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66 pages 2 hours read

Stephen King

The Green Mile

Fiction | Novel | Adult | Published in 1996

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Themes

Racism

The Green Mile is set in Louisiana in the 1930s where the residual effects of U.S. enslavement of black people still inform laws of racial segregation. Ironically, the only institution where racial segregation does not apply is Cold Mountain’s Green Mile, where men of different races await their deaths.

The Green Mile is a site of intimate contact with racial difference and tension. Coffey’s arrival at The Green Mile disrupts the mundanity of institutional routine, compelling Paul and the other white guards to consider for the first time how whiteness and the law works against an innocent black man. While the circumstances of The Green Mile appear to operate under the terms of color blindness, the racial prejudice of social life past the prison walls pervades the sense of justice enacted within Cold Mountain. Although Paul and the others learn the truth behind the murder of the Detterick twins, they find themselves at the mercy of the law, which rarely offers retrials for black men. Meanwhile, there is still support for Wharton’s innocence, given his whiteness and youth, and despite his many criminal transgressions. Even as officers of the state, the guards recognize the futility of their efforts against the racial biases of the law. 

State Power vs. Individual Autonomy

Between Cold Mountain State Penitentiary and Georgia Pines, Paul discovers the force of institutional power and law, which follows him into his final years of life. At Cold Mountain, Paul has some rank as a supervising officer of The Green Mile, but he has no power to change the outcomes of inmates on death row. In the beginning of the novel, Paul is a firm extension of state power and law, in the way he follows protocol regarding every execution. He models order and authority on The Green Mile and ensures other guards follow suit.

On the other hand, Percy represents an abuse of state power and authority. Using his connections to justify violence towards inmates, he signifies the ways in which the law permits individuals, particularly white people in power, to use their privilege to their advantage. Paul sees this same abuse of power at Georgia Pines through orderly Brad’s callous tactics against him. In Paul’s old age, he is at the mercy of the state, whereas before he had been an arm of institutional order, at Cold Mountain.

A series of events—which include Delacroix’s bad death, Coffey’s arrival, and Wharton’s entry into Cold Mountain—erode the presence of state power over the lives of the guards and the inmates. The collision of these three events leads to a rupture in order, forcing Paul and the other guards to question their adherence to the law and their own personal sense of moral justice.

Prior to these events, they adhered to what the state demanded of them, despite the emotional burden of their work. However, the revelation of Coffey’s innocence alters their relationship to the state. The novel explores the ways in which the state continues to pervade in each of their lives and haunt their sense of individual autonomy, seeming to imply that individual autonomy is always bound up in state power, but acts of deep empathy motivated by right action (such as curing Melinda with Coffey’s help) are a way to break free, if only temporarily. 

Life and Death

While The Green Mile signifies the diverging paths between life and death sentences in Cold Mountain, the novel seems to suggest that the differences between life and death are not always so clear-cut. Although the rules of execution allow the state to take away one’s physical life, the novel considers the ways in which such power of judgment over life and death operates through and is superseded by a greater divine force.

Via Coffey, Paul experiences secondhand what it means to be brought back from life, and, firsthand, what it’s like to receive added years and energy to one’s life. The rigid rules that govern life and death in Cold Mountain are secondary to another power that is able to right wrongs the state cannot correct, as is the case with Coffey’s vengeance towards Percy and Wharton.

However, even a divine force has its own laws of balance, which demands that every life owes a death. Towards the end of the novel, Paul declares, “We each owe a death, there are no exceptions…” (535). In one sense, this statement implies that each person loses someone they love as sacrifice. In another, Paul’s words suggest that every human gives their life back to a higher power, much in the way Christ gave his life for mankind’s sins. The novel concludes by declaring that life and death are not diverging paths, but part of a continuum that eventually leads to death.  

Empathy

The theme of empathy functions as a positive force that enables the novel’s collective humanity to continue with full vitality. This is best represented through the novel’s most empathetic figure, Coffey, and his healing touch. As part of his healing touch, Coffey must absorb the ails of another and expel the negative force or energy within, an act that has physical and emotional repercussions for Coffey. In this physical manifestation of empathy work, Coffey must identify the pain in another in order to heal them.

The suffering behind such work represents the burden behind the labor of empathy, but is nevertheless a necessary impulse for Coffey. While many of the guards at The Green Mile exercise empathy during executions, Coffey’s presence in their lives force them to confront their ability to identify with condemned men. When the guards attempt to prove Coffey’s innocence, they learn how black men like Coffey struggle against the racial biases of the law and are forced to confront their own complicity. They learn the limits of their empathy and must reconcile with their inaction and guilt.

Coffey’s bestowal of added vitality to Paul grants the guard some access to Coffey’s capacity for empathy. With his extended life, Paul witnesses the deaths of many of his loved ones, including those who know the truth about what happened in Cold Mountain in 1932. He bears witness to the grievous circumstances of their deaths but must press forward in his old age. For Paul, empathy is a burden that requires the body to absorb the world’s ills and contain it until there is an appropriate vessel for release. While Paul has Elaine and his writing to occupy him for some time, the death of his companion and completion of his writing project towards the novel’s end suggest that empathy constantly requires other subjects and ways to offer one’s self.

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