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Patrick NessA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Todd wakes in a bed. Viola is in the room, asleep in a chair. They’re in a settlement called Carbonel Downs. A man named Dr. Snow treated him. Dr. Snow says it is Todd’s fifth morning there. He says the settlement has men, guns, and horses. They’re as safe as they’ll be anywhere.
Snow’s son, Jacob, comes in. Todd can’t believe how small he is. Jacob is the first child Todd has ever seen. After Jacob leaves, Viola says they need to talk.
Music from loudspeakers plays throughout Carbonel Downs. The women from the settlement live in a dorm outside town. Dr. Snow says the music always plays to keep thoughts private.
Viola says they were on the river for a day and a half. There were several chances where she could have stopped the boat, but she saw such poverty and desperation at each location that she chose to continue. She thanks Todd for coming to help her with Aaron. Jacob returns and summons Todd to a meeting. On the way, Todd hears the song that Ben used to sing coming from the river.
When Todd goes to the river, Ben is there. His Noise shows Cillian in the house with the Mayor’s men just before they killed him.
Ben says they Todd and Viola must leave immediately, and he can’t come with them. Ben also says it is time for Todd to know the truth. First, though, they have to get out of town and move towards Haven. Dr. Snow arrives, accompanied by men carrying guns.
The men with Dr. Snow think that Ben, Todd, and Viola are Prentisstown spies. They say the army is an hour away, and they have to prepare. Todd reads their Noise and sees that they are angriest with Ben. The men are about to take Todd and Viola and punish Ben when they hear horses. Dr. Snow tells them to leave.
As they run, they hear gunshots behind them. They don’t stop until midnight when they reach a cemetery. As they rest, Ben tells them the truth: The Noise germ wasn’t a Spackle weapon. It was already on New World and didn’t affect the women. The Spackle were already accustomed to the Noise and were equipped to deal with an ecosystem that communicated everything. Humans were not. Ben describes the New World as a network of constantly shared information, most of which cannot be hidden.
A preacher started blaming the Spackles for the Noise germ. The Spackles fought back, but the men massacred them. Afterwards, the men in Prentisstown couldn’t abide the fact that they couldn’t hear the women’s thoughts, while the women could hear everything inside the men. They killed the women because they couldn’t handle their silence. Todd’s mother gave him to Ben and Cillian to keep him safe. They had always planned to send him away before he learned the truth about Prentisstown. That way, no one else would be able to detect the truth about Prentisstown in his thoughts. After the men killed the women, the other settlements in New World declared that all Prentisstown men were criminals.
Ben and Cillian couldn’t leave Prentisstown; they didn’t want to leave Todd as an unprotected infant. On the day of his thirteenth birthday, Prentisstown boys learn the truth about their town when they become men—at least, the Mayor’s version of the truth. Ben says that Todd is a symbol to the Mayor because he is the last innocent. The Mayor wants to take over the world with a perfect army, composed of men who have already killed. Davy comes near. Ben leaves to buy time.
Todd thinks life is pointless. Viola says if he gives up, Ben’s sacrifice will be meaningless. They only have each other now. By morning, they are in a valley with no Noise. As they run, Todd can’t stop watching Viola. They reach an abandoned settlement and find food. In the morning, they find two overturned carts on the road. Todd worries that when they get to Haven, he’ll miss the times when it was just him and Viola. He thinks he will miss her silence. When they rest, he asks her if she can read the book in a Prentisstown voice.
Viola reads from his mother’s journal in Ben’s voice and accent. Todd’s mother writes that the whole planet of New World is made of hope. She records how Prentiss convinced Jessica to found the settlement away from the rest of the Noise, so that they will only hear thoughts of people they know.
Todd’s mother describes the Spackle as gentle creatures. Viola sings a song that his mother used to sing. It’s the song Ben sang by the river. Even though he can’t hear her thoughts, Todd can tell Viola is thinking about her parents. He can read her without Noise.
They see a massive waterfall, and Viola guesses that Haven will be at its base. They run to its edge and see a city below, several kilometers away. Todd looks through the binoculars and thinks there could be as many as 100 buildings. He has never seen such a large town. Then he sees the army behind them, with perhaps 400 men.
Viola hugs him and says that they managed to outrun the army. Todd sees Aaron coming down the river.
Aaron has a gun, and he shoots at their backs as they run. Todd sees a small path that goes under the waterfall. Todd promises Viola that he will get her to Haven that night. They jump to the ledge under the waterfall, which is so loud it drowns the Noise. They’re at the mouth of a tunnel. A staircase carved into the wall leads them to a church with pews carved of rock.
Aaron is getting closer. Viola doesn’t think she is the sacrifice. Todd thinks about what it would mean to lose her. He realizes what Aaron wants, and he goes to the mouth of the tunnel with Viola and yells Aaron’s name.
Todd tells Aaron that he, not Todd, is the sacrifice. His death will bring about the Mayor’s vision of a perfect army. Ben showed him that boys must kill a man on their birthdays. Todd understands the cycle of Prentisstown: A man is born when a man dies.
Aaron goes to the pulpit and prays. He says he wants Todd to murder him, not kill him. For Aaron to get what he wants, Todd must hate him. Aaron believes that if Todd murders him, he will be a martyr and then become a saint. Aaron’s Noise shows Todd that he planned to kill Ben to provoke Todd into killing him. The men of Prentisstown knew it would take something extreme to make the boy who couldn’t kill take action.
Todd says he is already a man. They fight. Aaron bites Todd and punches him. He says that Todd is denying him his sacrifice. He hits Viola, and she falls, hitting her head on a rock. Todd jumps on Aaron and is beating him to death. He reaches for the knife, but Viola grabs it. She stabs Aaron through the neck. Aaron falls over the falls and takes the knife with him.
Viola says she was ready to do it. Todd was willing as well. Viola says she didn’t let him because Aaron would have won. But she knows he would have. He says, “I think everybody falls. I think maybe we all do” (467).
Part 6 completes Todd’s coming of age, reveals the mystery of Prentisstown’s origins, presents Aaron’s death, and brings Todd and Viola to Haven.
Todd’s reunion with Ben answers the novel’s most intriguing questions. Todd learns that Prentisstown is an authoritarian society whose men killed the women. He also learns what his purpose in their plan was to be, and why the army is so implacable in his pursuit.
The men of Prentisstown are true believers in their cause. If any of them harbor doubts, it is almost irrelevant; the Mayor has such control of his citizens that they act as if they believe. They are willing to kill and die at his orders. Aaron’s frequent statement that if one falls, all fall, shows a man in the grips of absolute belief and delusion. He has not chased Todd to hurt him, or deliver him to the Mayor, but to get Todd to murder him. Aaron’s use of the word murder is critical. When a Prentisstown boy becomes a man, he murders a man. Murder connotes an evil intent that mere killing can sidestep, depending on the context. Murder requires no context, only hate. As Aaron says, his way requires hate: “Hate is the key. Hate is the driver. Hate is the fire that purifies the soldier. The soldier must hate” (450).
Aaron doesn’t state exactly what a soldier must hate, but his conviction that Todd’s passage into manhood will complete Prentisstown’s divine army suggests the hatred of the righteous for the wicked. He says that when the army is complete, they can “Take this cursed world and remake it” (451). Again, there are no clues as to what remaking New World will look like, but the Mayor’s appearance in Haven suggests that he wants to remake New World according to the Prentisstown model.
Todd’s innocence is gone once Aaron is dead, even though it is Viola who kills him. Todd gains insight from Aaron’s death, however, particularly when he sees the effect the killing has on a shaken Viola. Todd tells her, “I think everybody falls. I think maybe we all do” (467). Whether it happens because of age, sin, or because of the way the world is, no one can stay innocent forever. The simple act of aging and gaining wisdom requires knowledge, disappointment, mistakes, and loss. To lose innocence is to see the world as it is, not as one wishes it to be.
Before Aaron’s death, Todd tells him, “I already am a man” (454). He understands that Prentisstown’s definition of manhood is not the only one and killing is not the only route to adulthood. Even in the midst of the frightening, violent situation, he finds self-acceptance and a sense of peace that he hasn’t had previously.
Their relief at Aaron’s death is short-lived. Davy shoots Viola, and Haven is a massive disappointment. The town is even bigger than Todd had imagined, but it is abandoned. His last hope is gone, and Mayor Prentiss is poised to take over even more—if not all—of New World. The absence of Noise in Haven is ominous, given that it seems to be related to the Mayor.
Given that The Knife of Never Letting Go is the first novel in a trilogy, it raises more questions than it answers and ends on a cliffhanger. The conclusion of Part 6 shows Todd in a more mature state, and more accepting of his flaws, but his overall situation—and perhaps the situation of the entire planet—is worse. The ending is pessimistic and foreshadows the coming conflicts of the second novel in the series.
By Patrick Ness
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