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Nikki ErlickA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
One of the larger philosophical questions that Nikki Erlick explores in The Measure is about happiness—who has it, who deserves it, and how humans can achieve it. Through Amie and Ben’s correspondence, Erlick explores the ramifications of the strings on people’s perception of happiness, and offers a way to find happiness in the face of mortality.
With the strings, everyone now knows the length of their lives. In the immediate aftermath, people make changes, the result of a perspective shift that puts their daily lives into a larger context. Whereas before, humans had lived in blissful ignorance of their deaths, the strings have forced them to confront mortality. As a result, happiness seems out of reach, especially for people like Ben, with a short string. He is the first character to raise the idea of happiness directly in the novel. In a letter to Amie, he tells her about a friend of his who “set an alert on his phone to send himself the same message every year on his birthday: ‘Sit down and ask yourself: Are you happy?’” (213) This anecdote starts their conversation on the topic, and as they correspond, they delve more deeply into what it means to be happy, and how Ben can achieve it despite knowing about his short life.
Ben and other short-stringers struggle with the issue of happiness at a level that long-stringers don’t have to confront. Because their lives are shorter, their desire for happiness becomes both more pronounced, and more difficult to achieve. Ben addresses this:
I think we’re raised to believe that happiness is something we’ve been promised. […] But then this box arrived at our doorstep, saying that we don’t get the same happy ending as the people we pass on the sidewalk, at the movies, at the grocery store. They get to keep on living, and we don’t, and there’s just no reason why (213).
The short-stringers search for happiness is complicated by several factors, not the least of which is their envy of the long-stringers’ life expectancy.
Complicating this idea is the question of who deserves happiness. Although, as Ben says, there is no reason behind the short and long strings, as this new reality settles in, the cultural perception of happiness becomes more apparent, and revolves around the question of who deserves it. Ben says, “I think we’re raised to believe that happiness is something that we’ve been promised. That we all deserve to be happy” (213). Following this logic, he notes, means coming to the conclusion that his string is short because that is what he deserves. Katherine echoes this sentiment when she finds out about Jack’s short string, and wonders “why this would happen to him! Or to [her] brother. [Their] family has only ever done good things for this country, and this is how [they’re] repaid?” (182). Although long life is not linked to merit, both Katherine and Ben link string length, and corresponding happiness, to deserving. People like Anthony and Katherine, who have long strings, take it as a sign of their superiority.
However, Amie shifts the conversation when she tells Ben, “[B]y your own measure, you can still be happy. You can live well” (224). She and Ben, and other characters in the story, eventually come to recognize that the happiness of their lives is not defined by the length. Ben and Amie find happiness in acknowledging the reality of his short string, and then living their lives immersed in the present. Through their correspondence, Ben and Amie work through the philosophical ramifications of finding happiness in this new world, and are able to come to conclusions that they apply to their own lives. They move forward, happily, in their relationship, despite knowing that it has an end date. On her way to Central Park to meet Ben, Amie reflects that she “felt truly happy” (316). Although they know that their time together is limited, they have discovered a way to achieve happiness during that time.
In The Measure, Erlick uses the arrival of the strings to address questions of fate and choice. When the strings arrive, and everyone suddenly knows the length of their life, the concept of fate comes into play. People feel stripped of their free will as they understand that they have no control over the time of their death. As a result, everything begins to feel predestined, as if they have no control. However, Erlick leads the reader to the conclusion that, although the time of one’s death cannot be controlled, the way one lives one’s life can be, through the choices that one makes every day.
When the strings first arrive, people are absorbed with their message—everyone becomes focused on when they will die. Erlick explores this idea from a variety of perspectives beginning, of course, with those most impacted: the short-stringers. However, long-stringers are affected as well, in a different way. As Nina recognizes, “It was an unsettling thought that someone was essentially immune to dying until they reached the end of their string” (41). The knowledge of long life, in the end, doesn’t offer any more control than a short string.
Everyone deals with this loss of control in a different way. Short-stringers who see their end approaching and cannot wait for it to come out of nowhere take control and end their lives with purpose, in controlled circumstances. With the knowledge of a long life ahead of them, some long-stringers become risk takers, although they soon realize that alive does not mean uninjured and healthy—that a longer life does not ensure a happy, healthy one. Still, everyone is focused on the end and shapes their lives accordingly.
This question of control bleeds into other issues as well, as when Hank questions his role as a doctor, wondering what the point was, if death was predetermined. Although being a doctor made him feel as if he was in control, with the arrival of the strings, it seems as though his entire career was pointless. However, just before Hank dies, Ben gives him a new way to consider what he has accomplished as a doctor: “Their strings were long because you were meant to save them. Their strings were long because of you” (175). This is reinforced by the revelation that he, as an organ donor, has lived on in others, and his short string has literally lengthened the strings of others. Although Hank has no control over how long he will live, the choices that he made every day, to be a doctor and an organ donor, have impacted others’ lives, and he lives on through them.
With this shift in thinking, Erlick leads the reader to her ultimate conclusion—although the characters can’t control their death, they can control their life. This shift is further emphasized in the South African student’s speech that goes viral. As she puts it, “Look, or don’t look. That is your choice. But it’s not the only choice we are faced with” (275). Amie has much the same thought as she walks to meet Ben and accept his marriage proposal: “Some things we just can’t control, she thought. But what about everything else? What about all the choices that we make, each day? Who we choose to be, and how we choose to love?” (318). Throughout the course of the story, Erlick takes these characters from feeling a total lack of control as a result of the strings, to understanding that the control is to be found in the way one lives, and the choices one makes, regardless of the length of one’s string.
Through a variety of characters’ stories, Erlick explores the effect that secrets have on personal relationships. In the novel, characters keep secrets for a variety of reasons, all of which revolve around fear—of vulnerability and exposure, of causing pain, or of losing freedom. Maura, Nina, Ben, Jack, and Javier’s stories all illustrate the power of secrets to create distance and misunderstanding between people. However, Erlick also emphasizes the way that, once a secret is revealed, a new intimacy results, from which real change can occur.
After the boxes arrive and the length of Maura’s string is revealed, Nina and Maura struggle to absorb the information. Separately, they deal with the information in their own ways; Nina resorts to online research and Reddit threads, while Maura suddenly begins to long for children. Although they are close, they keep these thoughts from each other. When Maura discovers what Nina has been up to online, she is hurt, but then reflects: “[H]adn’t Maura been hiding something, too? She never did tell Nina about the pangs in the night, the little boy with the backpack and his mom” (107). Although Maura is convinced that having a child is not the answer right now, her longing doesn’t go away. When she finally tells Nina how she is feeling, Nina responds, “You can always be vulnerable with me” (110). After their secrets are shared, Maura and Nina’s relationship becomes even stronger, and they are able to move forward and enjoy their life together more deeply.
Ben keeps his short-string status a secret from his parents, not wanting to cause them pain. However, while he helps them clean out their storage space, he reconsiders the decision, thinking, “Yes, the truth would hurt them, […] but wouldn’t it hurt them more to find out later?” (246) He realizes that there is no way to avoid causing them pain, and by keeping the secret from them, he is also denying himself the comfort and safety he has always felt with them. When he tells them, their reaction is immediate: “[H]is mother leaned forward and pulled him toward her and hugged him with the fierceness, the almost-otherworldly intensity, that can only be reached by a particular person in a particular moment: a parent sheltering their child” (247). By revealing his secret, and making himself vulnerable, Ben feels more comforted and safer than he has since he found out about his short string. His relationship with his parents is deeper, and more intimate, as a result of revealing his secret.
No secret in the novel is as impactful as Jack and Javier’s string switch. Keeping the secret was a burden, especially for Javier, who then had to face his grief over his short string alone. Even after Javier dies, Jack keeps the secret for several years until he and Javier’s parents realize that “hiding it felt somehow shameful” (332), and Javier’s actions were reason to be proud, not ashamed. In this case, with the reveal of their secret, the impact goes far beyond Jack, Javier, and his parents—in the end, their story is the impetus for the end of the STAR Initiative. By making himself vulnerable and sharing his secret, Jack has changed lives, as well as the course of history.
Although Jack and Javier’s thread may be the most significant example, Erlick shows the reader, through a variety of characters, the power of secrets to burden the keeper and distance them from their loves ones. However, she also emphasizes the enormous power and intimacy of sharing one’s secrets, making oneself vulnerable, and offering others the opportunity to support you, and that revealing those secrets can often be a catalyst for growth and change.