28 pages • 56 minutes read
Edgar Allan PoeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In the story, the reader does not know any biographical information about the unnamed “I” speaking to them except what they infer from context. He is in prison, but it is not clear where, when, or for how long he has been there. He is to be hanged for the murder of someone close enough to him that he inherited their estate, but the relationship to his victim is not revealed. It is clear that he is an educated, intellectual man capable of constructing elaborate theories. He also reveals that the public believes him to be “mad.” Poe’s use of the unreliable narrator is a trope of Gothic literature designed to unsettle the reader. The lack of biographical information enhances the atmosphere of unease, contributing to the horror of the story.
The narrator is a villain-protagonist. He confesses to being a murderer and shows no signs of remorse. He also displays a notable ability to dissect the experiences of his mind, but comprehension of his own behavior is limited by his self-centered interest. Ironically, while emphasizing his rationality and intellect, he attributes his trait of “perverseness” to an imagined supernatural force (the Imp), which is the exact critique he makes of scientific reasoning. The narrator is self-deluded, as he is more interested in understanding what caused him to give himself away than the central question of why he committed murder. He remains static to the end of the story, concerned with where his soul will end up but offering no repentance for his actions.
The murder victim is speculated to have been a relation of the unnamed narrator, close enough to have named the protagonist as the inheritor of their estate. The victim was also educated and had a habit of reading each night before bed. Very little else is revealed except the facts pertinent to his murder. His apartment was narrow and ill ventilated, which allowed the narrator to easily kill him by replacing his regular candle with a poisoned one. The victim died overnight and was discovered dead in the morning. The coroner believed the death to be of natural causes, determining his passing a “[d]eath by the visitation of God” (9).
The presence of the murder victim in the story is part of what marks the story as a Gothic story. Gothic literature is characterized by death, particularly unnatural deaths and hauntings. Although the narrator shows little remorse, in the climactic moment before his confession, he describes being confronted by the ghost of his murder victim, beckoning him to death. Through this Gothic device, Poe reveals the narrator’s suppressed guilt. The haunting can also be read as an act of divine justice, in which a supernatural force, usually God, influences events with the purpose of punishing the guilty for their transgressions.
By Edgar Allan Poe