116 pages • 3 hours read
Jennifer Lynn BarnesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
In honor of Thea’s visit, the entire family has a lavish dinner together. Avery notes that Mrs. Laughlin prepares a lavish meal of roast beef. She remains convinced that the Laughlins have something against her: “I couldn’t help feeling like it was pretty revealing that Mrs. Laughlin pulled out all the stops for Thea—but not for me” (208). The dinner takes an awkward turn when Thea proposes a toast to Emily, causing Jameson to leave the room. Avery follows him, but she’s intercepted by Grayson, who reveals that he knows what Jameson and Avery are up to. Grayson has also seen the Red Will and followed the “Westbrook” clue to the bridge, where he saw Jameson and Avery. Grayson warns her yet again: “If you were smart, you’d stay away from Jameson. From the game. From me […] Thea’s right. This family—we destroy everything we touch” (211).
Avery finds Jameson in the Black Wood, punching a tree. He reveals that he skipped school that day because he’s searching the trees in the Black Wood for a clue: “Four middle names. Four location. Four clues—carvings, most likely. Symbols, if the clue on the bridge was infinity; numbers, if it was an eight” (213). Over the next few days, Avery helps him inspect the trunks of the trees in the woods to look for the next clue. They find a tree with “TOBIAS HAWTHORNE II” carved in the side. Shortly after, they are shot at. Bark from the tree splinters and hits Avery in the face and just below he collarbone. Oren, who is always trailing her, immediately steps in to protect Avery.
While Avery is in shock from her wounds, Oren takes control of the situation. He calls a security team to sweep the woods to look for the shooter and brings Avery and Jameson to Wayback Cottage—it’s closer than Hawthorne House. Avery also suspects that Oren doesn’t trust the people at Hawthorne House. However, given the Laughlins’ cool behavior toward her thus far, Avery is not sure she’s safe at Wayback Cottage. When Mrs. Laughlin makes Avery a tea, she’s afraid to drink it. Oren sips from the cup first, silently telling her it’s safe. Oren removes the bark from Avery’s wound and stitches her up. Mr. Laughlin arrives after they’ve finished. It’s revealed that Rebecca is visiting her grandparents, though she’s nowhere to be found in that moment. Avery wonders where she is.
Avery goes to the bathroom to clean herself up. She calls Max, who doesn’t pick up. Avery is in shock and struggles to clean the blood and dirt off herself. Jameson comes to help her, and she’s surprised by how gentle he is. Avery initiates a kiss with Jameson: “I closed my eyes. He’d been there with me in the forest. I could feel his body over mine. Protecting me. I needed this. I needed something” (224). Following their kiss, Jameson immediately refers back to the puzzle they’re working on: “We’re so close now. I can feel it. Someone obviously didn’t want us looking at that tree” (225). Putting together the two carvings—the infinity symbol and Toby’s name carved in the tree—he suggests the puzzle is trying to tell them that Toby, Jameson’s uncle, isn’t dead. Jameson’s singular focus on the puzzle hurts Avery, who remembers Nash’s warning: “You’re not a player, kid. You’re the glass ballerina—or the knife” (225).
Jameson leaves Avery alone in the bathroom. She tries to call Max again with no luck. Leaving the bathroom, Avery meets Rebecca. Rebecca tells Avery, “I feel like I should warn you” (228). However, Rebecca doesn’t reveal what she should warn Avery about. Instead, she reveals that Emily dated Jameson and Grayson, saying “[Emily] didn’t want to choose, and neither one of them wanted to let her go. She turned it into a competition. A little game” (230). Avery asks Rebecca how Emily died, to which the girl responds, “Grayson told me it was her heart (230).
Oren takes Avery back to Hawthorne House. He reveals that everyone in the house has an alibi. Avery asks Oren about Rebecca and Mellie, and he assures her he will look into every possible person. At the house, Avery has a discussion with Alisa and Oren. Alisa admits that there are some loopholes in the will. First, the will stipulates that Avery must live in Hawthorne House for a year if she’s to inherit. If Avery dies before the year is up, she technically can’t fulfill this requirement. Second, if Avery is unable to fulfill her conservatorship role for the Hawthorne Foundation, the foundation goes to the Hawthorne boys.
Zara, Constantine, and Grayson would all be aware of these loopholes. Avery can theoretically protect herself by writing her own will and naming Libby as her beneficiary and conservator of the Foundation. However, since Avery isn’t yet 18, she can’t technically sign a will. Plus, since she legally won’t assume full control of the Foundation since she’s 21, she may not be able to designate a conservator until then. Given these legal details, it becomes clear that the Hawthornes still have means of getting Tobias’s fortune. It would require Avery’s death. Avery realizes that until her 21st birthday, “[she] had a target on [her] forehead” (235).
Oren reveals that he checked the security footage of Hawthorne House’s armory, where the guns are kept. Jameson and Grayson (who both have alibis and aren’t suspected of shooting Avery) each visited the armory individually in the last days to look at rifles. Avery realizes that the boys were on to the next clue: Jameson’s middle name, one of the words highlighted in the Red Will, is “Winchester,” and a Winchester is a type of rifle.
Avery makes Oren take her to the armory, telling him: “I’m looking for something. A message from Tobias Hawthorne—a clue. A carving, most likely of a number or symbol” (238). She finds what she’s looking for on a Winchester rifle, which has “O. N. E.” carved into it (239). Avery assumes it means “One” and that the infinity symbol carves into the bridge was the number eight. She now has two clues to piece together: O. N. E. and 8.
Back in her bedroom, Avery hears from Max. She reveals that her strict parents have her on full lockdown. Avery’s fame has complicated Max’s life. Avery is forced to acknowledge the unfair dynamic of their friendship: “I’d always needed her more than she had needed me, because she was my friend, singular, and I was one of many for her” (243). Despite Max and Avery’s spat, Max continues to have Avery’s wellbeing at heart, and tells her, “You need to get out of Murderland. Like, now” (241). Avery protests that she can’t walk away from the inheritance and go back to living in her car. As she’s falling asleep, Avery hears a scratching from the other side of the wall where the secret passageway is—the one Jameson has used to enter her room in the past. She tells Oren, who searches the passage and finds it empty. He suggests that Avery sleep in Libby’s room. The next morning, Avery wakes up and finds Libby is already at breakfast. Libby’s phone is on the nightstand and shows multiple texts from Drake.
Avery goes down to the breakfast room. Nash, Libby, Zara, Constantine, Nan, Xander, and Thea are all there. Thea and Xander both know about Avery’s kiss with Jameson; Rebecca told them. “Word of Hawthorne hookups travels fast,” Xander says (249). Although they know about the kiss, they don’t know about the shooting. Grayson comes in and asks to speak with Avery in the hall.
Grayson asks Avery what happened. She tells him she was shot at. Then, Jameson arrives. Avery notes an “explosive” tension between the two. She’s uncertain if Grayson knows about the kiss. Nash arrives and interrupts the tension, offering to drive Jameson to school. He asks if Avery needs a ride. She declines and says she’s skipping school that day. Nash asks if Libby knows that Avery is “playing hooky,” to which she response: “My sister is none of your concern” (253).
Chapters 51 to 60 heighten the narrative tension and quicken the plot’s pace. The shift comes from the shooting and the subsequent revelation of the legal loopholes that could allow the Hawthornes to access Tobias’s estate. The “game” has now become a life-or-death situation, ramping up the stakes. This is a common trait of the thriller genre. Adding to the tension is the fact that Avery is surrounded by potential suspects. There are many different people who, for many different reasons, might want to do her harm. Avery recognizes this when she asks Oren to look into Emily’s sister Rebecca as well as Mellie—who may be threatened by Nash’s interest in Libby and want the girls off the estate.
In the wake of the shooting, Avery’s character shows greater vulnerability than before: “I wasn’t okay with any of this. Everyone had been so sure that I wasn’t going to get ax-murdered that I’d let my guard down. I’d pushed back the thought that people had killed over far less than what I’d inherited. I’d let every single one of the Hawthorne brothers past my defenses” (219). Despite recognizing the fact that she’s let the Hawthorne boys too close, Avery follows up the shooting by kissing Jameson. This juxtaposition and her uncharacteristic behavior—until now, she’s controlled herself around Jameson—attest to the shock of the shooting.
Ultimately, the shooting escalates the need to solve Tobias’s mystery. There is a greater sense of urgency, and the book’s tone gets darker as Avery’s life is on the line. This sets the tone for the rest of the book, a race to find the answer before Avery is harmed. Avery’s suspicions that Rebecca may be involved in the shooting—she wonders where the girl is when they arrive at Wayback Cottage—also underscore the need to solve the mystery surrounding Emily’s death. This is especially pressing as it seems that Avery’s situation with Jameson and Grayson—feeling an attraction toward both boys—closely mirrors Emily’s relationship with the two boys. A parallel was already drawn between Avery and Emily when Thea told Avery, “The last girl who spent hour after hour in that house? She died” (102). Like Emily, Avery is spending hours at Hawthorne House and, like Emily, she is forming potential romantic bonds with both Jameson and Grayson. This sets up the question: Will Avery, like Emily, die as a result?
Throughout these chapters, the secondary characters gain greater prominence, and their roles in the narrative become more significant. First, there is Oren. Avery’s security detail is one of the few people she trusts and, due to his job, is a constant presence in the narrative. He helps Avery determine who she can trust, which is becoming increasingly difficult as more threats seem to pile up. For example, when Mrs. Laughlin makes Avery tea, Avery is afraid it might be poisoned. Oren senses her suspicion and takes a sip of the tea first, telling her through his actions instead of with words that the drink is safe and Mrs. Laughlin can be trusted. Oren’s character frequently serves as a sort of Greek Chorus, commenting on the narrative action and providing clarity. For example, after Avery is shot at, she is in a state of shock and unable to realize or convey what’s just happened. The book’s protagonist has, momentarily, become an unreliable narrator. Oren steps in to provide clarity for Avery and the reader alike. He explains, “What happened is that someone saw the two of you out here, decided you were easy targets, and pulled their trigger. Twice” (216).
Max’s character also gains significance in these chapters. Throughout the book, Max is only present via phone calls and text messages. The character is never physically present. However, Max is one of only two people Avery truly trusts (the other being Libby) and her emotional significance to Avery is apparent when Avery calls Max first after being shot at. Max also serves as a voice of reason in the narrative when she urges Avery to leave Hawthorne House and give up the inheritance: “You need to get out of Murderland” (241). Like Oren’s character, Max’s character shares traits of a Greek Chorus, providing external commentary on what’s happening in the narrative without playing an active role in it.
Unlike Max, Libby—the other pivotal support figure in Avery’s life—is a more complex character. Libby has her own subplot thanks to her relationship with Drake and the hint of her potential romantic liaison with Nash. The fact that Libby is still getting text messages from Drake foreshadows another possible altercation with her ex. Further, while Max’s character only comments on the action, Libby’s character helps drive the action. Libby is the one who encourages Avery to go to Texas and stay in Hawthorne House. Plus, Libby’s relationship with Drake directly impacts Avery—for example, when Drake leaks the news of the inheritance to the paparazzi in Chapter 14.
Finally, these chapters further the symbolic significance of Hawthorne House. The mansion reveals new complexities, as Avery discovers rooms, wings, and hidden passages. In Chapter 56, she discovers the armory, where the guns are kept. The escalating complexity of Hawthorne House mirrors the escalating complexity of the narrative itself, which becomes increasingly complicated by new mysteries (like Emily’s death and Mellie’s interest in Nash).
By Jennifer Lynn Barnes
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