keep Peebo’s cage door shut hints at the parakeet’s later escape through an open window. Furthermore, the servant’s mysterious declaration that “Things will spill over” (37) is an omen of the disastrous events that will soon overtake the household. Nella’s urge to visit her husband at work and Marin’s allusion to the men drowned by the burgomasters foreshadow Nella’s discovery of her husband engaging in a sexual act with Jack Philips and Johannes’s eventual execution. The liberal use of foreshadowing underlines the novel’s exploration of fate. These omens create the sense that the characters are heading for a predetermined destiny, which illustrates the Calvinist concept of predestination.

This section also introduces the ominous motif of death and decay. Noticing Nella’s lily perfume, Marin comments, “Early to ripe, early to rot” (16)—a concept echoed by the paintings in Nella’s room. In 17th-century art, images of decaying fruit often provided a symbolic reminder of human aging and mortality; such reminders are an artistic trope called memento mori (a Latin imperative to “remember that you must die”), dating to Classical antiquity. Consequently, Nella is disturbed by the still life of oysters, spilled wine, and overripe fruit on her wall. While the “exposed openness” of the oysters symbolizes sexuality and fertility (Nella’s current state), the spoiled fruit seems to confirm the protagonist’s fear that her youthful attributes will go to waste in a sexless marriage.

blurred text
blurred text
blurred text
blurred text