60 pages • 2 hours read
Sharon CameronA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Stefania Podgórska lives in Przemyśl, Poland, during the winter of 1942. Someone knocks on her apartment door at night, and Stefania is scared it’s the Gestapo—the Nazi secret police. The knocking grows louder and wakes Stefania’s six-year-old sister, Helena. Stefania wonders if the Nazis will shoot her and her sister as they did another Jewish man, Mr. Schwarzer. The person knocking whispers Stefania’s nickname, Fusia, and Stefania runs to the door. She thinks she knows who it is, but it’s not who she thought—it’s Max.
Stefania goes back in time six years to her childhood in Bircza. She’s 11 and lives on a farm with eight siblings. She goes to school and eats well, but she hates the country and wants to live in a big city. She goes with her mom—her dad died—to visit her two big sisters, Angia and Marysia, who work in Przemyśl. They eat and drink tea in the sisters’ apartment, and Stefania eagerly looks out the window and watches the big city excitement. Two years later, Stefania’s mom agrees to let her stay in Przemyśl, where she’ll sleep on a cot in her sister’s apartment and work for Mrs. Diamant in her shop.
Excited for her first day of work, Stefania skips to the shop. Mrs. Diamant calls Stefania ketzele (“little kitten” in Yiddish) and asks her to count the items on the shelves. She sings, and Izio, the second oldest son, makes fun of her and calls her by her nickname, Fusia. Izio has three brothers, Henek, Max, and Chaim, and a sister, Ernestyna. The Diamants are Jewish, so they don’t work on Saturdays. Stefania also finds out Mrs. Diamant makes a delicious babka.
Stefania is a solid worker. Mrs. Diamant sends her to the market square, where she sees two boys fighting. One boy calls the other boy “a dirty Jew” (15), and an unkempt man separates them and lectures the antisemitic boy about tolerance. Stefania hears a woman murmur the same antisemitic phrase and wonders if the Diamants could hate her because she’s Catholic.
Stefania goes back in time six years to her childhood in Bircza. She’s 11 and lives on a farm with eight siblings. She goes to school and eats well, but she hates the country and wants to live in a big city. She goes with her mom—her dad died—to visit her two big sisters, Angia and Marysia, who work in Przemyśl. They eat and drink tea in the sisters’ apartment, and Stefania eagerly looks out the window and watches the big city excitement. Two years later, Stefania’s mom agrees to let her stay in Przemyśl, where she’ll sleep on a cot in her sister’s apartment and work for Mrs. Diamant in her shop.
Excited for her first day of work, Stefania skips to the shop. Mrs. Diamant calls Stefania ketzele (“little kitten” in Yiddish) and asks her to count the items on the shelves. She sings, and Izio, the second oldest son, makes fun of her and calls her by her nickname, Fusia. Izio has three brothers, Henek, Max, and Chaim, and a sister, Ernestyna. The Diamants are Jewish, so they don’t work on Saturdays. Stefania also finds out Mrs. Diamant makes a delicious babka.
Stefania is a solid worker. Mrs. Diamant sends her to the market square, where she sees two boys fighting. One boy calls the other boy “a dirty Jew” (15), and an unkempt man separates them and lectures the antisemitic boy about tolerance. Stefania hears a woman murmur the same antisemitic phrase and wonders if the Diamants could hate her because she’s Catholic.
Stefania and Mrs. Diamant grow close. Much to Mrs. Diamant’s amusement, Stefania learns how to smile at boys in the shop so they’ll buy her chocolate. Once they leave, Stefania puts the coins in the register and the chocolate back out for sale. Stefania also hears Mr. Diamant arguing about war with older neighborhood boys.
Angia moves to Kraków, and Marysia moves to the other side of the city. Stefania needs a new home, and Mrs. Diamant lets her live with them. They turn the end of the hallway into a room. Stefania puts her picture of Jesus Christ and the Virgin Mary on the wall, and Mrs. Diamant keeps blintzes under her bed as Mr. Diamant doesn’t eat for Yom Kippur.
Izio and Stefania talk about how they want to see the world and if Hitler will declare war on Poland. As fall approaches, Izio and Stefania grow closer and hold hands. Two weeks later, Nazi Germany and communist Russia invade Poland and Przemyśl.
Stefania is at her sister’s apartment in Przemyśl—waiting to have lunch with her—when the bombings start. A hotel on the corner explodes, and then her building shakes and catches fire. Remembering sliding down the banister at her farmhouse, Stefania wraps herself in a wool blanket and slides down the apartment banister to escape the flames.
Outside, there’s chaos. The building across the street looks cut in the middle. After Stefania helps a man out of the rubble, she runs to the Diamants and their cellar. Izio notices her burnt hand, and Mrs. Diamant hugs her. It’s like Mrs. Diamant is Stefania’s babcia or grandma.
The brothers go to Lwów for their safety, and Stefania and Mrs. and Mr. Diamants stay in the cellar for a week. The Russians occupy their side of Przemyśl while the Germans take over the other side of Przemyśl and force the Jews on their side to the Russian side. Two German Jewish women, Regina and Rosa, come and stay with the Diamants.
The brothers return from Lwów, and Stefania asks Max what he saw, and Max says he saw blood. Stefania hears rumors about German soldiers running older men and young boys all over town and shooting them when they could run no more. Stefania doesn’t want to believe the violent reports. Mrs. Diamant asks about her daughter, Ernestyna, who she believes is somewhere safe in Vienna. Max thinks otherwise and subtly shakes his head at Stefania.
In the spring, Stefania turns 16, and Mrs. Diamant sends her to the shop owners’ monthly meeting. The other owners congratulate her on running a shop at such a young age. A young man, Zbyszek, whose parents own a butcher shop, calls her an angel. He visits Stefania, along with the other people at the meeting, but he brings his parents. His mom hired an investigator, so she knows a lot about Stefania, but Stefania doesn’t like Zbyszek and tells him and his parents to go to the devil in Yiddish.
Izio informs Stefania that if the Germans come to their side of Przemyśl, they will have to run again. Stefania doesn’t understand, and Izio tells her that Nazis are doing ghastly things to Jews. Stefania still doesn’t want to believe the reports, but Izio insists they’re true. Izio also informs Stefania that he wants to marry her, and he asks her to wait for him when he has to go away. Stefania agrees, and they kiss. A month later, Germany bombs Przemyśl.
The bombs force the Diamants back into the cellar, where they hide with others, including crying babies. Stefania hears gunshots, and Henek sneaks up to see dead German soldiers displayed in shop windows. The next time he goes up, dead Russian soldiers are in the windows.
Chaim screams the Germans are on their way. Mrs. Diamant orders everyone upstairs. She has Stefania divide up the money in the cashbox five ways. She then tells the boys to wear boots and two layers of clothes to go to the shop and get all the bread they can hold. The brothers run away again, and Mrs. Diamant and Stefania comfort each other.
Now Stefania believes the reports. She thinks they, too, need to escape. Mrs. Diamant sews jewelry in her girdle and money into her bra. They join others and walk slowly through the harrowing city and eventually to a farmhouse with a well. An antisemitic woman with a Russian gun threatens them, and Stefania tells the woman off.
In the village of Nizankowice, there’s a Catholic woman, Mrs. Nowak, who let Max stay with her when he worked as an assistant for the dentist, Dr. Schillinger. She lets Stefania and Mr. and Mrs. Diamant stay with them. While the Diamants rest, Stefania goes out and sees dead bodies and hears virulent antisemitism. Later, Mrs. Nowak asks Stefania and the Diamants to leave.
The three return to Przemyśl. There’s a crack in their shop window, a yellow Star of David, and “Jew” in paint. Inside, there are no items. They go to the bank, but the manager, who’s known Mrs. Diamant since they were babies, claims they don’t have an account there, but Stefania can take the money out. Stefania also has to do the shopping as Jews can’t go to the market between 8:00am and 6:00pm (the only time when there’s food). Mrs. Diamant and the other Jews must wear white armbands with the Jewish star. Banned from the sidewalks, they have to walk in the gutters.
Rosa and Regina still live in the apartment, and they’re difficult. Mrs. Diamant tells Stefania not to be mean to them: She doesn’t know what they endured in Germany. The two women call the Gestapo over a dispute about drying linen in the attic. Later, Gestapo officers violently take Mrs. Diamant’s boots.
The four brothers return. The border is closed, so they can’t escape the Nazis. Chaim tells terrible stories about what they saw, but they also laugh. Max impersonates Hitler reading a Jewish text while wearing women’s boots.
The Diamants, Regina, and Rosa must move into the Jewish ghetto behind a train station. Before leaving, the family hears a machine gun and screams. Max pulls the curtain and tells his mom not to look outside.
The Gestapo arrives. Mrs. Diamant orders the brothers to put their boxes, the kitchen table, and the four chairs in Stefania’s room. The Gestapo won’t take them: They’ll only take what belongs to the Jews, like the Diamants’ couch. Stefania looks outside and sees a truck full of items belonging to the Jewish families in the building. She also sees blood in the gutters.
Izio reminds Stefania to wait for him, and then the Diamants go to the ghetto. Stefania looks out the window again and sees a line of Jews going to the train station. She also hears former customers saying antisemitic things to the Diamants.
The next day, Stefania goes up to the ghetto fence. A German policeman with a machine gun scares her off. She tries to find work but needs papers in German not Polish. She returns to the apartment, and Emilika, a Catholic woman in her early twenties who works in a photography shop, knocks on her door. She’s uncomfortable being by herself in the empty building. Stefania understands. The two have tea and talk about boys. Every night, Emilika sleeps in her apartment.
More than a week later, Stefania looks out the window and sees Max marching to work outside. She runs to him, and Max tells her there are eight families in their apartment and that Mrs. Diamant wants her to sell things for food. A German guard yells at her, and Stefania moves away. She gets eggs, chicken, and butter and sneaks into the ghetto. Babies cry and kids scream, and it smells like a bathroom.
Mrs. Diamant calls Stefania stupid for sneaking into the ghetto. She was supposed to give the food to Max, but she didn’t think Max could get all the food in safely. Mrs. Diamant pivots and kisses Stefania and calls her a little kitty. Stefania meets Henek’s girlfriend, Danuta, and Mrs. Diamant tells Stefania to get soap and, each day, to give Max some food.
As Stefania leaves the ghetto, she sees an SS man beat a girl to death with the end of his gun. Stefania thinks the Nazis are evil and doesn’t want to perpetuate their wickedness. Instead of giving Max a little food, she meets him by the ghetto fence at night and passes him food.
Days later, Izio comes to her apartment and tells her the Nazis will send a thousand younger men to work in an Lwów labor camp. Max’s name is on the list, but Izio doesn’t think Max can survive further labor. The coal yard is hard enough on him. Izio thinks Max and the rest of them will die. Stefania thinks that they’ll live. Later, Stefania sees Max marching to work. She blows the guard a kiss, so he’ll let her talk to him. Max says he’s not going to the labor camp: Izio is going for him.
Stefania reads posters that promise death to anyone who helps Jews, but she’s determined to go to the Janowska work camp in Lwów. She has to take the train but lacks the proper travel papers. Emilika saves the day and takes her picture at the photography shop and signs an affidavit confirming that Stefania is her cousin.
The trip to Janowska is long, and a guard tells her there are no visitors. He can’t provide the names of inmates. Stefania finds another guard. She says she wants to tell a friend in the camp that his wife, her sister, has a baby boy. The news should make him more obedient and hardworking. After Stefania kisses his cheek, the guard brings her to Izio. He looks terrible and smells awful. He tells Stefania the Nazis plan to kill him and everyone else.
Stefania forms a plan: She’ll hide clothes under a bush near the officers’ bathroom, escort him away from the camp in civilian clothes, and then hop on the train. Stefania dreams about what their life will be like together: a new apartment with two kids. Unfortunately, when Stefania takes the train back, there are long delays due to the German army. When she arrives, the camp is closed for the night.
To build suspense, Cameron starts Stefania’s story in the middle. The first sentence reads, “Someone is out there. In the dark” (6). The mystery creates a thrilling atmosphere. Neither the reader nor Stefania knows who’s knocking, but Stefania has to demonstrate bravery and answer the door, introducing the theme of The Importance of Courage and Determination, which will dominate the narrative. The person knocking, Max, introduces a romantic interest, although the reader doesn’t know this yet. Chapter 1 leaves the reader with many questions. For answers, they have to stick with Stefania’s story.
Chapter 2 brings the story back to a drastically less precarious time. The reader finds out about Stefania’s family, and she shows off her sense of humor when she writes, “It was a perfect childhood. And I hated it” (9). The quote is funny due to its irony—that is, it makes a clever, unexpected point: Stefania dislikes her childhood not because it was so bad but too good.
Stefania’s move to Przemyśl continues the theme of bravery and determination—it takes courage and will to live in the big city and hold a job at 13. The move foreshadows or previews upcoming events. If Stefania wants to do something, she tends to find a way—whether it’s moving to a big city or hiding Jews from genocidal Nazis. The move to the city also conveys important aspects of Stefania’s background and the period of the story. Large families were prevalent until later in the 20th century, especially among Catholics, and older children often left at a young age to earn an income, which could help support the family if needed. During this time, it was commonplace for children barely in their teens to work outside the home, starting with basic tasks and taking on more duties as they grew older. Being used to working hard and contributing to her family—whether biological or the one hosting her—gives Stefania a good foundation for survival, but even she cannot predict what the war and the persecution of the Jews will ask of her.
Foreshadowing continues with the fight between the Jewish boy and the antisemitic boy—antisemitism pervades the story. The altercation also brings in the theme of Kindness Versus Cruelty. The antisemitic boy and the woman who shares his bigotry are cruel. The unkempt man represents kindness and ideas of tolerance. He reminds the antisemitic boy that the Jewish boy “has arms and legs and blood in his veins” (15) like him. The reminder that Jews are human is reminiscent of Shylock’s famous speech in Shakespeare’s The Merchant of Venice and recalls that antisemitism gains traction in the idea that Jews are less than human or otherwise inferior to non-Jews. This incident shows antisemitism against an individual, but it is a metaphor for the institutionalized discrimination and persecution that will come during the Holocaust.
Cameron uses dialogue to convey the Diamants’ Jewish identity. Before Stefania explicitly says they’re Jewish, the reader can discern their religion through Mrs. Diamant’s Yiddish diction—or words. Dialogue also conveys Stefania’s close relationship with the family, as evidenced by their use of her familial nickname, Fusia. Dialogue reveals Stefania’s romantic bond with Izio: He flirtatiously teases her, and they have serious discussions about Hitler and war—further foreshadowing.
Imagery advances the bond between Stefania and the Diamants. Using nuanced language, Stefania creates a picture of her makeshift room in the Diamant household. Her Catholic pictures are on the wall, and Mrs. Diamant’s Jewish treats are under the bed. The image juxtaposes Catholicism and Judaism while revealing that people from different religions can get along. As Izio tells Stefania, “You’re already one of the family” (28). Stefania’s faith goes beyond pictures on a wall; it will motivate her to protect Max and the other Jews and provide solace during the darkest days of the occupation.
Imagery also stresses the violence and danger of the bombing. Vivid language shows how Stefania bravely slides down the banister of the burning building, and it illustrates the city’s destruction. Stefania uses a simile—a comparison using a connecting word—to convey the surreal wreckage. About one building, she says it looks “sheared down the middle like someone had cut a cake” (20). The imagery of destruction and the pacing of the first chapters demonstrate that the book is a novel of war. In war, conditions change rapidly and often violently. Great upheaval and unexpected outcomes—especially commonplace during war—will drive the novel’s narrative and reveal Stefania’s character as she confronts the challenges of protecting herself, her sister, and the group of Jews she’s hiding.
Stefania’s presence at the shop owners’ meetings symbolizes the close bond between Mrs. Diamant and her and furthers the theme of determination and bravery. Stefania takes on more responsibility and boldly puts Zbyszek in his place. Zbyszek symbolizes the first of several predatory young men that Stefania confronts, and he links to the motif of Gender and Manipulation. Due to Stefania’s gender and looks, young men tend to target her. She also uses her appearance to manipulate them to her advantage, as when she gets the boys in the shop to buy her chocolate or blows a kiss at the guard so she can talk to Max. However, Stefania flirting with boys to get them to buy her chocolate is almost a game, but doing so with German guards or Polish police officers is a practical method of self-preservation and a much harder line to walk, as it increases the risk of sexual assault or other violence.
The disloyal bank manager and vandalism to the Diamants’ shop extend the theme of cruelty. Antisemitism spreads: The Jews can’t go to the market when there’s food, they must walk in the gutters, and Nazis take Mrs. Diamant’s boots. Max lightens the mood by spoofing Hitler, but the humorous mood fades as the Jews are moved into the ghetto, and Stefania shows courage and sacrifice when she sneaks into the ghetto to bring the Diamants food. When Stefania visits Izio at the labor camp, she manifests sacrifice and courage, using manipulation by kissing the guard on the cheek to achieve her goal of seeing Izio.
Stefania’s precarious situation connects to the idea of chance, improvisation, and survival, another prevailing motif. The dangerous environment makes Stefania vulnerable. She’s exposed to countless dangers and has to be ready to lie, run, fight, and form alliances. Stefania and Emilika become close, and Emilika tells her, “Help can come when it’s least expected” (61). She helps Stefania get the papers to visit Izio, but chance—the train delays due to the German army—disrupts the plan. Stefania works hard to have agency in an unpredictable world, but this section makes it clear that much is beyond her control—a circumstance that will only get worse as the narrative progresses.
Action & Adventure
View Collection
Books that Feature the Theme of...
View Collection
Fear
View Collection
Good & Evil
View Collection
Hate & Anger
View Collection
International Holocaust Remembrance Day
View Collection
Memorial Day Reads
View Collection
Military Reads
View Collection
Popular Study Guides
View Collection
Reese Witherspoon's Hello Sunshine...
View Collection
Safety & Danger
View Collection
Valentine's Day Reads: The Theme of Love
View Collection
World War II
View Collection