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62 pages 2 hours read

Rick Riordan

The Last Olympian

Fiction | Novel | YA | Published in 2009

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Chapters 1-4Chapter Summaries & Analyses

Chapter 1 Summary: “Go Cruising with Explosives”

The novel introduces the protagonist, Percy Jackson, who is a teen demigod. He is the son of a mortal woman and son of Poseidon, god of the sea. Percy spends his summers with other demigods at Camp Half-Blood, which is located in Long Island, NY.

One afternoon in August, he is driving with his friend and love interest Rachel, a mortal. A pegasus named Blackfoot lands on the hood of the car. The animal is carrying Charles Beckendorf, an 18-year-old counselor at the camp. Percy and Charles are in the midst of a war against Kronos, lord of the Titans. His mission is to destroy Mount Olympus, now located in Manhattan, and Percy and Charles fight against him. Kronos has taken over the body of Luke, a former member of Camp Half-Blood and Percy’s nemesis.

Percy joins Charles on Blackfoot to fly to the Princess Andromeda, a cruise ship that is Kronos’s headquarters. The two plan to detonate the ship, and they go to the engine room. They encounter telkhines (a half-dog, half-man being), and Percy uses his sword, Riptide, to attack them, turning them into dust.

Percy leaves Charles in the engine room to work on detonating the ship with Greek fire, a magical substance. Percy fights off a giant crab and reaches the main deck where he encounters Kronos in Luke’s body. Percy attacks Kronos but is wounded in the arm. Giants apprehend Charles, but he has already set up the engine room to detonate. He presses a button on his watch to detonate the ship, and Percy escapes overboard. Charles is killed. 

Chapter 2 Summary: “I Meet Some Fishy Relatives”

Percy dreams he is observing two Titans speaking on Mount Othrys in California. Krios and a “golden Titan” (29) are plotting to overthrow Mount Olympus. Percy notices Nico di Angelo, son of Hades, spying on the interaction. He wakes up in Poseidon’s underwater palace, where Percy is able to breathe due to his relationship with Poseidon. His brother Tyson, a Cyclops, wakes him.

This is Percy’s first time in the palace, and he explores it with Tyson. A group of mermen fight a giant squid. They enter Poseidon’s temple, and the god appears as an “old man with a bushy white beard and grey hair” (35), much older than the man Percy remembers from their few previous encounters. He meets Poseidon’s immortal wife, Amphitrite, and merman son, Triton. Poseidon’s kingdom is at war with Oceanus, the “Titan of the sea” (37). Poseidon instructs Percy to return to Camp Half-Blood to hear the rest of the Prophecy from Chiron. Percy asks to stay and fight, but Poseidon refuses. The god also reveals that there must be a spy at the camp as Kronos was aware of Percy’s plan.

Chapter 3 Summary: “I Get a Sneak Peek At My Death”

Percy returns to camp, and people flock to him, hoping for good news. Once everyone realizes the mission was not a success and Charles has died, they file away. Two friends stay: Annabeth, daughter of Athena, and Silena Beauregard, daughter of Aphrodite, Charles’s girlfriend. Silena begins crying when she realizes Charles has died, and she goes to the Big House. Percy tells the whole story to Annabeth and Chiron, the centaur who is in charge of the Camp and Percy’s mentor. Chiron agrees to reveal the rest of the Prophecy to Percy.

Percy and Annabeth go to the attic of the Big House, where the Oracle of Delphi is kept. She is “a shriveled female mummy in a tie-dyed dress” (50). The Prophecy is in a leather pouch around her neck. Percy prepares to read the Prophecy to the war council, made up of all the senior camp counselors. Clarisse La Rue, daughter of Ares, storms out for reasons the text does not clarify, but she says, “Until I get satisfaction, no one in my cabin is lifting a finger to help” (54).

Percy reads the Prophecy, saying he must choose to help or allow Olympus to be destroyed, and “a single choice will end his days” (56). He is distraught, but the other counselors comfort him. Percy reveals that there is a spy at the camp. 

Chiron calls upon the goddess Iris to show them a vision of the threat attacking Mount Olympus. In a cloud of mist, they see a monster named Typhon, who is causing floods and tornados in the Midwest. He is headed towards New York to destroy Mount Olympus, and he will arrive within five days.

Chapter 4 Summary: “We Burn a Metal Shroud”

Percy has another dream set in Rachel’s lavish room in her Brooklyn mansion. She is throwing darts at a picture she has painted of Percy. Her father comes in, and Rachel reveals that Percy will not be accompanying them of the family vacation to which he has been invited. Rachel’s father references her dreams and says she should see a therapist. Rachel removes sheets from two other canvasses. The first one depicts Luke as a young boy, and the second one depicts the Empire State building surrounded by lightning. There is a storm gathering in the distance, and an army surrounds the building. Percy wants to call Rachel, but he does not have access to a phone.

Percy and Annabeth perform their morning chores together. They visit all of the 12 cabins (each for one of the twelve Olympian gods) and give them reports based on how neat they are. The Aphrodite cabin is perfect, and Silena is there crying and eating bonbons. A fight breaks out between the Ares and Apollo cabins. Percy reveals his dream to Annabeth, who calls him a “coward.”

That afternoon, the campers hold a ceremony to burn Charles’s metal shroud, which turns to smoke and ascends. Percy tries to get Clarisse to agree to help. She insists that the Apollo cabin must give the Ares cabin the chariot they stole. 

Chapters 1-4 Analysis

These initial chapters introduce the theme of predestination versus free will through the main character of Percy Jackson. As a demigod and son of Poseidon, Percy is subject to the Great Prophecy: “I was supposed to make a choice that saved or destroyed the world when I was sixteen” (21). When the novel begins, he is about to turn 16 and on the cusp of making this decision. In this way, he is fated to be put in this situation but also must make a choice. Here, the novel pits freewill against the idea of predestination, questioning just how much agency Percy has in this scenario. The Prophecy reveals he will die either way, but the other counselors suggest that it may be up to interpretation. Thus, the novel again sets up predestination as a concept that may be negotiable.

Percy is also stuck in a love triangle and must make another sort of choice. On one side is Rachel, a mortal, and on the other is Annabeth, daughter of Athena and a fellow demigod. Percy is drawn to Rachel but also feels that he must remain loyal to the demigods, who are his people. He turns down a trip to St. Thomas with Rachel in order to fight the war against the Titans. This dynamic brings up larger themes of interconnectivity and Otherness. Percy is connected to Annabeth because they are both demigods, and he is a sort of Other to Rachel since she is a mortal.

Through Percy’s world, the novel introduces the motif of magical objects, which are prevalent in the world of the demigods. Percy carries around Riptide, his magical sword. Even if they are separated, Riptide will return to Percy. His father, Poseidon, also has a magical weapon—his trident: “The tips glowed with blue light, and the water around it boiled with energy” (37).Charles and Percy utilize Greek fire, “one of the most dangerous magical substances in the world” (13). Charles uses it to detonate Kronos’s ship and further the war effort against the Titans. These objects are extensions of the power of the demigods and gods.

Finally, Percy, as the narrator, has a distinct voice. The narration juxtaposes mythological references alongside modern ones and is infused with colloquialisms and humor. For example, Percy notes: “Demigod dreams suck” (28). He is referencing his magical ability to receive prophetic dream yet complaining about them as a typical teenager might about something annoying, like homework. When discussing his father Poseidon, Percy explains:“The Greek gods don’t exactly show up for their kids’ basketball games” (34). Here, he means to state that children do not see their Greek god parents very often, yet he does so by making an analogy with a typical parental activity. In this way, the author makes the mythological aspects of the narrative world more approachable by putting them alongside modern references and speech. 

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