89 pages • 2 hours read
Rick RiordanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The book opens with the narrator and protagonist Apollo, the god of the sun, music, archery, and medicine, introducing himself to the reader with the disclaimer that he “used” to be a god. Apollo remarks that in the 4,612 years of his immortal life, he has performed many spectacular feats, such as inflicting a plague on the Greeks besieging Troy, but he has never before crash-landed into a dumpster.
Apollo does not remember how he ended up on Earth, but he “woke up falling” into a pile of garbage bags in a narrow alley in Manhattan (1). All he could recall is the voice of his father, Zeus, the king of the Gods, saying: “YOUR FAULT, YOUR PUNISHMENT” (1). The worst part of Apollo’s punishment is that he has been transformed into a mortal. Apollo inspects his new body and recognizes that he is a teenager. A wallet in his jeans reveals his mortal name to be Lester Papadopoulos. As Apollo tries to walk out of the alley, he is blocked by two young men named Cade and Mikey, with tattoos of serpents on their arms. Cade and Mikey try to mug Apollo. Still believing himself to be god-like, Apollo offers them a choice: Pay tribute to him or be destroyed. Cade and Mikey instead mock Apollo and beat him until he bleeds.
Apollo is shocked to see that instead of “golden ichor,” blood now runs through his veins. Cade and Mikey examine Apollo’s wallet and are disappointed to find just a hundred dollars, since their boss had told him Apollo would be “loaded.” Apollo realizes someone deliberately sent Cade and Mikey to confront him. Assuming only a God would know where to find him, Apollo asks the two young men about their boss. They mock him again. Cade advances toward Apollo with a knife, but he is distracted by a 12-year-old girl standing on a fire landing, asking Cade to leave Apollo alone. Apollo notes the girl is “pudgy” and dressed in mismatched clothing, and despite her small stature, she is confident. She tells Cade and Mikey to leave Apollo alone since this is her alley and Apollo is her prize. Cade and Mikey try to attack the girl, but she summons discarded food items from the dump to beat them. Hit by a torrent of rotting fruit and vegetables, Cade and Mikey flee, screaming.
Apollo thanks his “savior,” whom he recognizes has the powers of a demigod, or the offspring of a god and a mortal. Apollo notes matching golden rings with crescent signets on both her middle fingers. The girl doesn’t seem surprised to learn that Apollo is a God. She introduces herself as Meg, short for Margaret, McCaffrey. Apollo tells Meg he has been robbed of his godly powers two times before, and each time he had to enlist in the service of some “important demigod” to regain his powers. Apollo hopes to offer his services to his demigod friend who lives on the Upper East Side. However, before Apollo can say anything else, Meg claims Apollo’s service. As if to confirm Meg’s claim, thunder rumbles in the sky. Meg demands Apollo lead them to the friend Apollo mentioned, who in turn will lead them to Camp Half-Blood, the training ground for demigods. The demigod is Percy Jackson, son of the sea-god Poseidon.
As Apollo and Meg head to the Upper East Side, Apollo wonders if his “divine radiance” is making pedestrians stare at him. Meg informs him that people are staring at him because he smells and looks like he has been mugged. Apollo catches his reflection in a store window. He looks 16, with dark hair and blue eyes. To his horror, he realizes his cheeks are covered in acne. He wails to Zeus, asking him why the divine God has punished him in this way; Apollo misses his six-pack abs and godly physique. Meg’s wild, carefree behavior on their walk makes Apollo think she either is hiding something or is a “feral demigod.” Apollo recognizes Percy’s house by the old blue Prius parked outside. Meg informs Apollo that they are being followed by “shiny blobs.” Apollo notes that the blobs are probably spirits. At Percy’s apartment, Apollo is disappointed by the lukewarm welcome. Percy is shocked to learn that Apollo’s appearance is not a disguise and that Apollo is now a mortal. He reluctantly invites Apollo and Meg inside.
At Percy’s apartment, Apollo asks the reader how mortals can live in such small spaces; the Jackson apartment doesn’t have a “throne room” or even a landing deck for flying chariots. As Percy’s mother, Sally Jackson, steps out to meet him, Apollo is terrified to see her swollen belly. Sally explains to Apollo that she is seven months pregnant. Sally sends Apollo for a bath and takes Meg with her. Percy offers Apollo ambrosia and nectar—the food of the gods—but Apollo is not sure the food is safe to consume in his mortal state. However, he notes that his wounds appear to be healing faster than a mortal’s. He assumes Zeus is accelerating his healing, though this is the least the king of the gods can do for him.
Percy jogs Apollo’s memory about the cause of his fall. Apollo recalls that the gods and demigods battled side by side against an army of giants in the Acropolis at Athens, events that are described in Riordan’s book The Blood of Olympus, the finale of the Heroes of Olympus series. When the blood of an injured Percy hit the earth, it angered and awakened slumbering earth mother Gaia. Gaia duped Octavian, a son of Apollo, into starting a civil war between the Greek and Roman demigod camps, which almost destroyed the world. Blaming Apollo for Octavian’s mistake, Zeus publicly “vaporized” Apollo. Apollo has been missing since last September’s war. Since it is now January, Apollo may have inhabited a limbo or stasis for the past six months. Apollo expects Percy to help him regain his godhood, but Percy confesses that the only help he can presently offer is to drive Apollo and Meg to Camp Half-Blood. Percy has promised his girlfriend, Annabeth, that he will avoid getting involved in more wars for some time, catch up with his classes, and join her at college next autumn.
The opening chapters establish Apollo’s ironic voice and sense of humor, such as when he blandly states that he “used to be a god” (1). Apollo’s predicament in finding himself in the mortal body of a teenager with acne creates several fish-out-of-the-water situations that are funny and tragic in turns. For instance, Apollo asks Cade and Mikey to offer him tribute, but they proceed to brutally beat him. Apollo’s initial smug and entitled god-like attitude, such as when he mocks Percy’s tiny house, is at odds with his mortal reality, setting him up for a course in which he will come to terms with his new self. Apollo’s predicament of inhabiting two realities is even worse than that of a demigod, since unlike the demigods he doesn’t seem to have any special powers. To make matters unbearable, the memory of his godhood eclipses every mortal experience he undergoes.
An interesting textual conceit is that although Apollo is an ancient god, he is also well-versed with contemporary reality. For instance, he wishes Percy would get a Maserati car instead of his boring old Prius. At the same time, Apollo is oblivious to many human realities, like the facts of mortal pregnancy. Not only does the dichotomy generate humor, but it also reveals important facets of Apollo’s character. As the references to the Maserati and Sally’s pregnancy show, Apollo is comfortable with symbols of human status and opulence, but not with the realities of human existence.
The first four chapters also introduce one of the book’s major characters, Meg McCaffrey. Dismissive of Apollo’s vanity, Meg is already established as a foil to the god’s arrogance. Her child’s perspective also serves to propel the plot forward, since she often asks direct questions and cuts to the chase. With her crescent-inscribed rings, uncertain parentage, and wild powers, Meg is for now a figure shrouded in mystery. Interestingly, Meg and Apollo both appear to be parent-less, abandoned figures, a commonality that will bring them closer to each other in the coming chapters. Percy’s introduction here firmly establishes The Hidden Oracle in the same universe as that of demigods and Camp Half-Blood, linking the Trials of Apollo pentalogy with the Percy Jackson series and the Heroes of Olympus franchise.
By Rick Riordan