51 pages • 1 hour read
Mitch AlbomA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Frankie’s blue strings are a significant symbol of the interconnectedness of every life. Carmencita first receives the strings as a gift, and she is told that they have lives inside them, a fact confirmed by Music in the last chapter. At first, Frankie believes that it’s his guitar playing that alters the lives of the people around him. This is because the first string turned blue after Frankie’s guitar playing saved Aurora’s life. By the end of the novel, however, Music reveals that “it was not his playing that turned them blue; it was his heart” (487).
Carmencita receives the strings because of the kindness she showed to strangers, and Aurora posits that Frankie received the strings because he showed kindness to the six dead strangers when they first met. Later, Frankie’s strings turned blue when he committed a selfless act to help another person; while this was sometimes connected to his guitar playing, as was the case when he saved Aurora’s life, at other times it wasn’t. When he talked the doctors into saving Hampton’s life, or when he threw his guitar case over Ellis to save him from the bomb shrapnel, it was desire to save their lives and the resulting actions he took that turned the strings blue.
The guitar strings always turned blue after Frankie helped save a life or positively altered a life, except in the case of Alberto. Although Frankie didn’t directly kill Alberto, his presence at the club that night led to his death; in other words, had he not been there, Josefa wouldn’t have needed to save Frankie, and Alberto would still be alive. However, it was still a kind act that turned the guitar string blue because Josefa saved Frankie’s life that night.
The strings’ changing color signifies when lives have been changed by the presence Frankie as well. Music makes this clear after Frankie’s guitar string turns blue when he says yes to accompanying Django to America. Music says that had Frankie said no, Django wouldn’t have gone to America, and his music and life would have suffered. Yet, perhaps the most significant blue string happens at the very end of the novel, when Frankie’s final string changes color after he forgives Josefa. This blue string implies that Frankie’s forgiveness towards Josefa has impacted her life for the better—that he’s saved her life in some way.
The hairless dog is symbolic of Frankie’s changing fate, and he seems to be magical in his own right, as he lives to be supernaturally old and always finds Frankie in moments of need. Music says the dog is “an uncommon animal, and its life span was clearly determined by need, not years” (246). The hairless dog saves Frankie from the river as a baby, assists him when Baffa disappears, and reappears all the way in America when Frankie misses home. Though the text leaves it unclear, Josefa may have brought the dog to America.
When Frankie is in America during his young adult life, the dog represents his connection to his past in Spain. The hairless dog was Baffa’s, and he lived with him at El Maestro’s. Holding onto the dog is his way of holding onto the good parts of his past. However, the dog disappears at the exact moment when Frankie is first reunited with Aurora. Here, he represents Frankie letting go of his past and embracing a new future with Aurora.
Water is representative of life and death—just as water rushes and converges quickly, so too does life change in the blink of an eye. Frankie’s life is constantly “altered by rushing waters” (456). This idea is first seen when Frankie is thrown into the water and left to die, but just as quickly he’s rescued by the hairless dog and lives. His real father, El Maestro, is pushed into water by his supposed friend and left to drown, while Aurora dies during a flooded hospital. When Aurora and Frankie are living on the island, they find baby Kai wrapped in a blanket near the water; traveling on the water between Spain and America changes the course of Frankie’s life more than once.
Water is also symbolic of tears and the interconnectedness between physical water and the pain of loss. When El Maestro is pushed off the dock, “his tears and the sea became one” (151). This is the most obvious realization of this idea, where the El Maestro’s tears literally become part of the sea. Tears and music are also connected; Music makes this obvious when Frankie plays “Lágrima” for the final time:
[Frankie was] playing its tears, the tears that fell from Tárrega’s eyes as he composed it, the tears that dripped down Carmencita’s cheeks as she hummed it, the tears that welled behind El Maestro’s dark glasses when he realized he had passed on my beauty to the son of a sardine maker (486).
By Mitch Albom