69 pages • 2 hours read
Eleanor CattonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The events of Part 1 take place on January 27, 1866. The book begins with Mr. Walter Moody arriving at the Crown Hotel in Hokitika, New Zealand, to get a drink and relax after a long and difficult ocean voyage where he encountered some sort of “preternatural horror.” He inadvertently walks into a meeting of 12 men from the town who have gathered at the hotel. One of them, Thomas Balfour, a wealthy shipping agent, interrogates Moody about who he is and what brings him to Hokitika. Moody tells Balfour that he came to Hokitika to get away from his father and to try to look for gold. He recalls his frightening voyage to Hokitika in a storm; he traveled on a barque called the Godspeed under Captain Carver. The men are shocked that he arrived on the Godspeed, telling him that Captain Carver killed his own child and that the mother, the sex worker Anna Wetherell, had been jailed for attempting to take her own life. They ask Moody for his help in figuring out some distressing and mysterious events that took place in Hokitika.
Balfour tells Moody about his relationship with the statesman Alistair Lauderback. When Lauderback decided to run for Parliament, he asked for Balfour’s assistance in his Westland campaign. Balfour was glad to help him. Lauderback arrived in Hokitika on January 14, 1866, by horseback, to begin campaigning in earnest. The evening he arrived, he stopped at a cabin that belonged to a hermit named Crosbie Wells, and Lauderback discovered that Crosbie was dead; later, Lauderback also found the sex-worker Anna Wetherell unconscious in the middle of the road.
Later, Lauderback tells Balfour that Frank Carver, the captain of the Godspeed, had taken on the name Frank Wells and conspired with his accomplice, Lydia Wells, to blackmail Lauderback; they wanted Lauderback’s barque the Godspeed. Lauderback had an extra-marital relationship with Lydia and they were using this information to threaten him to give them the barque. Carver used the boat to smuggle undeclared gold sewn into Lydia Wells’s dresses.
Additionally, Lauderback had sent a crate with his belongings by sea, ahead of his arrival on horseback; this crate also contained the papers showing that Carver had used the name Wells in the transfer of the Godspeed. Lauderback thinks that these papers can be voided since Carver used a false name to purchase the ship, and he is happy that he can use this information to get the Godspeed back. However, Lauderback doesn’t know that his crate was stolen from the Hokitika dock. Balfour is nervous to tell Lauderback about this piece of bad news, so he hasn’t yet done so.
Next, Reverend Devlin Cowell, the prison chaplain, takes up the narrative. Devlin says he visited Anna Wetherell in prison on January 14 and 15; she was intoxicated on opium and incoherent, so the jailer, Governor Shepard, imprisoned her. On January 15, Devlin also went with the doctor, Dr. Gilles, to collect Crosbie Wells’s body from his cabin. While he was there, he found a scrap of paper in the fireplace; it recorded a transfer of 2,000 pounds from Emery Staines to Anna Wetherell, with Crosbie Wells as witness. However, Staines had not signed the document.
Then, Balfour describes how he later runs into Crosbie Wells’s closest friend, Te Rau Tauwhare. Tauwhare tells him that he saw Francis Carver enter Crosbie’s cottage the night he died; after Carver left, Lauderback and his companions went in. Balfour goes on to the bank, where he learns that Carver had a stake in a mine named Aurora; his partner at the mine was Staines. Balfour also discovers that Staines had disappeared from Hokitika on January 14. At the docks, Balfour learns that Carver was imprisoned for trafficking opium some years ago, and he was held on Cockatoo Island where Governor Shepard had been the jailer.
On the morning of that day, January 27, pharmacist Joseph Pritchard visits Harald Nilssen, a commission agent, in his office. Nilssen oversaw the sale of Crosbie Wells’s property to the hotel manager, Edgar Clinch, including 4,000 pounds’ worth of gold found in the cottage. However, the sale was now on hold because Lydia Wells had arrived in Hokitika soon after Crosbie’s death, claiming she was his widow. Pritchard insinuates that Nilssen was somehow implicated in Crosbie’s death because he gained a commission on the sale of his property. He suggests that Nilssen talk to the digger Quee to learn where the gold came from. Pritchard also tells Nilssen that he suspects the opium Anna had smoked had been poisoned.
After Pritchard leaves, the jailer George Shepard comes to Nilssen’s office and asks him to use the commission he got from the sale of Crosbie’s property to help him build a new jail. Under pressure, Nilssen agrees.
Pritchard then visits Anna at the Gridiron Hotel. He tells her he thinks that her opium was poisoned. He also reveals that there was a vial of his laudanum under Crosbie’s bed even though he hadn’t sold it to the hermit. Pritchard wants to test Anna’s opium, but she tells him she already ate the rest of it. Pritchard thinks she is lying because she seems sober, so he begins to search her room for the opium. Anna is frustrated and pulls out a gun; it goes off accidentally in her direction, but no bullet is fired. Aubert Gascoigne, a courthouse clerk, arrives in Anna’s rooms; but when he tests the gun, it fires correctly.
Pritchard is Hokitika’s sole supplier of opium and he purchased it from Carver. He decides Anna is lying about the opium “on another man’s behalf” (168). Just then, Nilssen’s clerk arrives with a note from Nilssen confirming that, according to Quee, the gold in Crosbie’s cabin was Quee’s work.
Charlie Frost, the banker, looks into the records of the Aurora gold mine and learns that Emery Staines bought the mine sometime around May 1865. Staines transferred half the shares to Carver a few weeks later, and then the mine dried up. Frost goes to see the businessman Dick Mannering, who is also Anna’s procurer. Mannering tells Frost that Anna was with Staines on the night Staines disappeared and Crosbie died. Frost then tells Mannering that the gold found in Crosbie’s cottage had been marked “Aurora.” Mannering says that the Aurora claim was dry; he had been planting gold on it (a practice known as “salting”), so there is no way that the gold came from Aurora. However, he assumes that gold showed up on the records because the digger Quee always found the planted gold.
Balfour visits the newspaper man Löwenthal, who tells him that Anna had put an ad in the paper asking for news about Staines. He also tells Balfour that Carver left town in the middle of the night on January 14, on the Godspeed. Löwenthal also recounts to Moody that Carver, under the name Crosbie Francis Wells, had put an ad in the paper in May, promising a reward upon return of a lost crate.
Frost and Mannering go to the nearby Kaniere mining camp to meet with Quee.
On January 15, Gascoigne is collecting bail at the jail. Anna tells him that she can pay him back for her bail with the gold she has found sewn into her dress. He pays her bail, she is released, and they go together to Gascoigne’s house. He gives her his dead wife’s black dress to wear. Then, they take all of the gold out of Anna’s dress and hide it under Gascoigne’s bed. She tells him that when she was pregnant, the man who fathered the child beat her until she had a miscarriage. She also tells him that on the night of January 14, she had been with Staines. She left to smoke opium with Ah Sook, and then woke up in jail.
On January 27, Gascoigne goes to see Anna at the Gridiron Hotel. He tells her he has a surprise for her—he is taking her to meet a woman so she and Anna can shop for hats together. Anna tells him that the hotel manager Edgar Clinch is threatening to evict her for unpaid rent, and that she doesn’t have the money to pay up since she will no longer be doing sex work. She asks Gascoigne for money, and they argue because he refuses to give her any. He then also refuses to take her shopping for hats with the other woman.
Gascoigne talks to Clinch, who tells him that Staines owns the hotel. Clinch resents Pritchard for selling opium to Ah Sook, who then sells it to Anna. Gascoigne and Clinch argue about Clinch’s threats to throw Anna out of the hotel. Clinch is in love with Anna and takes care of her when she has had too much opium. He thinks about how he found gold sewn into the lining of one of her dresses when he took care of her one day. He later checked all five of her dresses and thinks there is gold in all of them. He does not mention the gold to Gascoigne.
On January 27, Quee Long, the digger who works at the Aurora mine, is at his home in Kaniere Chinatown talking to Ah Sook, the opium den operator. Ah Sook tells Quee that on January 14, he purchased half a pound of opium from Pritchard and, when leaving town, had seen Francis Carver. Sook “explain[s] to [Quee] that Francis Carver was a murderer and that he, Sook Yongsheng, had sworn to take Carver’s life as an act of vengeance” (264). That day, he saw Carver talking to Te Rau Tauwhare. Later, Tauwhare told Sook that Carver had previously asked him for information on the whereabouts of Crosbie Wells, and Tauwhare had sold him that information on January 14.
Mannering and Frost suddenly arrive at Quee’s house and begin asking him about the gold. Quee explains that he’d actually stolen the gold marked “Aurora” from the linings of four of Anna’s five dresses; he had smelted and marked the gold “Aurora” in order to bank it. He replaced the gold with weights, which is what Clinch had felt. However, Staines had never taken the gold from the camp station to the bank, and it had gone missing. Then, Nilssen arrives, too. Sook tells the group that Crosbie Wells had found a lot of gold in Dunstan in Otago, two years before.
Gascoigne goes to the Wayfarer Hotel where he meets with Lydia Wells, the widow of Crosbie Wells. When Gascoigne and Lydia met three days before, she told him that she and Anna had met in Dunedin. She said they were old friends and that she wanted to surprise Anna, which is why Gascoigne had arranged for Anna to go hat shopping with her. Lydia tells Gascoigne she has purchased the Wayfarer Hotel and that she will be holding séances there. She also tells him she is engaged, but she won’t say to whom. She tells him that she and Crosbie got married when he hit the jackpot on her fixed wheel at her gambling hall in Dunedin and, rather than pay out, she offered to marry him.
Reverend Devlin runs into Tauwhare when he is out walking. Together, they visit Crosbie’s grave. Tauwhare feels guilty that he might have had a role in Crosbie’s death since he had sold information about Crosbie’s whereabouts to Carver; he doesn’t share these thoughts with Devlin. Meanwhile, Frost visits Löwenthal and they agree to gather the other interested men and meet at the Crown that evening to discuss the events of January 14. Mannering goes to his office in the Gridiron Hotel, where the manager Clinch tells him that Anna has left with Lydia to stay with her at the Wayfarer Hotel. Lydia paid Anna’s outstanding rent. Anna left word with Clinch that if Mannering wants the 100 pounds she owes him, he is to ask Aubert Gascoigne for it. Mannering goes to Gascoigne’s and threatens him for his payment, but Gascoigne refuses to give up the gold. Nilssen arrives, and they all decide to go to the Crown together.
The 12 men gathered at the Crown Hotel on the evening of January 27 are Tauwhare, Frost, Löwenthal, Clinch, Mannering, Quee, Nilssen, Prichard, Balfour, Gascoigne, Sook, and Devlin. Moody summarizes to them everything he has heard that evening about the events of January 14: the murdered man, Crosbie Wells; the possibly poisoned sex worker, Anna Wetherell; the missing man, Emery Staines; the arrival of Lauderback and Lydia; and, the discovery of gold in Crosbie’s cottage and Anna’s dresses, which Anna had purchased second-hand and were presumably Lydia’s.
Then, Moody recounts what had happened to him that day, January 27, when he was travelling on the Godspeed from Dunedin to Hokitika. It was storming and he dropped his papers in the hold. While he was gathering them, he heard a voice moaning “Magdalena” in a crate. Moody opened the crate and found a man who was bleeding from his chest. Moody pulled him out, but thinking the man was an apparition, he left the bleeding man in the hold and went on the deck. Moody didn’t see him again.
After Moody tells his story, Mannering’s servant runs in to tell them that the Godspeed has been wrecked on a sandbar near the port.
Part 1 of The Luminaries introduces the inciting incidents that set the plot of the novel in motion—namely, the death of Crosbie Wells, the disappearance of Emery Staines, the incapacitation of Anna Wetherell, and the arrival of Lauderback on the night of January 14—and presents all 20 of the main characters. The novel’s writing style is modeled after 19th-century novels, although in a tongue-in-cheek manner that draws attention to the differences between the straightforward plotlines of 19th-century novels and the convoluted events and timelines of The Luminaries. Though this novel is set in the 19th century, the writing draws attention to its difference from novels of that time and uses novelistic conventions from that era to point this out. For instance, every chapter in The Luminaries includes an italicized description of the events of that chapter, which recalls the practice of 19th-century serial novels. However, unlike the historical model, the chapter descriptions in The Luminaries lend confusion rather than clarity, indicating the profusion of characters and events packed into chapters. This quality of the chapter descriptions gradually becomes more pronounced as the novel progresses. As an example, the chapter description for Chapter 1 reads: “In which a stranger arrives in Hokitika; a secret council is disturbed; Walter Moody conceals a recent memory; and Thomas Balfour begins to tell a story” (3). Rather than previewing the events that are to take place with any degree of clarity—as the chapter descriptions of 19th-century novels did—this chapter description only leaves a sense of confusion and suspense.
In Part 1, each member of the 12-man council at the Crown Hotel is introduced and his relationship to the inciting incident is described. This is largely done through a frame story, or as a story within a story: Moody, an outsider, arrives within the council’s midst, and the council tells him the story of the events rather than the events being described directly through the narrative. While the use of a frame story is found throughout Western literature, like in Ovid’s Metamorphoses, it was particularly popular in 19th-century Victorian novels like Treasure Island by Robert Louis Stevenson (1883) and Dracula by Bram Stoker (1897). In this way, The Luminaries deploys tropes and structures of classic 19th-century literature.
The use of the frame story as a narrative structure introduces the possibility of unreliable narrators. Since the events are being recounted by characters who are participants in the events, they might be lying in order to defend their own interests or to present their actions in a better light. Moody, who is trained as a lawyer, identifies this explicitly, stating, “I am very conscious of the fact that the pertinent facts of this tale are being relayed to me second-hand—and, in some cases, third-hand” (281). In this way, the slippery nature of the truth in The Luminaries becomes increasingly pronounced. In most whodunits (or stories about a crime and the attempt to discover who committed it), the narrative makes it increasingly clear what has occurred by using a reliable narrator, but this is not the case in The Luminaries. While some facts do become illuminated as the story continues, the shifting perspectives and the characters’ propensity to lie make grasping “the whole truth” difficult (282).
Part 1 also addresses the theme of Class Mobility on the Colonial Frontier. For some, such as Balfour and Gascoigne, the frontier offered an opportunity to become wealthy and improve one’s class status, far from the rigid class structures of England or France. When Moody first arrives at the goldfields of Hokitika, he does not know this was a place where “every fellow was foreign to the next man, and foreign to the soil; where a grocer’s cradle might be thick with colour, and a lawyer’s cradle might run dry; where there were no divisions” (11). This quote explains that in the goldfields, anyone can become wealthy overnight, and anyone can lose everything (A “gold cradle” is a 19th-century mining tool used to sort gold from dirt and rock). Class and wealth are no guarantee of success on the colonial frontier, especially for those “foreign to the soil,” who are the colonialists themselves. However, the nature of Class Mobility on the Colonial Frontier is very different for the colonized, and this is addressed in Part 2 of the novel.