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45 pages 1 hour read

John Steinbeck

The Grapes of Wrath

Fiction | Novel | Adult | Published in 1939

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Character Analysis

Tom

Tom Joad, the protagonist of The Grapes of Wrath, begins the novel having just been released from prison, returning to his family home. After a lift from a trucker, he discovers his old house derelict and his family evicted. Finding them instead at his Uncle John’s, he joins their trip to California to find work. Having spent four years in prison and now on parole, Tom is eager to stay out of trouble and lead an ordinary life. His incarceration taught him that to survive one must “jus—lay one foot in front a the other” (184). One must focus on the practicalities of day-to-day existence and not worry about the broader political or philosophical picture. At the same time Tom is proud. Prison also taught him to cherish freedom and detest confinement or submission. This is evidenced when, alluding to Muley’s life of hiding from the police, he says, “I ain’t gonna sleep in no cave” (62).

However, these two aspirations are thrown into conflict by Tom’s experiences travelling to and working in California. He witnesses the injustices and indignities suffered by the migrants, and he sees how the police use harassment and intimidation to keep them cowed. This leads him into a series of confrontations with the authorities, culminating in the killing of a policeman who murders Casy at a peaceful strike. This incident, along with his time in the government camp and later hiding alone, radicalize him. He says to Ma before his final departure that they should “[t]hrow out the cops that ain’t our people” (438) and “[a]ll work together for our own thing” (438). He comes to realise that one must look at the wider political picture beyond oneself. More importantly, he sees that the 

Ma

Ma starts out in the novel as a traditional housewife. She cooks, cleans, and has a secondary role in decision making. This is demonstrated by her physical position when the family gather for a meeting before their trip. As Steinbeck explains, the older men form a semi-circle around the truck. Then “Ma came out of the house, and Granma with her, and Rose of Sharon behind, walking daintily. They took their places behind the squatting men” (104). This hierarchy continues inside the truck; only two men ever drive, Tom and Al. Moreover, it is viewed as Pa and Uncle John’s right to occupy the two positions next to the driver.

However, as the journey progresses this starts to change. When most of the family agrees to Tom’s proposal that some of them go on ahead while others stay and fix the car, Ma aggressively asserts herself. Grabbing an iron bar and daring Pa to take it off her, she convinces the family to abandon the plan. Clearly, life on the road and then in California transforms the traditional family dynamic. This is due to the absence of work for the men and the lack of a secure home. It is Ma, for example, who makes the decision to leave the government camp. And when Pa remarks that men used to decide things, she angrily rebukes him. As she says, “Times when they’s food an’ a place to set, then maybe you can use your stick …But you ain’t a-doin your job, either a-thinkin’ or a-workin’” (368). She has, by the novel’s end, become the de facto family leader. Unfortunately, this coincides with the fact that, with the rain and loss of Tom and her daughter’s baby, there will soon be no family to lead.

Jim Casy

On his way back to his parents’ house, Tom meets Jim Casy, the ex-preacher of their community, resting under a tree. Tom offers him a drink, and Casy explains why he abandoned the role of preacher. He came to understand that conventional religion concealed a deeper truth about the holiness of human life and community. At best, God and Jesus were irrelevant. At worst, concern for them distorted awareness of this more fundamental “Sperit” (26). This is why Casy says, “I got to worryin’ about whether in messin’ around maybe I done somebody a hurt” (27).

When Casy meets Tom’s family and hears they are migrating to California he decides to join them. This is in part because he senses that many people out there will need help and consolation. It is also though because, rather than teaching, he wishes to learn. As he explains regarding the migrants, “gonna hear em’ talk, gonna hear ‘em sing…Gonna cuss an’ swear an’ hear the poetry of folks talkin’” (98). This mission reaches its apotheosis when he is imprisoned for assaulting a deputy wrongly trying to arrest someone in a Californian migrant camp. As Tom finds out when meeting Casy again at a strike, prison has deepened his practical understanding of the world. Speaking with people there taught him finally that there is no such thing as “sin.” Rather, “It’s need that makes all the trouble” (400). Human need and deprivation, not latent sinfulness, causes people to commit crimes and behave badly to one another. Shortly afterwards Casy is killed. However, as seen in his final conversation with Ma, Tom takes up the mantle of Casy’s philosophy, and thus his ideas and new mode of “preaching” live on.

Rose of Sharon

At 18 years old, Rose of Sharon is the oldest daughter of the Joad daughter. Married to Connie Rivers, Rose of Sharon is pregnant at the start of the novel. She and Connie dream of raising their child in a home of their own after Connie obtains employment. However, Connie abandons her and her unborn child after the Joads arrive in California. Towards the end of the narrative, Rose of Sharon gives birth to a stillborn baby, owing to the persistent malnutrition that afflicts all the migrant characters. In the final scene, Rose of Sharon feeds a starving man from her breast to save him from dying, symbolizing the sense of community between the migrants that transcends blood relations.

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