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42 pages 1 hour read

Kristin Harmel

The Forest of Vanishing Stars

Fiction | Novel | Adult | Published in 2021

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Chapters 21-28Chapter Summaries & Analyses

Chapter 21 Summary

Yona walks through the forest for days before she finds evidence of a group, so obvious that they could be easily found. A day later, she hears footsteps and sees a man approaching. It turns out to be Zus, who is relieved to see her. She tells him about the German plans to search the forests and says the group must move quickly.

At the camp, people welcome Yona back, and she finds that the group has gained new members. Zus is now a leader, and Aleksander is with Sulia. Yona says the group must move deeper into the forest and through a swamp to escape the Germans. Zus tells her that while she guides the group through the swamp, he and a few others will go find the Bielski group and warn them. Before they separate, Zus tells Yona she is extraordinary, and if his heart were not broken, he would never let her go. For now, he simply wishes her good luck and kisses her cheek.

Chapter 22 Summary

As she leads the group to the swamp, Yona thinks of Zus. His brother, Chaim, tells her that Zus cares for her, but he is haunted by his experiences at the hands of the Germans, who tied him to a chair and forced him to watch as they shot his wife and child. Not far from the swamp, they hear shots and Germans calling for Jews to come out. Yona realizes that the Germans don’t really know the group is there; they’re simply posturing.

As the Germans move away, members of the group take turns reciting Psalm 23. They reach the swamp but must wade through neck-high water to reach the island Yona is seeking. Once safe on solid ground, they fall asleep. Just before dawn, Yona is awakened by a woman screaming.

Chapter 23 Summary

One of the newcomers to the group is giving birth. Conditions are difficult, but the mother and child survive. In the meantime, the group is struggling to find food, and the water is making people sick. Two group members, Rosalia and Chaim, set out to the nearest town for supplies.

When they return, they report that the Germans departed without finding either the Bielski or Zorin groups, although they torched many villages in retaliation. Yona decides that it’s safe for the group to return to their main camp. As they approach, the baby cries, and Zus emerges from the forest. He embraces Yona and says his group lost four people, including Aleksander, but gained some newcomers—young people with guns and plenty of anger toward the Germans. Zus and Yona kiss.

Chapter 24 Summary

As the group settles into the camp again, they face a dwindling food supply and the approaching winter. Two of the newcomers float the idea of ambushing a German supply convoy for food and weapons. Yona thinks this is too risky, but others see it as a way of taking revenge for all their suffering.

As the group debates doing this, Rosalia reminds Yona that she is once again an outsider who has not shared these experiences. The group decides to undertake the raid, led by Zus. Before they leave, Yona tells Zus that she learned the Germans were coming into the woods from her father, a high-ranking Nazi officer. She wonders if she was born to bring terrible things, but Zus says all that matters is who she is now. Yona and Zus make love, each embracing the other’s true selves.

Chapter 25 Summary

The group prepares to attack a German convoy. Rosalia, a woman who lost her family to the Germans, says that they stand for everyone who is gone. People call out the names of their lost family members and call on the group to return safely. When Zus, Yona, and the others encounter the convoy, Rosalia fires on the first vehicle carrying several soldiers, so a firefight ensues. When it ends, the Germans are all dead, and so is Rosalia. The group gathers all the food and weaponry they can carry. As they return to camp, Zus recites the mourner’s kaddish for Rosalia.

Chapter 26 Summary

With supplies from the convoy and forays into surrounding towns, the group prepares for another winter in the forest. Yona and Zus come closer together and move into the same zemlianka. One night before Hanukkah, the group comes together to sing Hebrew songs. It should be joyful, but Yona grieves for the losses they’ve seen. Later, Yona wakes to find Zus gone. She finds him alone in the forest, crying.

He says that day would have been his daughter’s sixth birthday, and he still grieves for his family. Although he loves Yona, going forward with her means leaving his family behind. He runs from her, and she sits alone in the night, wondering what will happen to them. Toward dawn, she hears footsteps. She reaches for her knife and hears Zus call her name. He apologizes, and as they talk, a man crashes through the trees, aiming a pistol at Zus’s heart: her father, Siegfried Juttner.

Chapter 27 Summary

Juttner is unkempt and unshaven, eyes wild and mad. He says he has been looking for her because she humiliated him by leaving the village. He intends to bring her home and show that she belongs to him. Juttner insults Zus, calling him an animal and a “filthy Jewish dog” (347), but Yona says she loves him.

Juttner reveals the final secret of Yona’s identity: Her mother was part Jewish. Now he intends to kill Zus to “save” her. As Zus backs away, Juttner takes aim, but Yona launches herself between the two men just as he fires and is shot. As she lies bleeding, she knows that Juttner will still kill Zus, so as he bends over her, she takes her knife and slices his arm from wrist to elbow. Zus picks her up and carries her away.

Chapter 28 Summary

Months have passed. The war is over, and the Jewish refugees are emerging from the forests of Poland and Belorussia to a vastly different world. Yona’s group has grown, and its members are scattering, seeking new lives in other places. Some stayed behind to rebuild their homes. All are linked by their lives in the forest and the woman who helped them survive, who remained in the forest of Nalibocka with her beloved Zus and had two children there. She died in her beloved forest at the age of 100, just as Jerusza had predicted, many years before.

Chapters 21-28 Analysis

Yona’s return to the forest brings her back into contact with Zus, and their connection deepens as they plan to save everyone from the Germans. Zus struggles to reconcile memories of the torture and death of his wife and child at the hands of the Nazis with his feelings for Yona, but the two of them begin to explore the capacity of love to heal even the most broken of hearts. Reinforcing the theme of Identity, Destiny, and Choice, Zus helps Yona see herself as a unique individual capable of making her own choices rather than carrying out the dictates of a destiny defined by forces outside herself. He also emphasizes that her father being a Nazi has nothing to do with her; her choices and morals shape her identity, not her blood. He values her for who she is, not for who she is supposed to be, and that empowers her to act on her own choices. While Yona could come to these conclusions on her own, Zus’s help here represents the “rescue from without” aspect of the hero’s journey, in which an ally helps the hero after they’ve been wounded or weakened.

Yona faces one last challenge in Chapter 27 when an enraged Juttner returns and brings closure to questions about Yona’s identity. His determination to reclaim her and kill Zus makes Yona openly declare her love for Zus and renounce her identity as Inge. When Juttner rants that Yona’s mother was part Jewish, Yona realizes that Jerusza abducted her all those years ago to save her from a violent and hateful life. After she takes the shot meant for Zus, Yona relies once again on Jerusza’s training to kill Juttner. Her self-sacrifice is the culmination of her heroic arc. Juttner’s death provides a neat catharsis and a fairy-tale-esque resolution to the conflict, as the hero vanquishes the villain.

The final chapter functions as an epilogue, revealing the fates of many group members as they seek to rebuild their lives after the war. In keeping with the hero’s journey archetype, they survive and reintegrate into society. Their varied choices emphasize that there’s more than one way to heal from tragedy. It also carries Yona’s story forward in a style reminiscent of fairy tales and legends—a nod to the novel’s underpinnings of magical realism: “[C]hildren still told tales of the old woman who lived deep in the heart of the Nalibocka forest […] some […] swore they had seen her singing to the stars, speaking to the squirrels, swaying with the trees” (356). Another fairy tale element is Yona’s happy ending with Zus, their children, and her long life in the forest. These aspects create an optimistic, wistful tone at the end of an emotionally challenging novel, reflecting human resilience and the power of love to endure even the most harrowing situations.

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