56 pages • 1 hour read
Sharon CreechA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Joe died of a heart attack, and Naomi quickly tires of the commonplace things people say to those who have just lost a loved one. Nula seems to be in shock and cannot answer when people ask what she will do now. The “Dingle Dangle” man hovers by the front gate during the funeral, but he never approaches the house. Within a few days of Joe’s death, Naomi notices a shift: She can see Joe in her mind and sense him nearby, and this feels natural to her. She can’t bear to hear anyone say he is gone, not even Lizzie, whom she pushes away.
Outside, Naomi sees Bo Dimmens, and he offers condolences. She asks him about Finn, and Bo doesn’t know who she’s talking about. Bo tells Naomi that Joe shot his dog. Naomi is shocked by this, but Bo tells her everyone else already knows. Bo says she probably doesn’t even know why no one in town has a dog and that she’s probably never even noticed. It was his dog, he says, that killed her dad and chewed up her arm, prompting Joe to convince the townsfolk that dogs are dangerous and to get rid of them. Perhaps most significantly, Bo says that it was Naomi’s fault for “whack[ing] that dog with a stick in the first place” (120). Naomi throws dirt at him and tells him to get out, so he does.
Back inside, Naomi bumps into the four elderly “unfortunates” eating cookies. “Crazy” Cora says that Joe stole her dog and also Witch Wiggins’s dog, and they talk about how bad it was when the dog attacked Naomi. Witch Wiggins strokes Naomi’s hair, saying Naomi already knows all this, but Naomi insists she doesn’t.
Naomi flees to the barn. She sees the trunks belonging to her father, mother, and Nula. Joe told Nula once that the trunks were full of “dead…things,” and she argued with him, telling Joe to leave them alone. This led Naomi to fear that her parents were in the trunks, desperate to escape. Nula reassured her, saying that Naomi was letting them out just by being alive. However, Naomi didn’t understand what this meant. Now, Finn climbs up the ladder. He’s looking dusty and different from everyone else. They chat for a while, and he leaves.
Naomi explains that Nula left Ireland when she was 12. She believes her siblings and parents are all dead by now. It is evident that both Nula and Joe had impoverished childhoods. After the funeral, Nula tells Naomi she’s thinking about all the years she and Joe worked, all the effort and energy they put in, and how it all just goes away.
Mr. Dingle arrives, and Sybil asks him if her plan is in jeopardy. He tells her that “the girls” talked about a boy called Finn, but everything else seems to be “in place.” He references Joe’s death, saying that, while it is sad, it makes things “easier.” Sybil is thrilled by the news and intrigued by the mention of a Finn. She finds it “perfect” that the girls would talk about him.
The day after the funeral, Nula tells Naomi that they’ll have to sell the place and move. The day after that, Lizzie appears, and she is despondent because the Cupwrights will not adopt her. The girls go to the loft, where Nula finds them. Nula wants to go through the trunks now, and they start with Naomi’s father’s trunk. It contains several issues of The Ravensworth Times with headlines addressing the dog attack. There are a couple of yearbooks, dog tags from his Army days, and some photographs. Lizzie points to the nurse in one of the photos depicting Naomi in the hospital after the attack, exclaiming that it is Lizzie’s mother. Lizzie is overjoyed to know that Naomi met her mother, saying, “I knew we were connected” (132).
Nula opens Naomi’s mother’s trunk, with no idea what it contains, having never met her. There are several baby items, some clothing, a hand-painted wooden box, a notebook, and other various objects. Lizzie is enchanted, but Naomi feels numb because she recognizes nothing. From the notebook, Naomi learns that her mother, Kathleen, had the last name King before she married Naomi’s father, Andrew Deane. She sees that her mom’s middle initial was “M” but doesn’t know what it stands for. Suddenly, Lizzie blurts out that the Cupwrights don’t want her; they told her that they “couldn’t” adopt her, but Lizzie thinks they never wanted her. Nula tries to reassure her, but Lizzie says she has no other family except for “some crazy old aunt” in England or Ireland called “Hillbunny or Pushbunny, or something like that” (135-36).
Nula tells the girls that she brought the trunk from Ireland. A neighbor gave it to her out of pity when her family sent her away with a shady couple who promised to take her to America to work for a grand family. She was just 12, put to work for the shady couple instead, earning nothing for her first year to cover the cost of her passage to America. Lizzie wonders how Nula survived, and Nula says simply: “You get up and then you go on” (137).
Sybil tells Miss Pilpenny how she came to Rooks Orchard. Paddy McCoul, then called Finn, got her a job in the kitchen, then ran off with her first month’s wages. She thought he’d gone to America to follow her sister, but he didn’t. Though the Master and Mistress were cruel, their son, Albert, was kind. His mother called him “frail,” and his father thought him “useless.” One day, when the Master saw Albert and Sybil talking, he whipped her. Not long after, they eloped. When his parents died, Albert inherited the property, and when he died, the estate went to Sybil. Sybil asks Miss Pilpenny if they should have a murder tonight, and she happily agrees.
When Nula sailed from Ireland, she had some clothing, two photos, a quilt, a bag of Irish soil, and an envelope of seeds. She stole the quilt from her parents and the dresses and pictures from her sister, feeling she deserved them because her sister stole the boy she loved and her parents sent her away. Naomi guesses that the boy her sister stole was Finn. Nula calls him “wicked,” saying he stole hearts and told lies. Nula pulls her wedding dress from the trunk, some dried flowers, and finally, two iron birds. She doesn’t know who sent them to her or why. Naomi looks at a photo of a young Nula with her five siblings, and Nula knows four of them died either in the war or of disease, leaving only a sister. Nula says her sister’s name was Sybil, and she assumes Sybil married Finn but does not know because they haven’t spoken since Nula left Ireland. Lizzie worries Sybil could be alive but near death and might die before Nula reconnects with her. Naomi looks at the second photograph in Nula’s trunk, open-mouthed. Lizzie wants to know who’s in the picture, and Naomi responds, “Finn?” Nula confirms she is right.
On the way to visit the elderly, Naomi shows Nula’s picture to Lizzie again, asking if Nula’s Finn looks like her Finn. Lizzie doesn’t know. When they arrive, Mr. Canner has Naomi read him a story titled “The Legend of Finn McCoul.” This Finn is a large man with a large wife named Oonagh, and he is an Irish hero who fears no one except for the giant, Cucullin. When Finn learns that Cucullin is coming for him, Oonagh hatches a plan to trick the giant. The plan works, sending Cucullin running for the hills, and Mr. Canner applauds Finn, but Naomi says that Oonagh is the real hero. Mr. Canner tells her she doesn’t know anything about it.
Next, the girls head to one-armed Farley’s. Naomi looks again at his iron birds, and they remind her of the ones in Nula’s trunk. When Naomi asks about them, Mr. Farley only says, “Mary-Mary.” He gets very agitated, and Mrs. Mudkin, again, ushers the girls from his presence.
Walking home, Lizzie tells Naomi she is scared. Without Naomi, Lizzie says, she’d be all alone in the world. She worries about the future, but Naomi promises she won’t let Lizzie be homeless. After Lizzie leaves, Naomi sees Finn. When she presses him to tell her where he’s from, he says, “Duffayn,” which sounds familiar to her. He tells her it’s in Ireland, and she suddenly realizes how much she longs to travel outside of Blackbird Tree. Naomi returns to Mr. Farley’s and asks him if the birds belonged to Mary-Mary. He repeats the words. Naomi asks if she can hold the birds, and he hands them to her. Next, he goes to his desk and pulls out a note addressed to Mary. The writer says she doesn’t know who sent her the crows but knowing how Mary loves birds, she thought Mary might like to have them. The note is signed by Margaret “Strawberry or Sheltering”—the handwriting too difficult to decipher (157). Naomi races home, wondering about the power of things that scare us, the reason we find people when we do, and if we attract our own futures. She feels that change is coming.
On the way home, Naomi stops at Witch Wiggins’s house. Inside, Naomi asks if the woman has any crow figurines. Witch Wiggins doesn’t, but she asks what crows Naomi means. Naomi tells her about Nula’s birds, and the witch says that Joe hated not knowing who sent them. When the wind blows, the witch claims to be responsible for it. When Naomi asks if she knows who sent the crows, Witch Wiggins says Naomi will know soon and pushes her out the door. The wind pushes Naomi toward “Crazy” Cora’s house and then suddenly calms. Cora lets Naomi in, and Naomi asks if Joe really stole the woman’s dog. Cora claims he took her dog, named Raven, late one night. A timer goes off, and Cora says she has biscuits in the oven, bundling Naomi out the door.
Sybil says they have a prowler, and she instructs Miss Pilpenny to get her gun and megaphone. The prowler is Paddy McCoul. She shouts through the megaphone, threatening Paddy with the dogs. She fires two warning shots. Paddy begs her for a truce, saying he’s just Finn, but Sybil says he never deserved that name, that he was never a “Finn” and always a “Paddy.” Afterward, Miss Pilpenny thinks Sybil looks pale, so she starts a fire. She offers Sybil sherry and asks if Sybil would like a Poirot or Miss Marple, but Sybil does not answer.
The morality of Miss Pilpenny’s and Sybil’s characters has been ambiguous since the start of the text. Sybil is bent on revenge—though we don’t know on whom—she seems quite willing to shoot Paddy McCoul, and she and Miss Pilpenny often plan to “have a murder.” When Mr. Dingle shares the sad news of Joe’s death, Sybil is made somewhat glad by it. Her joyful proposal to “have a murder,” after reminiscing about her late husband, certainly makes her seem callous and potentially murderous. At the very least, she is more concerned that “the plan [is] in jeopardy” than she is about Joe’s death, and she is pleased that Joe’s death “makes things easier” (127) in terms of her plans. One might even wonder if she is somehow responsible for Joe’s death, given the knowledge that Nula is her sister and that Sybil is plotting revenge on someone. However, Sybil and Miss Pilpenny’s excitement about “having a murder” is finally explained when Miss Pilpenny asks Sybil if she’d like a “Poirot tonight or Miss Marple” (164), two fictional protagonists who solve murders in books written by Agatha Christie. These two older women seem to pass their time enjoying cozy murder mysteries and sipping sherry by the fire, hardly the pastimes of evil, murderous masterminds.
Sybil’s illness and her failure to respond to Miss Pilpenny’s repeated questions at the end of Chapter 40 suggest that she has died, an event foreshadowed by something Lizzie said to Nula. When Nula said she and Sybil had a falling out, Lizzie asks, “But what if she’s sick and only has a week to live? Wouldn’t it be enormously tragic if she was still alive and maybe ailing and pining for her sister, and time is ticking away and her sister—you—don’t find her in time?” (145). Though Lizzie is often presented as sort of flaky and empty-headed, this comment—in light of Sybil’s condition and death—makes her seem rather prescient.
At the same time, the fact that Lizzie’s mother nursed Naomi in the hospital, that iron crows keep showing up, and even the name of the woman who’d received one of these pairs point to The Interconnectedness of Lives. When Lizzie sees the picture of her mother with Naomi, she feels that “the universe spun [her and Naomi] together on purpose” (132). To her, their friendship feels destined. Likewise, the iron birds atop the columns at Sybil’s home, Rooks Orchard, are mirrored by the iron birds in Nula’s trunk and the pair at Mr. Farley’s apartment. Nula is Sybil’s sister, and the Margaret “Strawberry or Sheltering” who gave the pair of birds to Mary-Mary, may be, in fact, Margaret Scatterding, Lizzie’s mother (157). This supposition is strengthened by Lizzie’s fuzzy memory of her aunt’s name. She says the name is “Hillbunny or Pushbunny, or something like that” (136), and both of these sound like Pilpenny. If Lizzie’s aunt is Miss Pilpenny, Sybil is Nula’s sister, and Lizzie’s mom nursed Naomi after the tragedy that resulted in her being brought up by Nula and Joe, then Lizzie, Nula, and Naomi are connected in multiple unexpected ways.
In addition, Naomi’s identification of Nula’s Finn, who looks like her Finn, as well as the wonder inspired by Mr. Dingle’s news that “the girls talked of a boy named Finn” (127) and Mr. Canner’s request to hear “The Legend of Finn McCool” (149), connect the characters’ lives and further support the Compatibility of Reality and Fantasy. How can it be that the 12-year-old Finn in Blackbird Tree could look so similar to an Irish boy who would now be around Nula’s age? It seems unlikely, and yet it’s true. And why would this be of any significance to Mr. Dingle, Sybil, and Miss Pilpenny unless the two Finns, or Paddy and Finn, are somehow related? As more connections between the characters’ lives are revealed, such a link begins to seem probable. When Paddy first appeared in the text, it was to ask for his son’s trunk from Sybil, but where is his son, and why can he not manage his own trunk? In the legend Naomi reads to Mr. Canner, Finn McCoul is larger-than-life and fearless but for the giant Cucullin. Though Finn is known as the hero, it is Oonagh’s cunning plan that saves him; now, Sybil tells Paddy that he “never did deserve the name of Finn” and “all along [he was] a Paddy” (164). The same could be said of the legendary Finn McCoul, who relies on his wife’s brains and then takes the credit. The Finn McCoul of legend and the fake Finn McCoul, who was really Paddy, both claim to be things they are not. The similarities between the mythic Finn and Paddy, the pretend Finn, continue to blur the line between what is real and what is a story.
Finally, Bo Dimmens’s revelation that his dog attacked Naomi because she hit it with a stick may provide the foundation of her belief that unexpected things are always bad and her fear of being to blame for anything. She was only three when the attack happened, and she’s been plagued by a fear of being at “fault” for things for as long as she can remember. She revealed this fear early in the text when she described the teacher who lasted only three months in Blackbird Tree. Although she may not consciously remember hitting the dog, the sense of having been responsible for the event that resulted in her injury and her father’s death could have created her fear of being to blame. Naomi’s blaming herself for these unfortunate events when, in fact, the circumstances were beyond her control is another element of the interplay between fantasy and reality in the novel. In this case, the fantasy is of her making, and it clouds her ability to see the truth.
By Sharon Creech