logo

43 pages 1 hour read

Alka Joshi

The Henna Artist

Fiction | Novel | Adult | Published in 2020

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 2, Chapter 9-Part 3, Chapter 15Chapter Summaries & Analyses

Part 2, Chapter 9 Summary: “February 12, 1956”

After Radha starts attending the Maharani School for Girls, Lakshmi arrives one day to take her sister to lunch. The meeting doesn’t go well. Radha is sullen and uncommunicative. Afterward, Lakshmi is intercepted by her builder and threatened. He wants the money she owes him immediately.

Promising to pay that afternoon, Lakshmi goes to Samir to ask for a loan. She is reluctant but feels this is her only option: “[W]here else would I get the money? Banks? When had they ever loaned money to a woman without a husband? Then, a chilling thought: How was I different from Hari, begging for money, begging for time?” (151). Samir gives her the money without question.

Part 3, Chapter 10 Summary: “Jaipur, State of Rajasthan, India—March 15, 1956”

Lakshmi succeeds in reviving the young maharani, and her client list grows as a result. She, Malik, and Radha are kept busy from morning until night, though Radha still appears unhappy. Because Radha won’t tell Lakshmi what’s bothering her, Lakshmi goes to see Kanta, whom Radha trusts.

While Lakshmi and Kanta are visiting, Radha bursts in with a black eye. She is surprised to see her older sister there. When pressed, she confessed that Sheela elbowed her during a dance class. Radha says all the girls dislike her because she dresses differently. Kanta has a ready solution. She books an appointment for a stylish haircut and orders English clothes so that Radha will fit in. Lakshmi says, “Kanta always knew just what to say and do to make my sister happy when I seemed to have no clue” (158).

Part 3, Chapter 11 Summary: “April 20, 1956”

By late April, the new house is ready, and Lakshmi plans a moving-in ceremony. She invites all the neighbors and has a priest perform the necessary rituals. During the festivities, Lakshmi notices that Radha has an upset stomach and needs to excuse herself repeatedly to use the bathroom.

That evening, Lakshmi grows suspicious that Radha is pregnant. Furious, she goes in search of Hari, assuming he is the father. When she finds him, she attacks him, but he protests his innocence, saying he would never take advantage of a child. In fact, he is trying to help the prostitutes of the district using the healing arts his mother taught him. He says, “Maa taught me what she taught you, after you left. And I understood, at last, why those women sought her out. She was their last hope” (171). Hari uses the money Lakshmi gave him to help women in need to get medical help.

Lakshmi finally believes him and goes home. Radha is sleeping, but Lakshmi rouses her and insists that her sister abort the baby. Radha refuses, saying, “I’ll tell the father, and we’ll marry. We’ll keep the baby” (177). Lakshmi questions what will happen if the father is uninterested, but Radha won’t listen and flees into the night. When she still hasn’t returned the following morning, Lakshmi begins to worry. Kanta arrives at her house to say that Radha came to seek refuge with her. The two women console one another over the catastrophe.

Part 3, Chapter 12 Summary: “April 21, 1956”

Lakshmi accompanies Kanta to her house, where they confront Radha. The girl finally admits that Samir’s son, Ravi, is the father. The couple began meeting outside the polo grounds and started having an affair. When the women point out that Radha is only 13 and much too young to be a mother, Radha insists that Ravi will want to marry her and raise the baby. Kanta blames herself for exposing Radha to romantic notions from Western books and movies. Unable to reason with Radha, Lakshmi leaves to clear her head.

Part 3, Chapter 13 Summary

Lakshmi walks for hours. In a poor section of town, she encounters a Singh family servant who was thrown out after she became pregnant by Ravi. Eventually, Lakshmi ends up in the district where Samir’s current mistress lives. Lakshmi asks to wait until he arrives. She goes to an upstairs guestroom, where she falls asleep.

When Samir appears, the two make love, even though his current mistress is waiting downstairs. Afterward, Lakshmi tells Samir about Ravi and Radha. Samir is unsympathetic and advises that she get rid of the baby. Lakshmi says Radha has refused, but as her legal guardian, the elder sister can force her to give up the infant. Samir and Lakshmi then hatch an adoption plan. Ravi is related to royalty, and the maharajah is looking to adopt a successor. With Radha’s Brahmin caste status, the child might have a suitable pedigree, providing it is male.

Samir is a favorite of the dowager maharani’s and says he will arrange the transaction. Ravi will be sent to school immediately in England, and Radha will be sent away from Jaipur to deliver. Lakshmi leaves, disillusioned by Samir’s behavior. She thinks, “His son, Ravi, who already showed signs of growing up to be just like him, would continue to bed young girls too innocent to know he did not care enough” (200).

Part 3, Chapter 14 Summary: “April 28, 1956”

Kanta, now pregnant, plans to spend the summer in the mountain region around Shimla to avoid the city heat and will take Radha with her so that the two can deliver their babies there. Two weeks later, Lakshmi receives a signed divorce decree from Hari. At the same time, she receives an invitation from the dowager maharani to come to the palace to sign the adoption papers.

Although Lakshmi hesitates at the thought of the child being raised by strangers, she eventually executes the paperwork. While at the palace, she learns that Maharani Indira has agreed to finance Hari’s efforts to help the women of the pleasure district. Lakshmi denies knowing him, despite the fact that they have the same last name.

Part 3, Chapter 15 Summary: “May 6, 1956”

By the beginning of May, the adoption contract has been finalized, and Radha agrees to give up the baby. Lakshmi corresponds with Samir’s friend, Dr. Kumar. He will be attending to Radha during her pregnancy and will be on hand to deliver the baby.

Part 2, Chapter 9-Part 3, Chapter 15 Analysis

This segment focuses primarily on The Role of Women in Traditional Society and the theme of Traditional Values Versus Western Influence. Radha’s head is filled with Western notions of romance, and she believes she should choose her future for herself. This directly relates to the influence of British literature in Indian society. Movements such as Romanticism and Victorian literature influenced both India’s literature and its cultural values. The social realism of Victorian novels, which often dealt with issues of class, poverty, and morality, found echoes in Indian literature, where similar themes were explored in the context of Indian society. The Henna Artist creates a meta-dialogue with both traditions—British and postcolonial Indian literature—as it references the fraught dynamics of the 1950s.

Radha’s romantic ideas are rejected by both Kanta and Lakshmi, who bemoan Radha’s exposure to foreign ideas. Radha’s boyfriend, Ravi, isn’t nearly as much of a romantic as she is since he is already engaged to another girl. He is also following in his father’s footsteps, having seduced a servant and then cast her aside to take the blame for an illegitimate pregnancy. When Samir finds out about his son’s affair with Radha, he reproaches Lakshmi for not taking care of the problem as handily as she did when she helped his own mistresses end their unwanted pregnancies. Traditional Indian society did not assign blame to the men involved in illicit relationships. The shame fell entirely on women who had strayed outside the narrow confines of proper female behavior.

Although Radha is still immature and inexperienced, her demand to control her own destiny highlights the central theme of Motherhood as a Personal Choice. Lakshmi criticizes her younger sister, but Radha points out that she should be entitled to the same rights over her own future that Lakshmi has already asserted. Radha asks, “What did I ever do to you? Why do you get to do everything you want in your life, but I have to do everything you tell me to?” (185). Lakshmi claims she is only acting in her sister’s best interests. Although her actions make sense in this context, this same excuse has been used to control countless earlier generations of women and keep them from deciding their own destinies.

blurred text
blurred text
blurred text
blurred text