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Stephen KingA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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In physical descriptions of The Green Mile, the green linoleum corridor leads to two possible paths for an inmate—a left turn means that an inmate’s sentence was commuted to life in prison, while a right turn meant death by electrocution. The divergent paths symbolize judgment over life and death by an intervening power. While the power that presides over The Green Mile in the beginning of the novel is the state, the greater force of divine power takes over the judgment of life and death as the novel progresses. The setting becomes a metaphor for the burdens one endures in life, in preparation for death. This is best emblematized by the novel’s final words, “… oh God, the Green Mile is so long” (535). At his bed in Georgia Pines, Paul awaits his eventual death much in the same way the inmates in The Green Mile of Cold Mountain await their own respective executions. While Paul has spent his working life sending men to their deaths, he now awaits his own end in his old age. He may have retired from The Green Mile, but its symbolic weight has not left him.
The Green Mile is also a biblical reference to green pastures. It at once signifies the wait for divine judgment and desire for repose. This dual meaning is darkly ironic given the grim setting of The Green Mile. However, it also suggests that the ending’s reference to The Green Mile can be read for both its cynical and hopeful conclusions about life and death.
John Coffey is a stand-in for Jesus Christ throughout The Green Mile. In the same way that Christ sacrifices his life for mankind’s sins, Coffey’s death signifies the need for atonement from people who have benefitted from his gift and forgiveness. Just as Christ could heal the sick, Coffey could treat the ailments of both humans and animals at the expense of his own health. Each cure takes a toll on Coffey’s wellbeing as he takes in humanity’s cruelty with his breath and passes it through his body. He frequently cries over his inability to heal the Detterick twins, and the burden of their deaths hang over his head.
When the bloodhounds find Coffey holding the Detterick girls, one in each arm, Deputy Sheriff McGee remarks that the scene seems like a religious tableau, where Coffey functions as the Christ-like figure. He appears as Christ again in Melinda’s dream when he heals her of her brain tumor. She remarks, “We found each other” (411). The statement bears similarity to the ways in which nonbelievers describe having found God. After being cured, Melinda finds her faith again in Coffey as a stand-in for Christ. Later, Paul dreams of Coffey on a cross, flanked by Percy and Delacroix. It foretells Coffey’s death sentence as a crucifixion by the state in which Coffey is complicit. Just as Christ had died through state persecution, so does Coffey die by the hands of the state.
After Coffey heals Melinda Moores of her brain tumor, she gifts him a St. Christopher medallion he wears until the moment of his execution. There is a powerful similarity between Coffey and St. Christopher. St. Christopher is a martyr whose devotion to God led to his eventual death. In his life, St. Christopher was tested by God in the form of a young child who asked to ride Christopher’s back across a river. The child’s weight—a representation of the weight of devotion—nearly sunk St. Christopher. Similarly, Coffey’s gift of healing represents such a burden as it requires him to take on the harms of those around him. Just as St. Christopher gives his life to prove his loyalty to God, Coffey dies a martyr for all the cruelty enacted by humanity. The gift of the St. Christopher medallion represents Coffey’s labor, but also foreshadows his eventual death as a martyr.
After Coffey successfully heals Melinda Moores, Paul has a nightmare on the drive back to Cold Mountain. The nightmare depicts Delacroix, Percy, and Coffey on crosses with Paul wielding a hammer. In this dream, the holy number 3 is significant, as it represents the quantity of deaths necessary to assure natural balance in the world after Delacroix’s bad death. Thus, the divine powers require the past death of Delacroix, present passing of Percy, and future execution of Coffey to complete the natural order. In this sense, the bodies on crosses also refer to biblical sacrifice.
In the nightmare, Paul’s hammer suggests that he feels responsible for their deaths but also that he has the power to save them, just as the hammer can both drive in a nail and remove it. However, with the absence of a stepladder, he is unable to rescue any of the men in his nightmare, leaving him with just the burden of his guilt.
The state of the weather is a recurring motif in the novel and often foreshadows moments of turmoil or calm. Shortly before Delacroix’s execution, the weather worsens. A member of Paul’s congregation comments to him earlier in the week that “such unseasonable weather could be a sign of the Last Times” (237). This apocalyptic reference suggests that the weather could be related to divine fury at Delacroix’s impending bad death. As the execution proceeds, thunder and lightning occur at highly tense moments of the narrative, such as Delacroix’s prayer and the moment the guards realize they cannot reverse Percy’s sabotage of the execution. The storm seems to signify godly wrath that eventually subsides into intense chill following the execution. Later, at Coffey’s execution, Paul remarks that, unlike the day of Delacroix’s death, there are no thunderstorms.
By Stephen King