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55 pages 1 hour read

Mary Ann Shaffer, Annie Barrows

The Guernsey Literary and Potato Peel Pie Society

Fiction | Novel | Adult | Published in 2008

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Symbols & Motifs

Landscape

Landscapes in The Guernsey Literary and Potato Peel Pie Society reflect the effects of WWII. Be it London, Guernsey, or Normandy, both the urban and natural landscapes of these locations bear the scars of the conflict. While London’s destruction compels the reader to consider the bleak aftermath of the war’s bombing campaigns, it also signifies both the resistance and survival of Londoners. The choice to remain in the city, face the Blitz, and refuse to capitulate to the German army is one that conveys the strength of British resistance. For all that London is in tatters, in other words, the city did not fall, and that is a victory in itself.

In Guernsey, Shaffer and Barrows describe a landscape that has been cruelly reshaped to exemplify the isolation and exploitation that the islanders and the workers who were forced to come to Guernsey suffered. As Amelia explains to Juliet, the fortifications that defile the island’s seaside embody the German army’s exploitive system:

Hitler was a fanatic about fortifying these islands—[…] his generals called it Island Madness. […] The coastal fortifications were absurd—the Channel Isles were better fortified than the Atlantic Wall built against an Allied invasion. […] The Third Reich was to last one thousand years—in concrete. So, of course, he needed thousands of slave workers (115).

In this passage, the authors suggest that by forcing thousands into enslavement, the fortifications built from their blood, sweat, and lives are a monument to the workers’ complete isolation from their communities as much as to the dehumanizing practices employed by Hitler and his army. It is a practice that is also seen in Normandy’s natural landscape, wherein what little has not been stripped away from the forests is made useful to fend off the Allies, weaponizing nature and making the landscape of a record death and violence.

Roast Pig

The roast pig is a symbol of happenstance acquaintanceship and camaraderie that supports the overarching theme of The Lasting and Unifying Power of the Written Word. Dawsey first mentions the roast pig in the context of Charles Lamb’s famous essay, “A Dissertation Upon Roast Pig,” in which Lamb imagines how a young boy in China named Bo-bo discovered the taste and flavor of roast pig by accidentally burning down his house with his pigs inside. Though the authors never discuss the content of Lamb’s essay within the narrative, they make it clear that both Dawsey and Juliet know the essay and share a fondness for it, making the roast pig story a foundational though coincidental seed to their eventual romantic relationship. Likewise, the roast pig that Amelia hides from the Germans is representative of the greater camaraderie and sense of family that would emerge from sharing the feast with her friends and neighbors. Much like Bo-bo would accidentally discovers a succulent meal by risking danger with the house fire, so too do Amelia and the people she invites for a meal make the discovery of friendship and a new shared love of literature by risking punishment by the Germans.

Boxes

Boxes symbolize the heart’s desire, and though they do not support any particular theme within the story, they nevertheless lend depth to the characters who own them. In Juliet’s case, boxes represent her desire never to compromise on her love for literature, as her ex-fiancé’s decision to box all of her books without her consent is the basis for annulling their engagement. Likewise, both Kit and Dawsey’s respective treasure boxes preserve totems of loved ones they have lost or fear losing. Dawsey buries his affection for Juliet and the items he has received from her in his box, while Kit gathers the mementos her parents have left behind in hers to remind herself of their love. Lastly, the provision boxes delivered by the Red Cross on the SS Vega represent the hope of the Channel Island citizens for a future without war or famine and a reconnection to the world outside of their border after being isolated and left alone for so long.

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