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Cherie DimalineA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Frenchie and his group arrive at a deserted property called “Four Winds Resort.” Before Miig can test if the electrified fence still has electricity, Frenchie steps in and does it for him, believing that Miig would be “too important to lose” (57). While Chi-Boy goes over the fence looking for a way to let the others in, Miig tells Frenchie, “No one is more important than anyone else” (58). Chi-Boy opens the gates and the group enters the abandoned resort, which is far more grandiose than anything any of the group has seen before. As the group investigates the rooms, they begin to relax. Frenchie observes: “It made me smile, seeing Chi-Boy, the fierce scout […] wiggling his ass to get into the softness [of the bed] with the goofy grin on his face” (64).
Each group member gets their own room, which Frenchie notes is “strange, all of us separated by walls, divided into compartments like bees in a dusty hive” (65). Minerva starts telling an old story to the girls of the group; Frenchie sneaks nearby to listen. Minerva’s story, from her grandmother, is about “Rogarou, the dog that haunts the half-breeds but keeps the girls from going on the roads at night where the men travel” (66)—in other words, a werewolf, with whom her grandmother had a sexual relationship. She concludes, “I’m marked […] even when you are on your deathbed, he will come” (68).
Later, as Frenchie lies in bed unable to sleep, Rose sneaks into his room and climbs into bed with him. Rose tells Frenchie about her family and background, losing first her parents, then grandmother, then grandmother’s brothers. After burying the last of her relatives, Rose explains that she walked until she found Miig’s group. As Rose and Frenchie start becoming intimate, RiRi interrupts, asking to sleep with them in their room. Frenchie points out that “with no precedent to go by, she wouldn’t really understand the concept of knocking” (73).
Frenchie awakens to find the entire group having gathered in his room to sleep. Two days later, the group starts packing up to the leave the resort. Frenchie finds Wab in a closet, drunk. She begins talking about her mother, which Frenchie says is “the most she’d ever said directly to me. It was terrifying” (76). He admits internally that Wab is a mythic figure in the group because she has never shared her background, and “everyone tells their own coming-to story” (79). Wab begins telling her story to the group.
During this chapter, Frenchie’s awakening into adulthood begins. Grabbing the electric fence before Miig can is more initiative than Frenchie has shown up to this point. While likely motivated by fear of losing another parental figure in his life, it’s the first time Frenchie steps up to protect his newfound family—something he does more frequently over the course of the novel. Frenchie’s intimate moment with Rose also signals a change from childhood into adulthood. Given his background and the state of the world around him, Frenchie likely has not had intimate contact with a girl before, and his relationship with Rose has a powerful impact on who he becomes.
Dimaline includes several allusions to fundamental aspects of Native culture sprinkled throughout Chapter 7. The number four is important in Ojibwe mythology, particularly when referring to four directions. On the medicine wheel, north represents wisdom, age, and the stage of life when an Elder passes their knowledge onto the next generations to restart the cycle. Additionally, the four winds feature in Ojibwe creation mythology. Frenchie’s group “resetting” and Frenchie’s growth beginning in earnest at a resort named “Four Winds” is apt, and it ties in with the overall theme of life happening cyclically. The rogarou, a werewolf-life creature with origins in French-speaking culture, serves as foreshadowing for Minerva’s eventual fate—both her death and her unusual power over those who would harm her and her family.
By Cherie Dimaline