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44 pages 1 hour read

Steven Rowley

The Guncle

Fiction | Novel | Adult | Published in 2021

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Chapter 19-23Chapter Summaries & Analyses

Chapter 19 Summary

Patrick wakes in the middle of the night, disoriented, as an earthquake jolts the house. For a brief moment, he resigns himself to death, but then he remembers Maisie and Grant. He is now responsible for more than just himself. As he directs a terrified Maisie to stand under a doorframe, she cries out that Grant is hurt, and Patrick pulls her into her brother’s room. Grant is either asleep or unconscious, blood trickling from his head—a metal sculpture has fallen off the wall onto him. Patrick uses a pillowcase to stanch the bleeding and dials 911, but there’s no answer. He decides to take Grant to the hospital.

The emergency room nurse wants to notify Greg, but Patrick asks her not to unless absolutely necessary. He doesn’t want to interrupt his brother’s rehab. Sitting in the waiting room with Maisie, Patrick recalls the day she was born—the pressure of people watching him as a celebrity. Patrick explains earthquakes to the shaken Maisie and agrees that he doesn’t like hospitals much either.

The next morning, Grant appears to be fine. As Patrick holds Grant’s hand, he remembers sitting at Joe’s bedside and his own painful recovery after the car accident. He recalls his final moments with Joe before Joe’s family took charge of the medical decision to turn off life support. Patrick weeps—first Joe, then Sara.

Chapter 20 Summary

Back at home, Patrick puts Grant to bed, and he and Maisie clean up the mess. Maisie asks Patrick if he ever gets lonely in his giant house and vows to never be lonely herself. She cries to see that Patrick’s Golden Globe Award has been dented, but Patrick reassures her that “Things can be replaced” (222).

In the aftermath of the earthquake, Patrick begins to declutter. In his nightstand, he discovers a letter he wrote to Joe after his death (alongside the bottle of pills he saved in case the grief became too much). Patrick recalls the sounds of the crash, the isolation when Joe’s family refused to allow Patrick into the hospital room, and the fact that, in his final moments, Joe was surrounded by people who knew him the least. Patrick thinks about the anger he felt after Joe’s death over what might have been—he and Joe could have been a family.

Chapter 21 Summary

Patrick remembers how a week after Joe’s death, Sara brought over tequila, and they shared memories of Joe.

Unable to sleep, Patrick visits the Coachella Sober Living Facility to visit his brother. Patrick tells Greg he’s surrendering the kids to Clara for the last three weeks. The earthquake, Grant’s injury, and memories of Joe have become too overwhelming. Patrick fears “messing everything up” (234). Greg is adamantly opposed. He wanted the kids with Patrick because he thought it would be therapeutic for all of them. Greg knows the real reason Patrick suddenly wants to let the kids go: Maisie and Grant have breached the emotional barrier Patrick erected around himself, and that intimacy frightens him. The argument—and the smell of the rehab facility—makes Patrick feel remorse that he never visited Sara before she died. Sara understood, Greg tells him. Both brothers have navigated grief, so Greg urges Patrick to share his story with the kids and to model what the process of grieving looks like. Full of self-doubt, Patrick nevertheless agrees.

Chapter 22 Summary

Fear of earthquakes has prompted the kids to wear bicycle helmets all day, so Patrick posts a video of them banging heads together to his YouTube channel. The positive online responses “connect him to the outside world” (241) once again.

When Patrick and the kids go for their usual morning bike ride, Patrick wants to tell the kids about Joe, but he can’t bring himself to do it. Later, as the kids swim in the pool, his neighbor John marvels at Patrick’s proficiency with applying sunscreen, giving Patrick a self-assurance boost. Patrick decides to broach the subject of Joe, although finding the right word to express their relationship is difficult; he opts for “boyfriend.” He tells the kids that Joe was killed by a drunk driver over 10 years ago. Maisie, who struggles with the reality of death more than Grant, asks: “When does it get easy?” (246). Patrick answers honestly: The struggle never ends, although it does get easier. Patrick suggests that they all write letters to Sara.

The next morning, Patrick calls Cassie and asks her about opportunities for him in New York.

Chapter 23 Summary

As Greg’s release date approaches, Maisie grows more withdrawn and sullen, her moodiness finally erupting into anger. Her irritation continues for several days, and she responds to Patrick’s attempts at humor with fury: “I’m tired of living here! It’s a million degrees and your rules aren’t funny and I want to go home” (253). When Patrick counters that the summer hasn’t been all great for him either, Maisie retorts: “I hate you” (255) loud enough for the whole restaurant to hear. Patrick wants to react like an adult, but can’t help engaging, yelling back at Maisie. Just then, however, he remembers the verbal abuse he heaped upon his own mother for failing to understand the depths of his adolescent pain, and apologizes to Maisie, who silently acknowledges it. An elderly couple next to them hand Patrick a folded napkin. Inside is a note: “Every parent has these days. You’re very good with them. Your breakfast is on us” (260).

Chapter 19-23 Analysis

Because he hasn’t raised Maisie and Grant from birth, Patrick hasn’t developed the kind of skills that parents acquire. Thus, the only way he knows how to guide them is through their loss is via empathy: Though he is loath to remember his own experience with Joe’s death, by confronting his grief, he can identify with what the kids are feeling. In turn, stepping up to help the kids cope allows Patrick to deal with his pent-up feelings, which surface when he finds the letter a therapist convinced him to write to Joe posthumously. Patrick realizes that he has emotional wisdom to share: When the pain starts to fade, the kids might instinctively want to hold on to it for fear of losing memories of Sara—a normal reaction. Another empathetic moment happens when Patrick has trouble handling Maisie’s anger at a restaurant. He wants to process her lashing out calmly, like an ideal parent would, but can’t help but escalate the situation when he takes her rage personally. What works isn’t trying to be a parent but empathizing with Maisie as a struggling kid: Patrick remembers his own fury at his mother, which makes him see the pain and sadness behind Maisie’s outburst. An elderly couple leaves him a note of encouragement, calling him a “parent” (260)—a note of confidence about the Validity of Unconventional Families.

The novel returns to themes of homophobia and bigotry when Patrick’s time in the hospital with Grant reminds him of the last days of Joe’s life. Patrick is struck anew with anger at Joe’s family for trying to exclude him from his partner’s final moments (and his regret at not standing up to them sooner). Their relationship, which ended before the Supreme Court Obergefell v. Hodges ruling legalizing gay marriage in 2015, meant that Joe’s intolerant relatives could bar him from Joe’s deathbed. One of Patrick’s greatest regrets is not having been able to create family with Joe.

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