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Eliza and Nella take the first morning coach back to the city. As they head toward the shop, Eliza wonders how Nella constantly deals with the “heavy burden” of potential detection by authorities. At the shop, Eliza learns from Nella just how work-intensive the production of this powder is; Nella’s destruction of the first batch is given new weight in Eliza’s eyes, and the young girl realizes “just how strongly she felt against murdering the mistress of a lord” (156). Although Nella has told Eliza that she must leave the shop after this task is done, Eliza hopes that by doing a great job, Nella will change her mind. Though Eliza’s period has stopped, her fear remains; she thinks Mr. Amwell’s ghost has gone back to Warwick Lane to wait for her. Eliza feels proud of the work she and Nella have done with the beetles; her resolve to not hurt other women with such mixtures is “not as rigid as Nella’s” (157). Lady Clarence leaves with the powder.
Nella is visibly guilt-ridden as she records the name of Lord Clarence’s mistress, a fact that Eliza finds striking. Eliza recognizes that of all the poisons Nella has dispensed, this one likely bears heaviest on her mind. Eliza tries to make her feel better by pointing out that by making the powder, Nella has technically saved thousands of lives by staying their arrests and executions. Even so, Nella suspects that something is about to go “terribly, terribly wrong” (159). Eliza wonders if Mr. Amwell’s spirit has begun to haunt Nella, too, and resolves to visit the magick shop in the morning when the storm lets up, to free them both from his presence. Nella encourages Eliza to leave the shop and return to the Amwell house, which makes Eliza feel betrayed. Nella explains that Eliza is still unspoiled by the worst of her sort of life and that Nella is not the sort of company Eliza should keep. They part, and Eliza leaves distraught. As she exits the shop, she thinks she hears Nella weeping at their separation.
Caroline leaves the hotel room after dark while James is sleeping and heads back to Bear Alley. Caroline finds a new “no trespassing” sign on the gate in front of the clearing, but she ignores it and hops the gate. She is motivated to open the door by two primary reasons: (1) avoiding the “practical, low-risk, responsible route” (164) that she’s always taken, and (2) the possibility that whatever she finds behind the door is newsworthy and could open a new career path for her. Though she has some reservations about whether she will find anything of import, she proceeds through the door. She initially finds an unassuming corridor that she identifies as a remnant of Back Alley. A bit further along the corridor, she discovers another door. This one opens to a small, empty room. The back wall of this room is wooden and has some shelves affixed to it. Caroline takes note of the odd arrangement of the shelves, the “inconsistency of things” (167), and discovers an interior door that leads to an innermost room.
Rather than return to the Amwell estate, Eliza sleeps in an alley a street away from Nella’s shop. When she awakes, she goes to the magick bookstore. Though she briefly considers returning to the servant’s registry office and finding another station, she decides against it, resolving to rid the Amwell house of its ghosts. Eliza has a bit of trouble finding the shop at first, but she quickly realizes that this is by design as the shop “[means] to disguise itself” (171). In the store Eliza finds a small section on “Magickal Arts.” The shop boy comes by as Eliza is perusing a spell for reviving a stillborn baby. The boy introduces himself as Tom Pepper, and he tells her that the book in her hands formerly belonged to his mother. He also tells her that his father opened the shop after his mother’s death, a tragedy that came the same week he was born. Tom Pepper says he was stillborn and his mother used the revival spell to save him. He identifies this exchange as potentially the “curse of magick: for every reward, there is a great loss” (174). Tom Pepper gives Eliza the book for free on account of their budding friendship. He encourages Eliza to stop by to either tell him of a spell that worked or to exchange the book for another if a spell does not work. At the prospect of seeing Tom again, Eliza experiences a new feeling that makes her step “light and [her] face warm” (175).
Nella misses Eliza as soon as the girl leaves. She hopes the book of magic will put her mind at ease in reference to Mr. Amwell’s ghost, but she does not put much stock into magic herself. As Nella is busying herself with work, Lady Clarence arrives at the store in alarming fashion, her eyes “wide as saucers” (178). Lady Clarence falls into Nella’s arms and reveals that her plan has gone awry. Miss Berkwell, her husband’s mistress, is still alive. It is her husband who died. When Miss Berkwell took a sip from the fig liqueur the maid had unknowingly spiked with the poison, she got a “lascivious” look on her face and left the dining room with Lord Clarence while Lady Clarence was momentarily distracted. Some time later, Miss Berkwell came back into the dining room alone with a terrified expression. During their tryst, Lord Clarence had apparently drained a significant amount of the poisoned fig liqueur. Lady Clarence directed her maid hide the now-empty powder jar in the cellar of the Clarence estate. She plans to return it to Nella as she can.
According to Lady Clarence, in addition to the nondescript bear Nella engraves on all her jars and vials, the one she received with the lethal aphrodisiac has writing on it. Nella lets out a nervous laugh and is sure Lady Clarence is mistaken. She then remembers that Eliza is the one who selected the jar for the powder, and that while Nella was not looking, Eliza must’ve selected a jar from the far back of her mother’s cupboard, one of the jars that is engraved with more identifying information than just the bear logo.
Nella rushes out of the shop, toward the Amwell estate, to find Eliza to determine from which cupboard the girl selected Lady Clarence’s container. Lady Clarence also leaves, and Nella hopes that she’s gone to get rid of the jar. She finds Eliza near a churchyard, reading from a new magic book. Though Eliza is not pleased to see her, and Nella refuses to give her details of Lady Clarence’s case in public, Eliza agrees to return to the store with her. Eliza shows Nella the cupboard from which she chose the jar, confirming that she used one of Nella’s mother’s canisters. In fact, the jar is “engraved with the address of [Nella’s mother’s] once-reputable apothecary shop” (186): 3 Back Alley. Eliza bursts into tears at the realization of what she’s done, and Nella comforts her, internally assuming some of the blame for this outcome. Nella tells Eliza that “all will be well” (188) even though she does not entirely believe this herself.
To Caroline, the secret room has the appearance of an old pharmacy. She finds “ledges sagged under the weight of milky, opaque glasses” (189), a scale, and old books. Caroline takes as many photos as she can before her phone battery dies, including the pages of a large old book. She leaves the building just as her battery dies and returns to the hotel. She finds James awake, and the exhilaration from her discovery promptly wanes. In the morning James has a “raspy cough” (193) that he chalks up to dry air on the plane. Caroline recommends that he take some of her eucalyptus oil for the cough, and he does so out of her sight. James leaves to visit the Tower of London, a dejected look on his face as Caroline confirms that she will not be joining him on his sightseeing venture. As soon as he is gone, Caroline reviews the pictures she took of the apothecary shop. One of her crispest photos is of a book page with text “neatly lined in rows” (195) and specific names and dates. She determines it to be a log or register. She notes that, from the varied handwriting, it seems like the pages were written by three separate hands. When she makes out some of the medicines, she finds that they seem innocuous. But she sees the word arsenic, and her interest is piqued. She notices that some of the entries reference the sale of otherwise benign ingredients in large quantities, so she writes “quantities of non-poisons needed to kill” (196) in her own notebook to research that topic later.
Caroline cuts her research short as James reenters the room. His face is “pale and clammy” (197), his forehead is sweaty, and his hands are shaking. He asks to have the room to himself so that he can vomit. Caroline, though worried about his condition, allows him this. As Caroline leaves the hotel, Gaynor calls her with news that the manuscripts she ordered have arrived. She asks Caroline to come in as soon as she can, as the manuscripts hold some incredibly fascinating information. Caroline says she cannot come to the library because she wants to be close by in case James needs her. Instead, the women meet at a nearby coffee shop to look over copies of the manuscripts. Caroline, unsure of her closeness with Gaynor, decides against telling her about the apothecary shop, since she technically broke the law and the shop might count as a historical site that Gaynor is mandated to report. Gaynor has brought two bulletins: one from February 10, 1791, and another from February 12, 1791. The earlier bulletin has the rudimentary drawing of a bear, “identical to the tiny bear on the light blue vial” (200) Caroline took from the River Thames.
These chapters continue to build out Eliza’s characterization by focusing on her understanding of control. At this moment, Eliza’s first period is as terrifying to her as the specters (of Johanna and Mr. Amwell) that hound her consciousness. When she discovers a book of spells at Tom Pepper’s magic shop, she seizes on it as a means of potentially altering her life herself, thereby twisting and turning it away from these horrifying experiences. It may be easy to see Eliza’s trust in magic as a fanciful, childish strand of her character, but her ambition to take hold of her own destiny and drive it toward a more favorable course is a mark of maturity and character growth, as she is no longer relying on her mother or her mistress. It is an important moment of indirect characterization.
Eliza’s cognizance of the world around her also shines through when she points out that if Lady Clarence goes to the authorities, every buyer of fatal toxin from Nella’s shop who is recorded in her register will also be at risk of discovery. But this is more than a simple moment of clear-eyed insight where Eliza realizes that Lady Clarence’s threats affect several women; it is also a clever stab at self-preservation, as Eliza recognizes that she is among the clients who would be pursued by authorities if Nella was arrested and her register confiscated. Through Eliza’s actions, the theme of secrecy is also developed. While Eliza started off as a transporter of secrets, her decisions to keep Tom’s book of spells to herself and to hide of her personal motivation for wanting Nella to comply with Lady Clarence’s request, transform her into a character with secrets of her own.
These chapters also reveal the depth of Nella’s dedication to women of her past and present. Her inclination to preserve history, by way of the calfskin register and the storage of her mother’s addressed jars and vials, poses quite the risk of discovery for her, but she maintains these things anyway. Just as Nella notes that her register is the one place regular women can leave their mark on a world that might otherwise forget them, so too do Nella’s mother’s things stand as concretized memory, as the inherited possessions of the late woman’s only family, and the only mode through which she may not be forgotten. Nella, as one who has experienced perpetual loss, shows an intense commitment to objects with staying power, objects that are imbued with the memory of a person who is no longer with her and are sturdy enough to withstand time.
Nella’s ingrained dedication to keeping the things and people she cares about close gives her efforts to push away Eliza even more weight; she will protect this young girl even if it reopens her loss-related emotional wounds. In these scenes, Nella also takes up some of the more challenging aspects of motherhood—she confronts an angry Eliza who is mad at her for doing something she believes is in the child’s best interest, and then, when the truth of the addressed jar and Lord Clarence’s death emerge, privileges Eliza’s reassurance by telling her that “all will be well” (188), even though she herself is extremely unsure of this. She endeavors to keep Eliza’s hope intact, directly engaging with one of Eliza’s principle characteristics and reinforcing their connection.
In the present day, Caroline’s discovery of Nella’s shop fulfills the apothecary’s intention that the store only ever be a place for women. It is technically still, as the hospital note describes, a maze to men. Caroline’s presence also validates the significance of the life that Nella lived, with Caroline noting that the space she has found here may be “worthy of international news” (190) and eventually reading the names of women that might have been otherwise lost to history. Caroline’s intrepid venture into this abandoned location, under the cover of night in a foreign country, is a moment where she operates almost entirely in the absence of fear, briefly unanchored by any reservations about her potential historian career and her own anxieties about her future in the wake of James’s unfaithfulness.
In this same vein, James continues to be a catalyst for much of Caroline’s emotional turmoil. After using the eucalyptus oil that Caroline lends him and becoming mysteriously sicker, James elicits from Caroline a worry that momentarily breaks through her frustration with him. Caroline’s panic is reliant on their personal history and the affection she once held for James. By requesting that Gaynor meet her near the hotel so she can keep an eye on James instead of traveling to the British Library for their meeting, she is holding her personal history with him and her fascination with the apothecary’s history in similar regard.