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44 pages 1 hour read

Lucy Foley

The Hunting Party

Fiction | Novel | Adult | Published in 2018

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Symbols & Motifs

Stag-Stalking

One entertainment for guests at Loch Corrin is stag-stalking—the hunting of deer or stags. This helps the estate manage the deer population and gives wealthy guests a taste of wilderness adventure. Stags factor into the novel symbolically from the very beginning. On their way to the Loch, Doug’s car is abruptly stopped by a deer in the street. The deer pauses and stares down the guests in the car, one of their first challenges by nature. In that case, the deer symbolizes the unwelcome intrusion of society on nature. Then, during the stag-stalking, Emma proves herself to be a careful and astute hunter. She stealthily kills a deer that the group later eats for dinner. This symbolizes Emma’s obsessively sneaky nature; it parallels Emma’s hunting of Miranda. The novel highlights the importance of this symbol through the mysterious and problematic practice of hunting.

The Wilderness

The wilderness is both a setting and a symbolic state of mind in The Hunting Party. The New Year’s Eve guests are sorely out of place in the Scottish Highlands. At Loch Corrin, they’re isolated from the familiar comforts of London to which they’re accustomed. They go to Loch Corrin in a symbolic gesture of escaping society’s pressure, only to find that all their secrets and resentments echo back to them in the vastness of the wilderness. Being alone in an immense forest, facing the sublime, forces them to confront their flaws and their pasts. In the symbolic setting of the wilderness, they can find peace with themselves or confront how much peace they lack. Snow, fog, trees, and the sublime loneliness of nature emphasize the importance of confronting one’s demons.

Katie’s Unborn Baby

Katie’s unborn baby symbolizes Foley’s theme on forgiving the past to live in the future. Katie is mired by her past. Her friendship with Miranda embarrasses her, and she has low self-confidence because of years being Miranda’s second hand. Katie lives a lonely adult life. She buries herself in work to avoid her toxic friendships. Katie’s pregnancy is unexpected; that she’s pregnant with Miranda’s husband’s baby symbolizes Katie’s unresolved friction with Miranda. However, in the bigger scheme of the narrative, the unborn baby represents new hope for Katie’s future. Having a baby in the picture will force Katie to live for the future instead of being stuck in her past. Emma’s attempt to shoot her, nearly killing the baby, emphasizes the importance of Katie’s second chance at happiness.

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