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Eloise McgrawA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Having the courage to do the right thing in the face of seemingly insurmountable obstacles is one of McGraw’s primary themes in The Golden Goblet. Despite being young, powerless, and a victim of abuse, Ranofer follows his personal code of ethics. He perseveres in his efforts to expose Gebu for the criminal he is, pursuing truth and justice irrespective of the danger to himself. Ranofer’s struggle against Gebu echoes the classic story, David vs. Goliath. Ranofer, the hero, has right on his side. Gebu is Ranofer’s antithesis: He has might but no moral compass. Throughout the story, Ranofer makes personal sacrifices and overcomes doubt, fear, and physical pain to stand up for what is right.
Several factors contribute to Ranofer’s integrity. He has a strong moral code that remains unbreakable despite the emotional and physical abuse he experiences. He firmly believes that stealing is “wicked,” and he empathizes with the theft victims, kindly Rekh and Queen Tiy’s late parents. Ranofer immediately takes on the responsibility of stopping Ibni and Gebu, though he knows that Gebu’s reaction will be violent and potentially deadly.
Thutra, who was everything to Ranofer that Gebu is not, strongly influences the young boy, even after his death. Ranofer idolizes his late father and takes pride in being his son. He strives to carry on Thutra’s legacy of skill and virtue. Ranofer feels guilty when he believes he is not doing what his father would want, thinking, when he delays telling anyone about the goblet, that “A criminal walked free because Ranofer the son of Thutra was afraid to tell the crime” (190). His love of country also helps establish his moral code. Ranofer is proud of his homeland. He believes Egypt is a physically beautiful, cultured country ruled by divine right, with the Pharaoh enacting divine justice on earth. He also believes explicitly in the Egyptian pantheon and the presence of ancestral and malevolent spirits in everyday life. Ranofer’s devotion to these two elements, country and gods, helps define his ethics.
Finally, Ranofer’s sense of self keeps him on a righteous path. He dreads being thought complicit in Gebu’s crimes and sullying his reputation. He hates “the feeling that the evil had spread like a plague to himself” (190). Should Ranofer ignore Gebu’s crime, he believes he would be as guilty as the stonecutter.
However, doing the right thing is a burden that requires self-sacrifice, courage, and perseverance. Ranofer demonstrates his bravery and determination throughout the novel, facing and overcoming spiritual and physical fears in his efforts to stop Gebu. He masters his terror of evil spirits to pursue Gebu in the city and the Valley. He continues to spy on Gebu despite dangerous misadventures and the potentially violent consequences should Gebu catch him. Ranofer endures painful beatings for challenging Gebu.
Ranofer also suffers mental anguish in his quest: He belittles himself for cowardice and inefficiency. He feels miserably guilty for not trusting his friends about the goblet. Alone, he works doggedly, though futilely, to find the goblet. Ranofer truly believes he will die when he enters the palace grounds yet is willing to make that sacrifice to do what he thinks is morally right.
Ranofer’s bravery and determination pay off. Doing the right thing is its own reward, but in this case, it also enables his dreams to come true.
While Ranofer works to expose Gebu’s crime, he also acts to free himself from Gebu’s control. As he experiences self-doubt, confronts fears, and swings from hope to despair and back again, he grows in self-knowledge. Ultimately, Ranofer gains confidence and begins his transition to adult maturity. He shapes his life into a form he is proud of.
Ranofer has always been dependent on others. Under Thutra’s gentle tutelage, his future seemed bright and desirable: working with gold and studying under Zau. Ranofer’s dream of goldsmithing is crushed under Gebu’s abusive authority. He chafes under Gebu’s control but feels powerless to change things, hating that he is cowering "like a cringing puppy” (37) in Gebu’s presence.
Ranofer is profoundly aware of the power imbalance between himself and Gebu. He only dares small rebellions because they typically end in beatings. When he defies Gebu by refusing to take Ibni’s wineskin, he is “frightened but jubilant” (44), showing his desire to assert himself within his restrictive life. Ranofer comments that beatings and hunger are “worth it sometimes” (164) for the brief satisfaction of exercising independence and standing up to Gebu.
Ranofer’s great hopes for change initially rest on becoming self-sufficient, like the Ancient with his donkey, and later, on using the goblet to gain freedom from Gebu. He daydreams of freedom, of the day he will become a man and stand up to Gebu and be free. Zau charges Ranofer to “reshape [his] life into some other form” (131-32). Though desperate to do so, Zau’s advice seems impossible because of Ranofer's dependence on Gebu.
Becoming a stonecutting apprentice—the opposite of what Ranofer imagined for his future—negatively affects his dreams and sense of self. Although he promises himself he will be a goldsmith someday, his daydreams are offset by reality as time passes. Ranofer, comparing his injured, dirty hands to those of Zau, feels that he is now a “nobody.” He no longer likes himself; he has “fallen” from being a skilled person and feels like a stranger to himself. While his self-talk is negative, it also spurs him on to greater effort. Ranofer pushes out of his comfort zone to change his life, braving and overcoming his fears.
The Ancient observes that Ranofer is wise for his age, and Ranofer reveals his growing maturity in taking action. He solves the mystery of the goblet and Gebu’s crime. He takes charge of his destiny and takes responsibility for protecting others. Ranofer firmly believes that, though small and insignificant, he is the only one who can protect the bas and resting place of Queen Tiy’s gentle parents. This epiphany gives Ranofer confidence and fuels his final desperate acts of bravery. His actions change his life, setting him on a path to achieve long-term goals. He looks forward to telling Zau that he did indeed “reshape” his life into another, better form.
Friendless Ranofer grows rich in friendship by the end of The Golden Goblet. While facing everyday troubles and larger challenges, Ranofer learns that Heqet and the Ancient are truly golden friends. Part of his emotional maturation is discovering that a good friend is priceless. McGraw emphasizes the power of friendship to heal and support.
Like a turtle, Ranofer keeps a defensive shell around himself. He tamps down his dreams of goldwork, suppresses his skill, and keeps his emotions inside. Ranofer’s first meeting with Heqet is fraught, as he struggles to protect himself from Heqet’s questions, which arouse unhappy emotions. Ranofer also wrestles with his pride: He is initially jealous of Heqet, who is “rich in prospects” (20), like Ranofer himself used to be.
Although Ranofer pushes Heqet away, he is lonely and desperately wants a friend. He chastises himself for his rudeness toward Heqet, aware that he has acted this way “too often” toward other potential friends. Fortunately, Heqet is undeterred; he greets Ranofer first the next day, and Ranofer “eagerly” returns the greeting. When Heqet shrewdly stops asking questions, Ranofer is thankful that “we shall be friends after all” (52).
Heqet displays all the qualities of a great friend. He trusts Ranofer about the wineskins, and in turn, earns Ranofer’s trust. Heqet’s jokes and enthusiasm lift Ranofer’s spirits and increase his confidence and self-esteem. Ranofer notes, “It was impossible to stay in a shell with Heqet around, and it was impossible to feel altogether gloomy” (107). Heqet actively listens to him and treats him as an equal, even though in their early near-fight, Ranofer pridefully—and erroneously—thinks Heqet is treating him as an inferior.
Heqet and the Ancient provide a sounding board for Ranofer’s problems. With Heqet’s friendship, Ranofer feels “a knot untie somewhere inside him” (107). Heqet allows Ranofer to verbalize his negative feelings with someone he trusts. Talking through problems with his friend helps lessen Ranofer’s stress, isolation, and emotional pain. The Ancient also guides Ranofer by offering a more experienced life perspective. Their combined friendship helps broaden Ranofer’s outlook on life, bringing him out of his shell and into himself.
Heqet is attentive to his friend’s moods. He notices Ranofer’s behavior change after he discovers the goblet and worries that Ranofer is again retreating into his shell. Ranofer’s guilt at not sharing the goblet’s secret reveals how much his friends mean to him. He feels that he is not living up to their friendship by not returning the trust they extended to him. Knowing now how precious friendship is, Ranofer is miserable at the thought of being alone again. Heqet, ever tactful, is understanding. He does not judge Ranofer but instead urges him to share his troubles so that he can help.
Heqet and the Ancient show the extent of their friendship when they forgo the festival and loyally follow Ranofer into the Valley. The journey is arduous for both, and the possibility of battling Gebu and Wenamon could lead to their deaths, but neither hesitates. Their actions show Ranofer the true value of friendship. The danger he exposes his “dearest friends” to goads him to even greater lengths to find help. The joy they all display as they hurry to reunite at the novel’s end perfectly expresses McGraw’s theme of the power of friendship.
Ranofer’s love for goldwork informs his life. The opportunity to work with gold, and the respect and love he has for the craft, are some of the driving forces that inspire his efforts to stop Gebu. Through Ranofer’s passion, McGraw explores how the power of art and the process of its creation can help shape an individual’s life.
Although goldsmithing is the only craft Ranofer wishes to learn, he deeply appreciates beauty in other art forms and the natural world. Beauty has an emotional, or aesthetic, effect on him. He is stirred by the mastery of the carved wooden ushabti in the tomb of Queen Tiy’s parents, and so moved by a soaring falcon and the shining walls of the Pharaoh’s palace, he comments on his country’s beauty: “The gods smile on Egypt” (57). The desire to create beautiful objects that inspire joy and other emotions in others is more motivating to Ranofer than fame or riches.
Gold is the medium he connects with on an intimate level. Goldwork is in Ranofer’s blood: He wants only to be a gold artist like his father, telling Zau, “I would ask nothing better than to spend every moment of my life at it” (129). His love of gold is also tied to happy childhood memories. The details of Zau’s shop are “familiar and well-loved” (126) and recall Thutra’s workshop.
Ranofer cherishes all aspects of goldwork: from the beauty of the medium itself to the delicacy and beauty inherent in the smithing process to the elegant end products. Even the process of melting gold appeals to his sense of beauty as he watches the color change to crimson in a crucible. Ranofer also appreciates the artistry essential to goldwork. Goldwork, he believes, is a ‘higher,’ or more skilled craft than stonecutting. Working with gold takes knowledge, precision, and creativity.
Ranofer has an emotional and mental connection to goldwork. He feels pained when he hears an apprentice treating the gold incorrectly. The artistic process of working with gold so absorbs him that he thinks of nothing else. Focusing on his passion allows Ranofer to suspend other worries briefly; it is one of the few times he is at ease and confident. He is proud when he can instruct Heqet and when Rekh recognizes his skill. The depth of Ranofer’s emotional attachment to his art is clear when Gebu callously strips him of his job at Rekh’s: It is the only time he begs Gebu for anything. He pleads, “Only one more day! I was to make little golden leaves tomorrow” (85), after which he breaks down crying. Taking away Ranofer’s access to goldsmithing is perhaps Gebu’s cruelest emotional blow. Gold fuels Ranofer’s daydreams and imagination; even while at work in the stonecutter’s shop, plans of goldwork excite his creativity and contrast with the “monotony” of stonecutting.
For Ranofer, the golden goblet is the epitome of gold artistry and the motivation for him to reshape his life. To him, the goblet is more than just a physical object; it is connected to the history of Egypt, its past rulers and craftsmen. The goblet reflects potent spiritual beliefs. It also represents the height of beauty: he cannot bear the thought of Gebu selling the goblet to be melted down and destroyed. Ranofer’s joy in seeing the goblet safe is even greater than that of Queen Tiy. In endeavoring to save the goblet from destruction at Gebu’s hands, Ranofer saves himself. Art and beauty powerfully influence his character and shape his destiny.