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43 pages 1 hour read

Alka Joshi

The Henna Artist

Fiction | Novel | Adult | Published in 2020

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Character Analysis

Lakshmi Shastri

Lakshmi is an attractive 30-year-old henna artist who has made a new life for herself in Jaipur after running away from an abusive marriage and life in the small village of Ajar, India. She has spent 13 years cultivating a clientele from among the city’s most well-to-do families. Despite her success, Lakshmi feels guilt at abandoning her parents and dreams of bringing them to Jaipur to live in her fine new house.

Lakshmi’s inner conflict between the desire to choose her own destiny and her sense of shame at failing in a traditional role embodies the struggle of Indian women emerging from centuries of restrictive cultural conditioning, reflecting the theme of The Role of Women in Traditional Society. The fact that the main character is skilled at compounding contraceptive remedies also flies in the face of the Indian tradition of having big families, no matter the physical, emotional, or psychological cost to the women who birth and care for the children. When Lakshmi’s 13-year-old sister, Radha, moves in with her, Lakshmi’s inner conflict is apparent in her treatment of Radha: While adamant about her own desire to choose her destiny, she criticizes that same desire in Rakha, claiming she is thinking about Radha’s own good.

For much of the novel, Lakshmi sees her house—a symbol of her material success that she hopes one day to show her parents—as a way of atoning for her past sins. It isn’t until she sells the house at the end of the story that she shakes off the last vestiges of her culture’s repressive values and begins to live her life freely.

Radha

Radha is Lakshmi’s 13-year-old sister. The girl wasn’t yet born when Lakshmi left her village, so they only come to know one another over the course of the novel. With her parents dead and the entire village calling her the Bad Luck Girl, Radha is desperate to find a home and family of her own.

Because she is so young and naïve, she is easily seduced by Ravi Singh and impulsively wants to keep her baby when she falls pregnant. Her situation highlights the theme of Motherhood as a Personal Choice. Like her sister, Radha intends to assert control over her own body and her own life, yet she is far too young to understand the consequences of her bad choices. The novel suggests that Radha’s self-assertion in the face of so much resistance is laudable, but she also learns to temper that desire to choose with a willingness to take good advice until she is mature enough to chart the course of her own life.

Hari Shastri

Hari is Lakshmi’s abusive ex-husband. When he first appears in the novel, he is slovenly and penniless. Lakshmi assumes he has come to Jaipur to drag her back home. Contrary to Lakshmi’s expectations, Hari transforms himself over the course of the story. After acquiring the herbalist skills passed down by his mother, Hari tries to help the women of the pleasure district in Jaipur.

Rather than playing the role of the domineering man, Hari has learned from both his mother and Lakshmi what a terrible toll too many pregnancies can take on women. By the end of the book, he has transformed himself into a force for good, just as his ex-wife has done. Lakshmi admits, “By turns, I had feared him, been indifferent, felt contemptuous, full of hate or pity. Not once had I believed him capable of change. But if I could change, why couldn’t he?” (279).

Jay Kumar

Doctor Kumar is a Western-educated friend of Samir’s. If Samir represents the old India, Kumar represents a bridge between the old and new. He shows respect for Lakshmi’s herbal skills rather than scoffing at old wives’ remedies. Kumar is humble enough to believe that he has something to learn from her rather than assuming that Western medicine holds all the answers. He also doesn’t place himself in a superior role simply because he is a man. The novel suggests that Kumar and Lakshmi will eventually become romantically involved. The possibility offers hope for establishing an equal footing between the sexes in Indian society.

The Singh Family

The Singh family is connected to the Jaipur royal family. Their wealth and social influence place them at the top tier of the city’s social elite. However, each member embodies some of the most patriarchal qualities of old Indian culture.

Samir Singh: While helpful to Lakshmi in a business capacity, Samir is also interested in seducing her. He keeps a string of mistresses, plying them with contraceptives so that his own sexual pleasure won’t be interrupted. When he discovers his son has gotten Lakshmi’s sister pregnant, he firmly maintains a double standard about who should take the blame.

Parvati Singh: Initially, Parvati is Lakshmi’s most influential client and helps to grow her business. However, like her husband, Parvati is interested in preserving the status quo. When she discovers that her son was involved with Radha and that Lakshmi slept with her husband, she seeks revenge against the henna artist, not the men in her own family who are equally at fault.

Ravi Singh: Ravi is the handsome, privileged eldest son of the Singh family. Although he is already engaged to another girl, he meets Radha in secret with the intention of seducing her. Like his father, Ravi sees no contradiction in his behavior. The women he impregnates are punished by society while he goes free.

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