66 pages • 2 hours read
Lucy FoleyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
This section begins with Hannah trying to be intimate with Charlie, who turns her down because he is tired. Hannah feels stung by the rejection and leaves the room to go on a walk. She meets Aoife on the way out, who tells her to stay away from the bog lest she get stuck. Aoife gives Hannah directions to higher ground for a chance at better cell coverage. Hannah still takes a wrong turn and finds herself in an old graveyard. There, she comes across a gravestone for whom she presumes was a young girl. The gravestone reads: “Darcey Malone,” “lost to the sea” (103). Before Hannah can inspect the gravestone much more, Aoife waves her over and points her in the right direction.
Hannah calls her mother, who is watching her children for her. Hannah is fiercely protective of her children and the people close to her. The reader learns that Hannah used to wake up in the middle of the night as a child to check on her older sister, Alice, to make sure she was still breathing. Hannah and her mother are both grateful for the change in pace at this time of year, the anniversary of when Alice died. Olivia reminds Hannah so much of Alice, not only in her profound sadness, but also in her “thinness” and “fragility” (105). After Hannah hangs up the phone, she keeps walking and ends up stuck in a bog, unable to move. She struggles and tries her best to pull herself free but is unable to do so. Hannah soon realizes that she is being watched and sees Duncan and Pete laughing at her. Though they help her out, she feels uncomfortable around them and hurries back to the hotel.
Back at the tent, Aoife is busy getting ready for the wedding. Will approaches her and tells her about the seaweed he found in the bed, and she is momentarily panicked; she and Freddy desperately need their hotel business to work and cannot afford for anything to go wrong. Will openly flirts with her, but Aoife remains entirely unmoved by him. Aoife’s lack of interest appears to irritate Will, and he shifts closer to her in an act of intimidation. When Will leaves, Aoife observes that he wields his sexual prowess like power and dominance over others, “a reminder that he is the one in charge” and that Aoife works for him (110). Aoife sees the darkness in Will, and her observations echo the warning in the note that Jules received.
Jules wakes up on the morning of the wedding and looks outside the window to see Olivia standing on the edge of the cliff. Jules is momentarily worried that Olivia is going to jump before she decides to push her concern aside and deliberately focus on getting ready for the ceremony. Jules tears up the warning note and is determined that her wedding and marriage will both be perfect. On the top of the cliff, Olivia watches as the boats carrying the guests approach the island. Olivia is guilty, convinced that she is the bad and evil thing on the island. Olivia wants to talk to Hannah about all the guilt she feels about the abortion she had, but when she tries to find her that morning, she overhears Charlie and Hannah arguing.
Down by the docks, Aoife welcomes the guests. She speaks with Mattie, the boat captain, and he points to the dark clouds far out in the distance. A storm is on its way. Back on the wedding night, Pete, drunk and high, gets stuck in the bog and begs that the group return to the hotel. Pete moans about the bodies that he supposedly sees in the bog, and the entire group begins to realize how unprepared they are to be out in the storm. Paranoia seizes the group as a figure approaches them in the dark. It turns out to be Freddy, Aoife’s husband.
Johnno is the one who asks to be Will’s best man, not the other way around. Johnno is convinced that the history and experiences they shared at the boarding school has tied their lives and destinies together. He wears the borrowed suit, and after getting ready, he meets up with the other ushers. This is when it is revealed that Will got away with everything back at boarding school because his father was the headmaster. Despite being a bad student, Will aced the GCSE exams. As a prank, Will would also put seaweed in the other boys’ beds to scare them. Johnno reminisces about a boy they called Loner who used to follow Will around as students; Loner had an effeminate name and a larger friend who often told the matron about the tricks that the other boys played.
As they turn to leave for the ceremony, Will takes Johnno aside and tells him not to embarrass him during the best man’s speech. Jules finishes getting ready for the wedding by placing a gold crown on her head. She heads downstairs, where her father is waiting for her. The reader discovers that the night before was the first time that Ronan met Will. Ronan is entirely unimpressed by Jules’s fiancée. Jules is furious and goes off on her father, blaming him for being so absent in her life, and demanding that he at least have the decency to walk her down the aisle and lie, if he has to, that he is happy for Jules and Will. Jules takes a moment after the incident to head inside her room and break things. Jules has the habit of breaking things to make her feel better, though it is something she has been fighting ever since she started seeing Will. After breaking the flower vase, Jules carefully cleans up the mess and rearranges her expression into one of joy. She then heads out for the marquee with Ronan, Aoife, and Olivia. The ceremony goes swimmingly.
Hannah watches Charlie closely throughout the ceremony for a hint that he may be jealous of Will. Ever since Johnno made that comment the night before, Hannah has been thinking about how Charlie and Jules may have once slept together. After the ceremony, everyone begins mingling and drinking. Hannah approaches Charlie, where the topic of the stag weekend comes up again. She is worried about him, especially when it becomes clear that he is slurring and has been drinking heavily. Charlie snaps at her when she asks about the stag weekend, and Hannah recoils from him. Hannah’s reaction and her repeated moments of concern throughout the two sections thus far hints that Charlie may have had issues with alcoholism in his past.
Elsewhere in the tent, Johnno has a run-in with Will’s father, who was the headmaster of the boarding school. The headmaster believes that Johnno stole the GCSE papers for Will that his son used to cheat and get high scores. It is revealed, however, that it was actually Will who stole those papers. This begins the pattern of Johnno taking the blame for things he did not do. After that discussion, Johnno speaks with Piers, the producer of Will’s show, and discovers that Johnno had been offered a position on the show as well, but Will had intercepted the offer and declined it on Johnno’s behalf. This betrayal changes everything for Johnno. When Will sees Piers and Johnno talking, he attempts to make his way over to diffuse the situation. Before he can reach them, however, guests begin to panic about a figure drowning in the water.
The figure is Olivia, who has wandered into the sea and begun to drown. Will saves Olivia and comes out looking like the hero. Jules is worried for her sister at first, but her concern quickly turns to anger. Jules screams at Olivia, accusing her of wanting attention and trying to upstage Jules. Hannah tries to defend Olivia, suggesting that the young woman might actually be struggling with her mental health. Jules does not care and screams at Hannah as well. Aoife steps in and redirects the guests back to the marquee, where the party begins once more.
Johnno is bitter and furious as he watches Will emerge from the water with Olivia, looking like the picture-perfect hero. Johnno has kept Will’s secrets for so long and everything begins clicking into place for him. Johnno is determined to get his revenge on Will.
Though Hannah realizes that Olivia is most certainly not her sister Alice, Hannah still decides to try and comfort her. Olivia tells Hannah that she was pregnant and Steven was the father. Steven abandoned her to deal with the pregnancy and subsequent abortion alone. Olivia tells Hannah about this, and in turn, Hannah tells Olivia about her sister, Alice. Alice was incredibly intelligent and wanted to work in politics, but after she broke up with her ex-boyfriend in college, he published explicit pornographic videos of her that made the rounds at their school. Olivia and Hannah bond over this; Hannah encourages her to tell her family and get help. Hannah has no time to tell Olivia that Alice eventually took her own life. Alice killed herself she was so ashamed and believed that the videos of her made her dreams of being a politician an impossibility.
Aoife falls apart in the kitchen with Freddy; she is distraught at the possibility that Olivia might have drowned. Aoife blames herself, but Freddy calms her, comforting her with how the wedding is almost over. Aoife’s breakdown in this section ties together several of the loose strings that Foley has weaved throughout the different chapters, such as Aoife’s connection to the graveyard and Hannah’s discovery of the grave of the young child who drowned.
Back at the tent, Ronan gives a speech as the father of the bride. Jules grows steadily angrier at the beginning because his sudden pride in her is entirely incongruent with his cutting her off financially months ago. Without her father’s economic support, Jules chose to host the wedding at the Folly because Aoife offered her a fifty percent discount. At the end of his speech, Ronan threatens to hurt Will if he fails to take care of Jules. Jules is eventually moved to tears by her father’s recognition and pride in her.
Olivia’s inner monologue reveals that Will and Steven are, in fact, the same person. Will threatened Olivia not to tell Jules, and she was terrified that Jules would not believe her. To warn her sister, Olivia wrote the anonymous note telling Jules not to marry Will. Everything is coming to a head, and the novel is beginning its steady up climb towards the narratorial climax.
Johnno makes thinly veiled threats to Will during his best man’s speech, revealing things that make both him and Will look bad. As it turns out, Johnno was unable to afford the suit he was supposed to buy, and Will had not offered to buy it for him. At the end of the speech, Johnno gets the ushers to blindfold Will in an impromptu game of Survival. Back on the night of the wedding, Freddy tells the group of men that they’ve called the police before turning back to head to the hotel. It is a confusing frenzy as the search party continues to bumble around in the dark; they soon notice that they have lost Pete along the way.
In this section of The Guest List, the narrative begins its gradual upward climb towards the climax. There are several questions that are answered in this section and a few red herrings that have been put to bed.
Olivia’s history with Steven, whom the reader now knows is Will, changes the direction of the novel drastically. Initially, Foley presents Will’s character as the main protagonist of sorts, as she describes his perfect and gentlemanly nature through the eyes of Hannah. Hannah is thoroughly charmed by Will throughout the first two sections of the novel and is actually secretly a fan of his reality television show. Hannah’s initial perception of Will has slowly begun to crack; in parallel, Will’s perfect facade has also begun to fade. Combined with Will betraying Johnno and his stealing the GCSE test answers, it becomes clear that Will can be characterized not only by the ambition that Jules finds extremely attractive, but also by a dangerous willingness to do whatever he has to to get what he wants. That Will flirts with Aoife at his own wedding shows his tendency to manipulate women using his looks and sex appeal. Later, we learn that Aoife is likely immune to his charms because she suspects the evil that’s in his past.
This twist in Will’s characterization is yet another red herring on Foley’s behalf. By revealing Will’s past transgressions, Foley sets up an expectation of Will becoming the murderer, rather than the victim. This double-bluff underscores the many different twists and turns within the narrative, and the numerous points of connections between the characters.
The relationships between the women in this section proves to be representative of the larger dynamics within the novel. Unlike the men, the women appear to be utterly isolated. Be it distant from their partners or their friends and family, Jules, Olivia, and Hannah’s relationships with the others around them are fraught. Just as Will’s character arc evolves throughout this section, Jules’s many insecurities begin to rise to the surface. When Jules lashes out at Ronan, and later, Olivia, it becomes especially clear that her neuroses are intimately tied to her childhood and her relationship with her family. Jules’s anger towards her younger sister stems primarily from the thought of Olivia stealing her limelight. This need for attention echoes Jules’s deliberate choice to eschew her worry for Olivia and instead, focus on her own rage towards her younger sister.
Foley intertwines the complicated relationships between the different characters in such a way that reflects the multifaceted perspectives of the novel. Jumping from character to character, the fast pace of the novel pushes the reader progressively forward. This allows the reader to glimpse the individual pieces of the puzzle from each section and get a picture of the whole.
By Lucy Foley
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