85 pages • 2 hours read
Jennifer Lynn BarnesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Grayson and Avery prepare for their interview with Landon. Landon instructs Avery to project gratitude and awe; they are trying to paint the Cinderella story picture. Avery summarizes it this way: “One day, I’m scrounging to pay the electric bill, and the next, I’m Cinderella” (235).
Grayson and Avery leave the mock interview with Landon feeling tense. Grayson proposes they let off some steam by practicing sword fighting. Avery is awed by the longswords he shows her, thinking, “This is what it meant to be a Hawthorne. This should probably be in a museum, but my brothers and I like to hit things with it instead” (237).
Avery and Grayson have the televised interview, which goes well until the end. The interviewer displays photos of Toby/Harry and Avery playing chess together; clearly, someone in Hawthorne House has stolen and leaked them. Avery tells the interviewer that the man is “my friend. Harry” (245). However, the interviewer suggests that it may be Toby. Grayson sees that Avery will crack under the interviewer’s pressure. The interviewer asks, “What is your connection to Toby Hawthorne?” (246). Avery starts to answer, “I’m his—” but is cut off by Grayson: “Before I could get the word daughter out, Grayson leaned his head down and crushed his lips to mine. He kissed me to save me from what I’d been about to say” (246).
Alisa and Landon are angry that Avery didn’t tell them the truth about Toby/Harry. Grayson defends Avery’s secrecy, telling Alisa, “We couldn’t be certain where your loyalties would lie” (249). Alisa is hurt by this insinuation.
Max saw the footage of Grayson and Avery kissing and teases Avery about it. Avery is confused by her mixed feelings for Jameson and Grayson. She asks Max, “Why did I feel like I’d betrayed him [Jameson]?” (252). Avery stays up late, troubled and unable to sleep. Jameson comes by her room. Jameson doesn’t bring up the kiss, but Avery wonders if he saw the footage, thinking, “What were the chances that I was just another prize to be won? Territory to be marked” (254). When Avery asks Jameson why he’s come there, he tells her to check her phone: Libby and Nash found something and are on their way back.
Oren tells Avery that Eli has been fired because she leaked the pictures of Avery and Toby.
Avery, Jameson, Grayson, Xander, Oren, and Zara gather to meet Libby and Nash. Libby and Nash reveal what they found at the Hawthorne holiday home in Costa Rica: Jake Nash, Nash’s father. He’s the man in the photo with Skye and Zara at True North. Tobias got rid of Jake by giving him a job as a caretaker of the property in Costa Rica. Nash tells Zara: “The old man gave him strict instructions that if you ever came to call, he was to give you this” (263). Nash is referring to a small vial of powder. Avery realizes that with this powder, they’ll be able to find out what’s written (in invisible ink) on the “blank” paper from the picture frame at True North.
Avery, Libby, Zara, and the Hawthorne boys use the powder that Libby and Nash brought back from Costa Rica to reveal what’s written on the “blank” page from the picture frame at True North. It’s a letter from Tobias to Skye and Zara. In the letter, Tobias confirms that Toby is still alive and urges his daughters to find him; to help, he includes a list of locations where he’s traced Toby since he went missing. Looking at Tobias’s list of locations, Avery realizes that she recognizes many of the names from her mother’s postcards. Avery realizes the postcards came from Toby—and that they aren’t blank but written on with invisible ink.
Avery uses a black light to view the invisible ink on the postcards. Avery discovers that her mother and Toby were in love. Each postcard starts the same way: “Dear Hannah, the same backward as forward” (269). Avery knew her mother as Sarah, but Toby addresses Avery’s mother as Hannah—and Avery remembers the tabloid that claimed her mother was living under a fake name. Through Toby’s letters, Avery comes to suspect that her mother was the sister of Kaylie, the girl who died in the Hawthorne Island fire—the fire that Toby allegedly started. Toby tells Hannah in one letter: “I will never stop being sorry about your sister” (274). Toby also tells Hannah, in another letter, “Go to Jackson. You know what I left there” (271). For now, Avery thinks Toby is referring to a city called Jackson; she will later learn Toby is referring to a person.
Avery tries to confirm the information she’s learned from Toby’s letters through an internet search, but she doesn’t find any evidence that Kaylie had a sister. Avery remembers allegations that Tobias hid the results of the police investigation into the fire. Avery suspects that the investigation results are in Tobias’s safe deposit box—she needs access to it.
This cluster of chapters “solves” many of the cliffhangers presented in the previous group of chapters. Most significantly, Avery gets the solution she needs to read her mother’s postcards and discovers they’re all love letters from Toby to her mother. Avery learns her mother’s real name is Hannah as Toby starts every card, “Dear Hannah, the same backward as forward” (269). This is another instance where previously planted foreshadowing makes sense; earlier in the book, Max told Avery there was a tabloid claiming that Avery’s mother was living under a fake name. Now, the reader and Avery both understand this claim. The small hints the author planted earlier in the book start to gain significance and make sense.
These chapters also reveal the outcome of Grayson and Avery’s interview, delivering on the promise of drama hinted at in the previous chapter. Throughout the book, Avery struggles with her interactions with the press. Her default storyline for the media has been the “Cinderella story.” This conceit is reiterated as Avery prepares for her interview with Grayson: “One day, I’m scrounging to pay the electric bill, and the next, I’m Cinderella” (235).
In reality, Avery’s story isn’t a fairytale. Her life is in constant danger; she’s a prisoner in the gilded cage of the Hawthorne mansion, and she frequently feels out of place among the Hawthornes, who were raised with wealth while Avery was raised in poverty. The misalignment between Avery’s reality and what she’s forced to present to the outside world adds stress to her interactions with the media, making them difficult and awkward.
This chapter is the pinnacle of Avery’s struggles with the media, as she almost cracks under the pressure when the interviewer asks if Toby/Harry is her father. Grayson takes on the role of the “white knight,” saving Avery and preventing her from answering by kissing her. Although Grayson has a practical motive, the kiss reminds the reader of the love triangle between Grayson, Jameson, and Avery, adding a layer of complication to the romantic subplot between Avery and Jameson.
One problem with the love triangle is that it leaves Avery open to objectification. If Grayson and Jameson are both vying for her, it leaves her feeling like an object the boys are arguing over. This becomes apparent after the kiss with Grayson when Jameson comes to Avery’s room; Avery questions his motives, wondering, “What were the chances that I was just another prize to be won? Territory to be marked” (254). Although Avery has taken steps forward in achieving greater personal agency—for example, when she tells Grayson that she’s not the glass ballerina—there are still points where she’s left feeling objectified by the Hawthorne boys. “Territory to be marked” is an especially painful parallel to how an animal, like a dog, marks its territory by urinating on it. It’s not just objectifying; it’s degrading.
While solving some of the book’s smaller mysteries, this series of chapters introduces new questions and puzzles. First, there is the (as of yet unconfirmed) suspicion that Avery’s mother, Hannah, was Kaylie’s sister, thanks to this line in one of Toby’s postcards: “I will never stop being sorry about your sister” (274). Then, there is the mystery of what Toby means by this line: “Go to Jackson. You know what I left there” (271). Avery will later learn that “Jackson” refers to a person, not a place. Finally, there is the mystery of the Hawthorne Island fire. Avery believes that she will find the answers she needs in the police report Tobias concealed, which she guesses is in his safe deposit box.
This cluster of chapters exemplifies how The Hawthorne Legacy keeps the reader turning the pages by introducing multiple smaller puzzles and mysteries into the book. The overarching question—and the main motivation for the characters—is finding Toby/Harry’s whereabouts. However, tthe author sprinkles many smaller mysteries into the pages to keep readers engaged. There is always a new clue to find or a puzzle to solve, which maintains narrative tension.
By Jennifer Lynn Barnes