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43 pages 1 hour read

Alka Joshi

The Henna Artist

Fiction | Novel | Adult | Published in 2020

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Part 3, Chapter 16-EpilogueChapter Summaries & Analyses

Part 3, Chapter 16 Summary: “July 23, 1956”

From Shimla, Lakshmi receives regular correspondence from Kanta, though her sister never writes directly. Dr. Kumar also writes to say that both pregnancies are progressing normally. He remarks on what an avid reader Radha is and suggests that she should have a private tutor so that she won’t fall behind in her studies. He is curious to know about the herbal remedies that Lakshmi specializes in because his mountain patients are skeptical of modern medicine.

In Jaipur, Lakshmi notices her henna business is dropping off. Regular patrons have disappeared. She learns that someone is spreading rumors that she has been stealing from her customers. Mrs. Sharma, Sheela’s mother, doesn’t believe the rumors but is hesitant to employ Lakshmi, who finds this treatment unfair: “I followed their rules. Swallowed their insults. Ignored their slights. Dodged their husbands’ wandering hands. Haven’t I been punished enough?” (222). Parvati is behind the gossip and only gives Lakshmi 10 rupees for arranging the marriage of Ravi and Sheela. She is taking revenge on the henna artist for her son’s dalliance with Radha.

Part 3, Chapter 17 Summary: “August 31, 1956”

During monsoon season, Lakshmi struggles to make ends meet as more clients cancel. One day, Parvati comes to her house. The latter admits that she knows her husband had sex with Lakshmi. Parvati offers to rescind the claims of theft and hands Lakshmi 10,000 rupees as the commission for brokering her son’s marriage. Lakshmi thinks, “I realized, now, that as long as I remained in her debt, Parvati owned me, which was exactly where she wanted me to be” (230). The henna artist refuses the money and sends Parvati away.

Part 4, Chapter 18 Summary: “Shimla, Himalaya Foothills, India—September 2, 1956”

Lakshmi receives an urgent telegram to go see Kanta in Shimla. When she arrives, she discovers that her friend has miscarried and will never be able to have children. Meanwhile, Radha goes into labor and delivers a healthy baby boy.

Dr. Kumar cares for both patients. He tells Lakshmi that he has used the herbal remedies she suggested on the local inhabitants with much success since they prefer natural herbs to antibiotics. Kumar asks for Lakshmi’s help in starting a hospital herb garden. He also asks her to consult when he goes on his rounds with patients, and she recommends several acceptable alternatives to standard medicine.

Part 4, Chapter 19 Summary: “September 3, 1956”

Even though the doctor and Lakshmi agree that it’s best to keep the baby away from Radha so that she won’t become attached, she insists on seeing him. Afterward, she says she wants to keep him. Lakshmi retorts, “This isn’t one of your American films where the heroine does as she pleases. And you’re not Marilyn Monroe” (245).

Lakshmi goes to Kumar’s office to sign the paperwork for the palace adoption. Outside the window, she sees Kanta and her husband, Manu, consoling each other over the loss of their own child. Lakshmi decides to let them adopt Radha’s baby. Kumar agrees to fill out a report indicating that the baby has an enlarged heart. This flaw will invalidate the contract with the palace. Kanta, Manu, and Radha are overjoyed. Kumar is also happy because Lakshmi agrees to help him with his garden project via correspondence.

Part 4, Chapter 20 Summary: “Jaipur, State of Rajistan, India—October 15, 1956”

Back in Jaipur, Lakshmi’s fortunes take a severe downturn. She is barely getting by and needs to dodge creditors, and Malik points out that she can’t go on like this. She receives a letter from Kumar. He asks her to plan an extended stay in Shimla to help with the hospital garden. She would be paid for her services. Lakshmi thinks:

Jay Kumar was offering me a chance to heal, to work with people who wanted what I had to offer. Who believed my knowledge was sacred. It was a chance to do the work my saas taught me. She lived in me, still. I could make her proud once more. Be proud of myself again (266).

She realizes she must sell her house to finance the move and writes to ask Samir for help with the transaction. Much to her surprise, she receives a reply from Parvati, who wants to buy the house outright because of the beautiful floor tiles that Lakshmi designed.

Part 4, Chapter 21 Summary: “October 20, 1956”

Now that she has enough cash for the move, Lakshmi plans to set up in Shimla and take Malik with her. Radha will live with Kanta and her family. When Lakshmi goes to visit her sister, the latter admits that she is jealous of Kanta acting as the mother to her baby. Knowing that this situation isn’t good for anyone, Radha is willing to leave, too.

Two weeks later, the group is ready to go. Lakshmi is happy to turn her back on Jaipur: “I would leave behind the useless apologies for my disobedience. I would leave behind the yearning to rewrite my past” (272).

Part 4, Chapter 22 Summary: “Jaipur Railway Station—November 4, 1956”

Lakshmi has bought first-class train tickets for the trip to Shimla. Once Malik, Radha, and she settle in their compartment, she notices Hari standing on the platform to say goodbye. He looks clean and respectable now. She says:

I had lived with Hari for only two years, but he had lived in my mind for half my life. By turns, I had feared him, been indifferent, felt contemptuous, full of hate or pity. Not once had I believed him capable of change. But if I could change, why couldn’t he? (279).

Epilogue Summary: “Shimla, Himalaya Foothills, India—November 5, 1956”

Lakshmi, Malik, and Radha watch the train make its approach to Shimla. Lakshmi rereads a letter from Kumar saying that he has found a house for them in town. Malik has already been enrolled in Kumar’s alma mater, and Samir has offered to pay for Radha’s education at the girl’s school. The local people show up at the train station to greet the new healer in town. They are grateful for the remedies she has already recommended to many of them. Lakshmi thinks, “A thousand miles from the tiny village where I’d started, I was finally home” (282-83).

Part 3, Chapter 16-Epilogue Analysis

The final segment of the novel highlights the theme of Traditional Values Versus Western Influence, as it divides the characters into two distinct ideological groups based on their geographic location. In Jaipur, the Singh family and their friends energetically reinforce the status quo. Women still agree to arranged marriages. Men continue to cheat on their wives and banish mistresses who become pregnant. The rumor mill churns unabated.

Lakshmi and her group prefer to move to Shimla. The relocation completes Lakshmi’s personal psychological journey from tradition to personal choice. This highlights The Role of Women in Traditional Society. During her years in Jaipur, she plays by the rules of Indian society. She is obedient, submissive, and fearful of giving offense. In part, this behavior is a form of atonement for her disobedience in running away from her family. At this point in her life, she still abides by a belief in collective, family-oriented identity. She still feels guilty about leaving Hari and is afraid her secret will be revealed. She carries a lot of shame about her life choices, which is why she guards her reputation and image so carefully. Even though Lakshmi is living her own life, she still has not accepted that she is entitled to do so.

Her house symbolizes her obsession with building a life that her parents would be proud of. Although her parents died years earlier, she is still determined to eradicate her past sins through a display of material success. Paradoxically, the more she chases that success, the more it eludes her. It isn’t until she lets go of the house that she can let go of her past and its constricting hold over her life. Lakshmi says:

Yet, what had the house brought me but debt, anxiety, sleepless nights? Did I need it to announce my arrival in the world of the successful, as I once had? Success was ephemeral—and fluid—as I’d found out the hard way. It came. It went. It changed you from the outside, but not from the inside (266).

In moving to Shimla, Lakshmi has completed her transformation. Henna art has multifaceted symbolism that reflects the different stages of Lakshmi’s journey. Henna is most commonly associated with joyous occasions, especially weddings. The application of henna is a significant ritual in Indian weddings, symbolizing the bride’s beauty, happiness, and the joy of the occasion. The intricate designs applied to the bride’s hands and feet are considered auspicious and are believed to bring good luck and positive energy to the marriage. Traditionally, henna is also seen as a form of protection. The designs are believed to ward off evil spirits, negative energy, and misfortune. This protective aspect is why henna is often applied during important life events such as weddings, childbirth, and festivals. The act of applying henna is considered a blessing, with elders often participating in the ritual to bestow their blessings on the bride or the individual being celebrated.

In its associations with femininity and spiritual protection, henna art is the vehicle that takes Lakshmi through her psychological and emotional journey to independence. By the novel’s end, she has traded her henna art for an herb garden and is finally stepping into the role she was meant to play all along—a healer.

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