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Julie ClarkA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
It is Friday, five days after the plane crash. Claire knows that to actually disappear she needs money. At the coffeeshop, the affable barista, who finally introduces herself as Kelly, chats with Claire and then suggests she work at a catering business where Kelly works part-time.
Meanwhile the news maintains its focus on the crash. As Claire studies a photo on the cover of a news magazine of her and Rory at a fundraising gala, Claire cannot believe how completely her smile masked the terrors of her home life. Suddenly she is happy wearing Eva’s clothes and living in her apartment: “The woman on the cover does not exist anymore” (133). She recalls uneasily how, at their wedding reception, Rory first revealed his need to control her and his way of keeping her in line through quiet threats. She wishes she could console the lady in the photo and tell her that everything would eventually work out.
As she fantasizes about what she would like Rory to say at her eulogy—an apology for being so cruel to her—a text message in Rory’s mail pops up. It is a message from the task force investigating the crash. Recovery of the fuselage, nearly intact, revealed that Claire’s seat had been empty at the time of the crash. Rory quickly types back, “Then where is she?” (136). Claire realizes that Eva might not have been on the plane.
Eva meets Dex in a park. Eva tells Dex she is still uneasy over being watched by the feds and that she is not sleeping or eating. Dex tells her what Fish has told him: His operatives found that the girl she met for the drug deal was trying to avoid arrest by helping the feds. Fish’s people, he says, have “neutralized” her (140). Although Eva is determined to get out of this life, she knows for now she must return to her basement lab and then back to the streets of Berkeley.
Claire Googles to figure out how bodies are recovered from plane crashes at sea, hoping no one can say definitively her own wasn’t among them. She is more concerned over the possibility that Eva is alive and now a potential problem for her. However, she knows Eva’s boarding pass was scanned and reasons that means she had to be on the plane. Eva’s phone receives a voicemail—a woman asking if she is alright without identifying who she is.
The next day, Claire taps into emails from Rory to Bruce Corcoran about the mysterious Charlie. Corcoran assures Rory that he has already reminded Charlie about the nondisclosure agreement Charlie signed before leaving the Cook Foundation. Claire wonders who this Charlie is, certain only that he must be connected to the mystery surrounding the death of Rory’s first wife. Claire searches the thumb drive with her husband’s files and finds a letter from Rory’s first wife, dated the week before she died in the housefire. Far from being interested in any weekend reconciliation, as Rory had suggested, she wanted time and space to be by herself. Claire “know[s] firsthand how Rory reacts when a woman tries to leave him” (147).
No sooner does Eva begin cooking up the drugs in her basement than Liz becomes suspicious of Eva’s late-night absences and the curious smells from her apartment. Through Dex, Eva understands she is not to return to selling yet. The long nights in the makeshift lab give Eva a chance to recall how she first got involved with Fish’s organization: A boyfriend in one of her chemistry classes, a jock, introduced her to the lucrative world of the underground drug business and introduced her to Dex. She and her boyfriend had been nabbed by campus security a few months later while making drugs in one of the campus’s chem labs. Despite being a scholarship student, she was summarily expelled after her boyfriend double-crossed her.
Eva ventures out to meet Dex near the university’s football stadium. She tells him she is still paranoid, but Dex assures her that Fish neutralized the problem. Eva wants to pump Dex for information about how Fish’s organization works, hoping to use that as leverage with the federal agents tracking Fish. Dex stays evasive, and Eva realizes that he is “both comrade and captor” (155).
When Eva gets home, she impulsively Googles the names of her biological family, only to find that her mother is dead. Painfully, Eva relives what she remembers about her time in foster care after her mother (and then her mother’s parents) declined to take care of her. Her mother’s death strikes her as a “new rejection, a new heartbreak” (156).
Claire heads to the coffeeshop to meet Kelly. She will join Kelly and work for the catering business. The two stop at Kelly’s house on the way to a party, and Claire finds herself responding to the warm, domestic feel of the place, which reminds her how lonely she is now. She meets both Kelly’s mother and her teenaged daughter. Claire is surprised at how easy being Eva has become, but she makes one slip: Kelly’s daughter is working on a project for an art history class on the paintings of Jasper Johns and Basquiat, and Claire helps the girl to understand the complexity of the painters. Kelly asks her how she knows so much about art. Claire deflects, urging Kelly to enjoy the feeling of being overwhelmed by all her responsibilities as a single mother. Claire admits that she is on the run from a bad marriage and is hiding out in a friend’s apartment until she can figure out where to go. “It takes a lot of courage to start over” (162), Kelly says.
Catering the swanky dinner keeps Claire busy until she notices a couple in an obvious confrontation. Claire sees the man is bullying the woman: “I know what it is like to be on the receiving end of that kind of anger” (164). Later she sees the man grab the woman by the arm and try to restrain her. Forgetting her charade, Claire intercedes, putting herself between the warring partners. The heated exchange that follows draws several partygoers to record the confrontation on their phones.
It is December, two months before the crash. Eva begins to keep a record of Dex’s activities, hoping to compile material sufficient to broker a deal with the feds when the time comes. She is surprised when Dex appears at her door the day she and Liz were to go Christmas tree shopping. He cautions her that last week’s order was more than 100 pills short. Eva promises she will take care of the problem in a marathon session that night.
Going to the tree farm with Liz gives Eva a taste of freedom. Liz tells Eva that her daughter will not be visiting for the holidays, a “quiet sadness on her face” (170). Two days later the tree they picked out is delivered to Liz’s apartment. As they finish decorating the tree, Liz gifts Eva with a handblown ornament: a blue bird she says is a “harbinger of happiness” (171). Eva says she bought nothing for Liz, but Liz assures her that “her friendship” is gift enough. Eva tells Liz that she found out her mother is dead. Staring at the decorated tree, Eva feels “something shift inside her, something shiny and vulnerable and dangerous rising to the surface, breaking through her hard exterior” (173).
That night, as Eva sits alone in her dark apartment, Agent Castro comes to her door. He assures her he can help but that time is running out. He gives her his card and departs.
Claire’s movement toward authentic freedom pivots on a single line delivered in an undramatic fashion by a marginal character. Kelly, sensing Claire’s desperation, offers her part-time work at a catering business, making possible Claire’s liberation: “No thanks necessary. You seem like someone who could use a break” (131).
That straightforward offer of assistance, an example of The Power of Female Solidarity unmotivated by any selfish agenda, marks the point at which Claire does something that she has learned never to do thanks to The Effects of Domestic Abuse: She trusts someone. In accepting Kelly’s unexpected offer of a job, Claire moves beyond merely insisting that Claire Cook is gone and begins to reclaim her sense of self. Claire’s conversation about art with Kelly’s daughter reminds her how much she misses being Claire—how hard it will be to simply excise Claire from her identity. Furthermore, there are others who know her as Claire: Strangers walking down the street make her uneasy; she knows her husband is on to her charade; she fears the implications of the blurry image of the woman she swapped identities with alive and well in the JFK terminal. As comforting as it is to pretend to be Eva, Claire ultimately understands she cannot be free as fake-Eva; she can only be free as real-Claire. Claire will ultimately abandon The Pretty Lie of Escape and take on her husband thanks to the string of mysterious texts between her husband and his chief of staff. The emails she taps into caution that Rory Cook does not deal lightly with women who cross him.
“You seem like someone who could use a break” is a sentiment Liz could easily have said to Eva. The discovery that her mother died years earlier leaves Eva alone; although she loathed her mother for abandoning her to the foster care system, it had been some level of comfort to know her mother was out there somewhere. The obituary notice on the website leaves Eva emotionally devastated: “As far as she was concerned, [the news] felt like a thousand cuts piercing her skin, a pain with no center, just a radiating fire that consumed her” (156).
That moment is Eva’s lowest point. She is vulnerable, a pawn in the control of feral men, and she is alone. However, as Kelly is key for Claire, Liz is key for Eva. The Christmas scene between Liz and Eva reveals how, in the chatty and amiable visiting professor, Eva has found the mother she has longed for her entire life. As Liz admits her own daughter, Ellie, will not be coming for the holidays, her dynamic with Eva shifts to mother-daughter. When Liz gifts Eva the bluebird ornament, Eva nearly confesses her entire story. Liz knows something troubles Eva, but Eva falls back on safe half-truths: that she is running from a bad marriage (ironically the very real story of Claire). Still, Liz’s impact on her is decisive: “Eva knew that being loved by Liz was more terrifying than anything she’d ever done” (173). Eva has a support system now; she has begun to reclaim her freedom.