25 pages • 50 minutes read
Percy Bysshe ShelleyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The speaker meets four figures—Murder, Fraud, Hypocrisy, and Anarchy—who represent England’s vices, according to Shelley. Murder represents the antithesis of Shelley’s core pacifist beliefs. Shelley largely connects political fraud to the government’s insincere interests in protecting and caring for the common people. Shelley sharply criticizes many facets of English society when he describes Hypocrisy as a figure who disguises himself among the religious order and those enforcing the law (Stanza 7). The final figure, Anarchy, embodies Shelley’s belief that England was then ruled unjustly and illegitimately through violence and oppression.
While he mostly criticizes the powerful ruling class, he does see these as universal vices that all can fall to, especially murder and anarchy. The common people fall for the four figures’ disguises and commit murderous violence across England. When Anarchy arrives in London, people chant and cheer for him as if he were a ruler. For Shelley, no matter the oppression, violence was not the way toward reform and revolution, a belief likely influenced by the failure of the French Revolution and Napoleon’s rule. Yet individuals can overcome these vices by instead protesting peacefully for the ideal England Shelley envisions.
Shelley personifies the English land, allowing the inanimate soil to take on human qualities. As the English land revives Hope and defeats Anarchy, thoughts rise like “flowers beneath the footstep waken,” “stars from night’s loose hair are shaken,” and “waves arise when loud winds call” (Stanza 31). The land even speaks and inspires the common people. By literally allowing the land to speak, Shelley can express his ideas of innate English values.
As a result, the land represents Shelley’s nationalism. Shelley’s national pride is natural, an extension of the essential qualities of the soil, which was a common belief at the time. This idealization of the land makes the land a suitable voice for Shelley’s calls for reform and revolution, which he can express dramatically and less didactically.
Shelley’s choice also reflects Romanticism’s focus on nature and the idealization of the natural state. The land is contrasted with the decay of the industrialized world that is connected to the four figures of Murder, Fraud, Hypocrisy, and Anarchy.
One key symbol of Shelley’s allegory is Hope herself. This ideal is personified so that it is embodied as “a maniac maid” who “looked more like Despair” upon her first appearance in the poem (Stanza 22). The situation in England is so dire that hope is nearly gone. Upon the arrival of Anarchy and his mob in London, Hope “lay down in the street, / Right before the horses’ feet” (Stanza 25). The corruption represented by these four figures has nearly killed her. At that moment, the English land awakens. Upon her revival, Hope, while “ankle deep in blood,” is now a “maiden most serene ,/ […] walking with a quiet mien” (Stanza 32). The land has revitalized Hope. English pride allows the common people to hope for and work toward a better future.
By Percy Bysshe Shelley