51 pages • 1 hour read
Mitch AlbomA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Niles says that Frankie had stage fright because of a performance in Spain where the audience heckled him. He contemplates the mysteries surrounding Frankie’s life.
In 1969, Frankie is on drugs and wandering around Woodstock after buying a carton of eggs. He doesn’t remember why he’s wandering around; the only thing he remembers is Aurora telling him to buy eggs for breakfast.
He is “now thirty-three years old, was tall and lanky, with deep blue eyes, high shoulders, large hands, and dark stubble on his chin and cheeks” (161). Music makes it known that he doesn’t like drugs, stating that despite how many artists have taken drugs to find him, “It does not bring you closer to me” (162).
In 1946, Frankie is 10 years old and living on the streets of England. This was supposed to be a halfway point on his way to America, but he’s been stranded here ever since the men El Maestro paid to help Frankie abandoned him.
A man walks up to Frankie, and it’s Django Reinhardt, the gypsy guitar player who El Maestro loved. He asks Frankie if he’ll accompany him to America, where he’s going to tour with Duke Ellington. Frankie agrees, and the bottom string on his guitar turns blue.
Back in 1969, Frankie is still wandering around Woodstock. A group of people recognize him and say that he’s freaking out. Frankie falls to the ground, listening to the music. A beautiful woman with dark hair tells Frankie to come into her van.
Again in 1946, Frankie finally makes it to America and accompanies Django, helping as his translator. Frankie, Django, and Duke Ellington and his band take a train to Cleveland. Frankie hangs out with all the musicians and explores their instruments. He learns that they’re also going to Detroit, which is where Baffa’s sister lives.
At Woodstock, Frankie and the beautiful, dark-haired woman start talking. She is being flirtatious, and he is too high on drugs to think straight. She asks how he got here, and he tells her the story of how he came to America with Django and Duke Ellington.
During the three-month tour with the Ellington Band, Frankie learns Django’s guitar style. Django had a baby that had died, and traveling with young Frankie gives him comfort. Duke Ellington’s band has a concert, but Django’s performance is the highlight.
At Woodstock, the dark-haired woman is captivated by Frankie’s story about his youth in America. She gives Frankie a pill and takes one herself.
Django and Duke Ellington stop in Detroit for a concert, so Frankie decides to visit Baffa’s sister. When he sees her, he screams out “Mama!” (194), remembering the photo from Baffa’s house. The woman and her husband are clearly annoyed, and they clear up the misunderstanding. It’s clear that the sister wants nothing to do with Frankie, since she and Baffa haven’t talked in years.
Burt recalls how much Frankie loved the studio. Burt produced a song for Frankie and notes how similar they were—both were perfectionists in their craft.
Unable to reconnect with Django, Frankie ends up in an orphanage. After three years, he has grown into a handsome young man that gets the attention of the girls, but he’s disliked by the other boys. He gets private library time to practice guitar, and the nuns let him go to their ceremonies because of his musical abilities.
Frankie and another boy get into a fight, and the other boy breaks one of Frankie’s guitar strings, “the same string that had once turned blue on the British docks” (204). That night, Frankie thinks about his past in Spain, and he misses the people he knew and loved. Suddenly, he hears a noise outside his window, and when he looks, he sees Baffa’s hairless dog.
These chapters move back and forth between Frankie’s childhood in America to his experience at Woodstock. Woodstock was a three-day music festival that took place in August of 1969, “where half a million people gathered on a six-hundred-acre dairy farm” (161) to listen to some of rock and roll’s biggest stars. The festival is a definitive moment in the history of rock and roll, as well as a highlight of the 1960s countercultural generation who were bound by the ideals of drugs and peace.
Although Music is narrating these chapters, the temporal juxtaposition demonstrates how homesick and lost Frankie is while stumbling around Woodstock. During the Woodstock chapters, Frankie is high on drugs and constantly thinking about Aurora and young life in America. He’s so lost in these reveries that he isn’t aware of his surroundings as he walks around the festival. When he gets in the van with the beautiful woman, it’s clear that she is attracted to him, but he keeps talking about his past and thinking about Aurora. In these chapters, it’s clear that Frankie and Aurora are together, or at least have a past together.
The appearance of the hairless dog at the end of the section is suggestive of Frankie’s loneliness and desperation and foreshadows a change in his circumstances.
By Mitch Albom