53 pages • 1 hour read
Marjan KamaliA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Ellie goes with Mehrdad to visit his colleagues at Rockefeller University. Ellie has dressed up in imitation of Queen Farah Pahlavi, but then is embarrassed about her efforts when she meets the other scientists and Mehrdad’s boss, to whom she gave the platter with the hand-painted design of a bird, the platter she bought in the bazaar the day she saw Homa. At a gathering for other post-docs and their spouses, Ellie meets Angela, who becomes her friend and helps Ellie get a job at the cosmetics counter at Bloomingdale’s. Ellie watches on TV as US President Jimmy Carter celebrates the country’s friendship with Iran, but she realizes, “I should have known that some friendships fracture and rupture beyond belief” (241).
Ellie prepares for her mother’s visit and steels herself to feel again like a chubby child always being criticized. Her mother comments on the small size of their apartment and exclaims over everything that surprises her about America, including the food. She tells Ellie of the riots in Iran and her concerns if the religious fundamentalists take over. Ellie takes her mother to Bloomingdale’s and treats her to frozen yogurt at the restaurant. When Ellie asks why her mother objected to her friendship with Homa, her mother reveals that she married Massoud to give Ellie a better life. She never spoke of Ellie’s father because he was unfaithful to their marriage and she was deeply hurt by this. Her mother warns Ellie that events in Iran do not seem to be unfolding in a positive direction, and if the fundamentalists take over, restrictions on women could roll back decades of progress. As they see the shah deposed and the revolutionaries take over, Ellie and Mehrdad extend their stay in New York.
After receiving Homa’s letter, Ellie brews tea in her teapot, which she bought because it reminds her of the one Homa’s mother had. She calls Homa and learns that Abdol died and Homa wants Bahar to leave Iran so she can have a better future. Homa says she needs to stay and fight for women, who have had so many basic rights taken away. Ellie talks with Mehrdad and he has no hesitation about opening their home to Bahar.
Ellie and Mehrdad meet Bahar at JFK International Airport. They show Bahar their apartment and the room that will be hers. Bahar is glad to see the Snoopy toothbrush that Ellie gives her. Homa is still in Iran, still fighting, and Ellie thinks of her as a shir zan.
Ellie goes with Bahar to enroll her in high school and is mistaken for being Bahar’s mother. Bahar calls her “aunt” and Mehrdad “uncle” (267). Bahar and Homa thank Ellie for her generosity, and she feels guilty about what they don’t know. After she leaves Bahar at school, Ellie visits Mehrdad’s office. She’s concerned how Bahar might be treated because Americans mistrust Iranians after the hostage crisis. Ellie recalls how she once envied Homa her family, and now she has Homa’s daughter. She worries that she has been responsible for putting the evil eye on Homa, and Mehrdad assures her that this is a groundless superstition.
Bahar speaks often of a friend at school named Madison, but Ellie doesn’t like the girl. One day, as she makes fesenjoon—a dish Homa loves—Bahar mentions that Homa spoke of Ellie often. Ellie is surprised, but Bahar explains that Homa kept her distance because she knew she was being watched and she didn’t want her friends to get into trouble. Bahar misses her father, but she is worried about losing her mother, too. Ellie hugs her and realizes, “I would move heaven and earth for this child” (275).
Ellie argues with Bahar over the after-prom party to which Madison has invited her. They go to the airport to pick up Homa, who is coming to visit. Ellie is touched to watch mother and daughter greet each other, and is nearly moved to tears when Homa embraces her, Ellie.
Homa and Ellie sit and chat over tea. Ellie talks about her job and realizes she gave up striving around the time Homa was arrested. Homa says firmly that feminism supports a woman being able to choose her own life. They speak of Homa’s namesake, the homa bird said to live its whole life above the ground, as well as being a symbol of good fortune. Ellie wants to apologize, but Homa finds ways to distract her from the subject, beginning by noticing the teapot. Ellie takes Homa to the New York City library and tells Homa she is a shir zan, one of the lion women. Homa says Ellie is one, too. Ellie takes her friend next to the Pierpont Morgan library and Homa speaks of the women’s rights organization she founded and her dream of democracy for Iran. They see the Persian rugs in one room, and Homa remarks how the art of Persian women has spread all over the world.
Bahar is embarrassed when she arrives at Madison’s apartment and realizes the party is large, loud, and crowded, and that everyone changed into casual clothes. Bahar brought a gift for Madison’s mother and is still wearing her prom dress. Feeling uncomfortable, she drinks a great deal of alcohol, dances, and then passes out.
Ellie and Homa rush to the hospital where Bahar has been taken. Bahar has alcohol poisoning and is in a coma, but she is alive because Madison got her to the hospital in time. Ellie translates for Homa and they both sit in Bahar’s room, talking. Ellie finally confesses to Homa that she was responsible for Homa’s arrest because of what she said to the colonel. Homa answers, “Okay” (301). Ellie thinks Homa should be angry and asks if Homa stayed away because the police were monitoring her. Homa admits that the interrogators in prison wanted to know who had translated the pamphlets. Homa refused to give them Ellie’s name. Ellie asks why Homa didn’t tell them, and Homa answers, “Because you are my friend” (304). Ellie feels a flood of envy, then realizes that Homa’s friendship has been an unconditional, lifelong gift. Homa insists that no one else will destroy her or take her spirit. Bahar wakes up.
As Bahar recovers, Homa decides she will get a visa and return to the United States. While Mehrdad and Bahar watch TV, Ellie takes Homa to the cinema to watch the film E.T. She wants to help Homa overcome her fear and feel safe. The night before she leaves, Homa expresses her anger that “[t]hose fundamentalist thugs took over Iran and hijacked it. It’s not fair that my daughter has no future there. It’s her country” (309). Homa gives Ellie the pink notebook that Ellie made for her long ago. Inside the notebook are recipes. Homa thinks Ellie should start her own restaurant.
Leily enters Miss Ellie’s café, which is closed for her birthday party. On the wall hangs a Polaroid photograph of two young women standing on a mountain, arms around one another. Miss Ellie greets Leily, wearing the necklace Leily has always seen her wear, a chain with a tiny bird charm. Bahar appears from the kitchen. Leily’s family runs this Persian café in their town of Lexington, Massachusetts, the town where the American Revolutionary War began. After the party, they check social media for news. Leily’s family, including her father, Steve Murphy, have been watching the protests in Iran over the death of a young woman, Mahsa Amini, whose Kurdish name was Jina, who was beaten to death by the morality police. Leily is fascinated by the country and the protesting women. Leily watches a video and Miss Ellie identifies Homa, Leily’s grandmother, Homa, as one of the women in the protest.
In a letter addressed to Leily, Homa speaks of her age and her memories of her childhood friendship with Ellie. She reveals that she was arrested when she returned to Iran in 1982 and had her passport revoked. She missed Bahar every day but was proud when Bahar graduated college, married Steve, and earned her graduate degree in public health. Finally, Homa was allowed to visit the US, but she returned to Iran to continue her fight for equality and women’s rights. She hopes that the protests are gathering power with the force of years and that one day, Iranian women will be free. She reminds Leily to always love—love madly.
As the fifth act in terms of dramatic structure, these chapters build to the climax, which also proves the turning point of the story. Several themes come to the fore in Ellie’s final confession: the Jealousy, Guilt, and Resentment she has felt and how it motivated and transformed her; The Protectiveness of Mothers demonstrated in Homa’s actions; and the forgiveness that solidifies Homa’s definition of Bonds of Friendship and Loyalty and proves her devotion to the concept as an ideal as well as to Ellie, the person. The theme of Jealousy, Guilt, and Redemption is fully realized, as Ellie finally confronts the internal turmoil that has plagued her since she betrayed Homa. This guilt has shaped her life, influencing her relationships and her sense of self-worth, and the act of confession serves as a moment of catharsis.
The confession of Ellie’s mother, which follows Homa’s sacrifice in parting from Bahar, amplifies the theme of the protectiveness of mothers. Their exchange in the restaurant casts Ellie’s mother in a new light and shows Ellie’s maturity as she admits the resentment she felt as a child. Ellie’s newfound understanding of her mother’s motivations, especially her desire to secure a better life for Ellie by marrying Massoud, mirrors Ellie’s own protective feelings for Bahar. This parallel suggests that the sacrifices made by mothers often go unappreciated until their children are old enough to understand the burden of responsibility. This glimpse into the nature of motherhood sets Ellie up to take on a mothering role herself when Bahar arrives. Though it is true to Ellie’s personality that she is nervous about this responsibility, the chance to help Homa in this specific way helps her confront and eventually resolve her guilt. The evil eye gives Ellie a symbol for explaining the impact of her unintentional betrayal, but it is her scientific husband, Mehrdad—a deeply kind and compassionate person—who makes Ellie see that this superstition, like her guilt, is empty and useless.
The concept of lion women also surfaces in this part, as Homa’s decision to stay and fight in Iran contrasts with Ellie’s concerns in the US. While Ellie’s strength is expressed through her care for Bahar, Homa’s battle is waged on a national scale. She embodies the ideals of a shir zan, determined to bring about change in the face of overwhelming adversity. The liberty that Ellie has in New York City poses a sharp contrast to the lessening freedoms for women in Iran, just as the processed American food, which becomes something of a running joke, provides a sharp contrast to the nourishing and more complex flavors Ellie enjoys in Persian food.
Her arrival in the US introduces Ellie to a period of loneliness that mirrors and mimics the isolation of Homa’s long walks when she was dealing the aftermath of her traumatic experiences of her first imprisonment. Like Homa, however, Ellie eventually proves resilient, adjusting to her new home and preserving bits of Persian culture in the US, like the plate she gifted to Mehrdad’s supervisor or the food she prepares. The food itself, which has represented Ellie’s longing for love and comfort throughout the novel, here represents her attempts to connect with the past and her identity. The pink notebook, filled with Homa’s recipes, becomes a token of this enduring bond and a key symbol. Further, the bird design on the plate hints that Ellie has carried some of Homa’s fearlessness and bravery with her; the bird recalls the necklace Homa gave Ellie and is a symbol of Homa herself, characterizing her high ideals, love of freedom, compassion, and the joy she brings to those around her.
Bahar’s illness, while it brings the two protagonists together and sets the stage of the climactic confession, also raises a symbolic question about the future, as Bahar represents not just Homa’s hopes and dreams but also the hopes of Iranian women more generally. Bahar’s position as the next generation of lion women is complicated by her proximity to both cultures, and her health scare can be interpreted as the fragility of the future for women in Iran, particularly when influenced by outside forces. With the former friendship between the two countries jeopardized by the Iranian revolution and the hostage situation, Bahar’s place in the United States is more tenuous than Ellie’s, who has the protection of her husband. That Bahar goes on to graduate college, marry and have a family, and pursue a satisfying career all make good on Homa’s sacrifice at being parted from her daughter and bear out the belief that young women should be given opportunities to pursue their dreams. Kamali’s reference to the widespread protests over the 2022 death of Mahsa Jini Amini, linked to the beating she suffered when detained by the Guidance Patrol—Iran’s morality police—serves to emphasize the cycle of hope, protest, and repression that Homa, and Iranian women along with her, continue to experience in the Islamic Republic, reinforcing the novel’s purpose of furthering awareness about their situation.
The novel returns to an optimistic note at the end, in the Epilogue that summarizes the intervening action between 1982 and 2022 and identifies Leily as the inheritor and product of a line of lion women. This note revisits the bright vision of the future that Homa has always clung to, this time the hope that her fight will eventually pay off in freedom for Iranian women. The image of Leily watching the protests in Iran connects the story of Homa and Ellie to the present day, reinforcing the notion that the fight for freedom is ongoing and that the next generation of women will continue the work of their predecessors. While Ellie once again follows circumstances, this time Mehrdad’s offer of a position, Homa continues to dedicate herself to fighting for a better life for the Iranian people. While Homa has been a champion of feminism from the beginning, the protests show that men, too, can support improving rights for women.
Ellie’s café, in the last chapter, proves the culmination of her childhood passion for food and cooking but also seems connected to Homa’s suggestion about starting a restaurant—yet more evidence of Homa’s enduring influence on her. This café also represents the blending of cultural identities, a place where Persian culture thrives in the American context, much like the characters themselves. While each of the protagonists has followed their hearts and dreams, proving strong in their own way, the concluding image of Homa, still fighting, still in the streets, depicts her as the fiercest lion woman of them all.
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