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60 pages 2 hours read

Sharon Cameron

The Light in Hidden Places

Fiction | Novel | YA | Published in 2020

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Chapters 13-18Chapter Summaries & Analyses

Chapter 13 Summary

Max has been leaving the ghetto because it dehumanizes him. One time, a Polish policeman stopped him, accused him of spying, and tried to take him to the Gestapo. Outside the police station, Max hit the man twice and then ran away.

Helena teaches Max a string game, and they sing together when Berdecki knocks on the door. Max hides under the bed. So nothing untoward takes place, a second policeman is there. Stefania doesn’t know Berdecki’s name: She calls him Mr. Blond Policeman. Helena asks what he wants with his sister, and Stefania offers them tea. Mr. Blond Policeman finally says his name, Markus Berdecki, and he warns her not to return to the ghetto. He asks if she needs money, and Stefania wonders if Berdecki thinks she’s a sex worker. Berdecki wants to visit again, but Stefania says no: The neighbors might talk. She says Berdecki should take her and Helena to a cafe.

Max speaks to Stefania about his and the Jews’ dire situation. He feels like nothing, but he doesn’t know what to do. He tells Stefania about his non-Jewish girlfriend, Elzbeta, but he doesn’t think she’d hide him. He asks Stefania to hide him, Henek, Danuta, the Hirsches, and the Schillingers. Maybe Emilika can help—perhaps she purposely spread rumors about Danuta to protect her. Stefania walks Max back to the ghetto and thinks about his request. Before they part, Max kisses her cheek.

Chapter 14 Summary

Stefania now has a job at the Minerway factory, which used to make toys but now makes screws. Stefania has to operate six machines and produce 30,000 screws per shift. If she’s under the quota, it comes out of her paycheck. Her boss is Herr Braun. A young man around Berdecki’s age, Lubek, smiles at her, and a girl, Januka, gives her a bite of her sandwich.

In Emilika’s apartment, Emilika lampoons the SS men who come to get their picture made. She’s from Kraków but came to Przemyśl to stay with her grandma’s sister, who married a Jew. The grandma’s sister is gone. Emilika and Stefania agree that the Nazis are horrible, and Stefania tells her she planned to marry a Jewish boy, Izio. She then informs Emilika she’s considering hiding his brothers. Emilika criticizes the idea, reminding Stefania about the omnipresent secret police. Stefania wonders if Emilika thinks she’s a spy. Emilika says hiding Jews is pointless; there’s a one-in-a-million chance it’ll work. Stefania says her idea is silly, and Emilika promises to forget the conversation.

Stefania has a violent nightmare about Max, Henek, Danuta, and Izio. At the factory, she makes under 30,000 screws, but the Polish inspector says she’s made over 30,000. Stefania can’t sleep, but a person lets her nap at work. She has another violent nightmare. In the church, she realizes she has to help Max and the other Jews and finds a bigger apartment on Tatarska Street.

Chapter 15 Summary

The apartments on Tatarska Street are like cottages. They share walls and have two stories. The toilets are outside, and the apartment on Tatarska 3 has a small hallway with a dirt floor and an attic. Stefania gets along with the overseer, Mrs. Krajewska, and applies for the place. She brings Max back to it to check it out. First, they pretend to be a couple; then, they tell Mrs. Krajewska they’re brother and sister. Max worries about the neighbors and thin walls. Stefania jokes about finding a hiding place in a desert, and Max seriously suggests digging a bunker under the dirt.

Lubek helps Stefania at the factory, so she can leave early and make it to the housing department before it closes. Stefania gets the apartment and excitedly kisses the secretary. At home, Helena thinks of a safer way to communicate with Max in the ghetto. She finds a red ball. She can put letters in the ball and kick it over the fence. The guards won’t care. The plan works, and they send Max a note about getting the apartment. Max gives them a note: Someone has typhus, and they need food and medicine.

After cleaning Tatarska 3, Stefania picks up aspirin and food. She meets Max at the fence. Henek and Dr. Schillinger are sick. Berdecki appears but doesn’t do anything. Stefania returns home. The sisters pack everything in three hours and move into Tatarska 3. Looking at the dirty rooms, Stefania thinks about how Mrs. Diamant would want her to save her sons and not worry about cleanliness.

Chapter 16 Summary

The sisters return to the ghetto gate to tell Max they’ve moved: No one is at the old apartment. Mrs. Wojcik appears and assumes she’s waiting for Berdecki. She makes some suggestive comments about men, and Stefania tells her to go to the devil in Yiddish. Mrs. Wojcik huffs away, and Stefania realizes she’s lost sight of Helena. When she finds Helena, she’s crying and bleeding. Some boys saw Max give her a note and attacked her for assisting a Jewish person. She ate the note and bit a soldier’s leg.

Stefania doesn’t want to endanger Helena further, so she sneaks into the ghetto. Henek and Dr. Schillinger are fine, and Max has a plan for them to leave and make it to the new apartment. Siunek and Max will come first. They’ll meet at the train station. Max tells her to buy him a shovel and to be careful. In the ghetto, someone is always watching.

As Stefania leaves the ghetto, the Jewish police detain her. They know she wants to hide Jews, and they tell her they’ve seen her coming and going. Stefania denies the charges, and the Jewish police threaten to take her to the Gestapo. Stefania berates them for working with the Nazis. After an intense debate about the deadly balance between resistance and cooperation, they let her go. They tell her if she plans to do something, do it soon.

Chapter 17 Summary

The encounter with the Jewish policeman makes Stefania aware that someone has exposed their plan, but she has no way to warn Max. Stefania sees Max and Siunek at the train station—they dress as workers. Berdecki spots Stefania. He knows Stefania’s new address. He also knows a secret about her and invites her to his home to discuss the secret.

Stefania returns to Tatarska 3. Max and Siunek are there, and Stefania tells Max about the encounter with the Jewish police. Max can’t believe someone told them. Then he wonders if someone didn’t tell; maybe someone overheard the group speaking to each other. Stefania tells him about Berdecki, and Max says Berdecki likely doesn’t know anything—he’s just flirting with her. To be sure, Stefania thinks she should see him on Sunday.

While working at the factory, she wonders about Max, Helena, and Siunek—maybe she’ll come home and find them dead. She returns home; Max is in her bedroom. He’s dug a bunker and turned the second empty bedroom into a toilet. He’s moved the dirt to the dirt-floor hallway and asks Stefania to collect garbage to hide the noticeable increase in dirt. Stefania thinks about all the things she has to do. She remembers it’s Sunday. She washes and puts on a nice outfit and goes to see Berdecki.

Chapter 18 Summary

Berdecki has a nice home. He made a lot of good food, but Stefania wants to cut to the point: What does he know? However, Berdecki wants to eat first. They have wine; Berdecki is sweet, and Stefania feels happy. They move to the couch. Berdecki promises to tell her what he knows after a kiss. Stefania thinks Berdecki is beautiful, and the kiss makes her feel beautiful. Now, Berdecki divulges the secret: She needs kisses. Enraged, Stefania pushes him off and calls him names. She throws the wine bottle and leaves. Yet she has mixed feelings: She likes that a handsome policeman pursued her.

Stefania has to work back-to-back 12-hour shifts. Dziusia, Dr. Schillinger’s youngest daughter, is sneaking out at 5:00. Januka and Lubek cover her shift so she can meet her. SS men with dogs are at the meeting place, a bridge. Dziusia meanders before gathering the courage to cross the bridge. She stops in front of the church. Stefania reaches her and tells her to follow. Stefania returns to the ghetto to notify Dr. Schillinger his daughter is fine. Berdecki is there, but he leaves Stefania alone.

Chapters 13-18 Analysis

The Importance of Courage and Determination is paramount in this section. Max’s trips outside the ghetto reflect his bravery: He’s determined not to let the Nazis confine him. The excursions also represent a risky chance and jeopardize his survival. His confrontation with the Polish policeman almost acts as a cue to bring back Berdecki. Helena shows her bold character when she asks Berdecki, “What do you want with my sister?” (149). Helena doesn’t just talk a good game—she is at the heart of the plan to house the Jews. Her quick thinking to eat the note for Max shows that she shares her sister’s ability to think quickly and sacrifice her safety to keep the ghetto escape plan on track. The escapes of Max, Siunek, and Dziusia also represent bravery and chance. They courageously dare to leave the ghetto and improvise when things don’t go according to plan. Dziusia waits to cross the bridge guarded by SS men.

The tension between Berdecki and Stefania expands the motif of gender and sex. Stefania wonders “if this man thinks I am a prostitute” (151). As World War II and Holocaust scholars and historians have documented, people used sex to get food, shelter, protection, and money. Stefania isn’t a sex worker but uses her looks to get things. She says to Berdecki, “Perhaps you would like me to bring my little sister with me. She loves a café” (152).

Later, the motif drives the narrative when Berdecki teases Stefania, “I know a secret about you” (203), and invites her to his home. In the context of Nazi-occupied Poland, the secret could be life-threatening, so Berdecki is acting cruelly by not just saying he likes and wants her to come over. When she comes over to discover the secret, Stefania reinforces the paradoxical aspects of attraction. She says, “He doesn’t ask me to do anything difficult or dangerous or unpleasant. I feel warm, happy. Special” (216). Her positive feelings continue when she kisses him, “I feel beautiful. He is beautiful” (217). After he reveals the secret about her supposed need for kisses, the attraction evaporates. She shows her bravery and takes a chance by calling Berdecki names and throwing a wine bottle at him. Berdecki doesn’t punish Stefania. When he sees her at the ghetto gate, he lets her be.

The motif of gender and sex also links to Lubek, who flirts with Stefania at the factory, and Emilika, who spreads rumors about Danuta and her fake pregnancy. Emilika understands it is better to be known as a supposedly dissolute young woman than a Jew. Stefania mixes chance with caution by speaking to Emilika about possibly hiding Jews. The chippy dialogue reveals the number of chances Emilika and Stefania take just by speculating about hiding Jews. As Emilika says, “The secret police are everywhere. You can’t trust anyone” (161). Maybe Stefania is working for the Gestapo, or perhaps Emilika would tell on her. Emilika doesn’t want to take a chance, and neither does Stefania. Stefania says, “It was a silly idea” (162).

In church, Stefania realizes she has to help the Jews, a passing moment in the story that unites all three primary themes. In this realization, Stefania affirms her commitment to be brave, to choose kindness, and to make sacrifices to keep Max and the other Jews alive. She says, “If I live through this war, can I live with having done nothing, or will my life be poisoned with regret?” (166). The church symbolizes conscientiousness, and Stefania’s time in prayer reminds her of the Catholic imperative to help others, known as the Corporal Works of Mercy. In hiding the Jews, she will fulfill mandates of her faith: feeding the hungry, giving drink to the thirsty, clothing the naked, and providing shelter.

Further sacrifices and determination manifest in Stefania’s move to Tatarska Street. Once again, chance plays a key role. Lubek covers her shift at the factory, and the guards ignore Helena and her ball—things go Stefania’s way. However, things don’t go their way when Stefania becomes distracted by Mrs. Wojcik and her insinuations about gender and sex. She loses sight of Helena, and antisemitic boys beat her up. Helena shows quick thinking by eating the note, and Stefania demonstrates more sacrifice by choosing to sneak into the ghetto and not expose Helena to more risk. For Helena and Stefania, The Constant Demand for Sacrifice has begun and will increase throughout the rest of the narrative. With three Jews hiding in her house and more Jews on their way, Stefania has much to worry about. She arguably sacrifices her mental health for their survival.

The dialogue between the Jewish ghetto police and Stefania brings in the theme of Kindness Versus Cruelty while highlighting Stefania’s bravery in directly challenging them. Stefania suggests they’re behaving brutally. She tells them, “The Nazis are killing the innocent! Your own people! And in the meantime, you keep ‘order’ so those monsters can have a whole ghetto of victims who are easier to kill” (195). A Jewish policeman replies, “We do try to save them. By giving the wrong lists, delaying the deportations. Limiting the reprisals caused by people like yourself, so that someone, somewhere, might be saved” (197). The ghetto Jewish police are trying to be brave and take chances to keep Jews alive. They extend what kindness they can and help Stefania by telling her, “If something is to be done, it would be better to have it done soon” (198). They allude to Stefania’s plan to hide the Jews—they don’t stop it.

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