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42 pages 1 hour read

Kristin Harmel

The Forest of Vanishing Stars

Fiction | Novel | Adult | Published in 2021

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Background

Historical Context: Poland During World War II

The Forest of Vanishing Stars is a work of historical fiction set primarily in Eastern Poland during World War II and the Holocaust. During this time, more than three million Polish Jews were forced into “ghettos,” a term for places the Nazis forcibly isolated groups of people, primarily Jewish people, during World War II, and eventually murdered by Nazi forces. Nearly 90% of the Jewish population of Poland perished, but a considerable number escaped into the dense forests along the border of Poland and Belarus (then Belorussia), where they avoided capture and even carried out missions against the German aggressors until the war ended. The Forest of Vanishing Stars draws from historical records and the narratives of survivors to tell the story of Yona and the people she guides to safety.

The events of The Forest of Vanishing Stars begin in Berlin in 1922, four years after the end of World War I and just a year after Adolf Hitler assumed control of the National Socialist German Workers Party—a party that Siegfried Juttner, Yona’s father, was eager to join. By 1930, the NSDAP had become the second-largest political party in Germany, and Hitler’s rise to power had begun. In 1933, Hitler became chancellor and introduced a long list of laws severely curtailing civil liberties and banning other political parties. By 1934, he had combined the posts of chancellor and president, passing the Enabling Act that made him the supreme leader of Nazi Germany. In a bloody purge called “the Night of the Long Knives,” Nazi forces murdered many of Hitler’s political enemies, ensuring cooperation between the German Army and the Nazi Party.

Between 1934 and 1938, Hitler moved to eliminate opposition and foster an image of Germany as a strong, united country that concealed the country’s growing militarism and hatred of non-German populations, including Jewish and Roma people. In 1938, Hitler began moving to annex territories outside Germany, starting with the Sudetenland, a border region of former Czechoslovakia inhabited by many ethnic Germans. The other great powers of Europe—Great Britain, France, and Italy—agreed to cede control of the Sudetenland in exchange for a guarantee that Germany would not seek to take other territories in Europe.

That promise was short-lived. Later that year, Germany annexed Austria—Hitler’s home country—into the German Reich. In August 1939, Germany signed a non-aggression pact with Joseph Stalin’s Soviet Union, in which both countries agreed not to attack each other for 10 years. That pact allowed for the partitioning of Poland between the two countries, and in September 1939, Nazi Germany invaded Poland, annexing Polish territories on Germany’s Eastern border. In the novel, this conflict breaks the peace of Yona’s life in the forest with Jerusza.

In 1941, Hitler and his deputies determined to eliminate all the Jews in Europe. That same year, Germany invaded the Soviet Union, breaking the non-aggression pact signed just two years before. Germany seized all Soviet-occupied Eastern Poland, eventually taking all of Poland’s prewar territory. Then they moved to exterminate the country’s large Jewish population. Polish Jews were rounded up and forced into squalid ghettos, where many were tortured and killed, events described in the novel by several characters including Chana’s father Isaac, Aleksandr, and Zus. Yona’s experiences in the village depict the experiences of Jews in many towns and villages of Eastern Poland, as well as those who tried to help them, like the nuns who Yona tries to save by bargaining with her Nazi father.

By 1943, the tide had turned against Germany. The Soviet Union defeated Hitler’s forces at Stalingrad, and the Soviet army forced Germany to retreat from Poland through Belarus. In 1944, Allied troops landed on France’s Normandy beach, laying the foundation for Hitler’s ultimate defeat and the end of the Reich’s pogrom against the Jews.

The exact number of Jews who took refuge in the vast Bialowieza and Nalibocka forests of Eastern Poland is not known. These individuals found each other and banded together, everyone contributing what they could to survive. One of the best-known of these bands was the Bielski group, led by Tuvia Bielski and his brothers. The Bielski group survived for two years in the forest, and by the end of World War II, they had over 1,200 members. Groups like these inspired the various groups Yona encounters in The Forest of Vanishing Stars.

Literary Context: Historical War Novels and Magical Realism

Historical fiction tells stories set in times other than the present. Historical novels, stories, and poems are based on actual events and reflect the world of the author’s chosen time period as realistically as possible. Works of historical fiction often depict fictional characters and plots that unfold against a backdrop of historical events, but they can also include actual historical figures who interact with the story’s fictional protagonists.

The Forest of Vanishing Stars is a work of World War II fiction, a subtype of historical fiction based on events leading up to and during World War II (1939-1945). The novel is set in Germany and Poland between 1922 and 1943, a period that includes Hitler’s rise in Germany, the Nazi invasion of Poland, and the persecution of Jews across the region.

Historical fiction of all kinds blends real, documented events with fictional ones. The Forest of Vanishing Stars focuses on Yona and her comrades, all of whom are fictional, but these characters are inspired by actual Jewish people who fled to the forests to escape the Nazis, such as the Bielski group of forest dwellers. The experiences they relate are drawn from historical accounts of antisemitic persecution in Poland. Likewise, Yona’s father, Siegfried Juttner, is a fictional character who embodies the behaviors and beliefs of Nazi officers carrying out the Third Reich’s orders.

Among the best-known works of World War II fiction are Herman Wouk’s The Winds of War (1971), followed in 1978 by War and Remembrance, and Thomas Keneally’s Schindler’s Ark (1982), which inspired the film Schindler’s List. More recent titles for adults and young adults include Ruta Spety’s young adult novel Salt to the Sea (2017) and The Tattooist of Auschwitz by Heather Morris (2018).

The plot of The Forest of Vanishing Stars is driven by magical realism, a literary genre in which events take place in the ordinary, “real” world, but with an undercurrent of magical or fantasy elements that are assumed but not necessarily explained.

Today, magical realism is best known from the works of Latin American authors such as Gabriel García Márquez, Isabel Allende, and Jorge Luis Borges. However, magic and the mundane world have long coexisted in many works of literature, such as Franz Kafka’s 1915 novel The Metamorphosis, in which a man wakes up to find himself a cockroach, and Nikolai Gogol’s 1836 short story “The Nose,” in which a man’s nose takes off for a life of its own.

In The Forest of Vanishing Stars, magical realism plays an important role in setting the stage for Yona’s experiences in the forest. As the story begins, a mysterious old woman named Jerusza waits outside an apartment house in Berlin. She knows many things she couldn’t know by ordinary means, such as the death of composer Frederik Chopin and the birth of Albert Einstein. Jerusza is ancient, the last of a long line of Slavic Jewish women who could be called “witches,” although that term is never used. Attuned to the ways of nature and the forest, she heeds the voice of that natural world, which to her is also the voice of God. That voice has told her to come to this house, on this night, to steal away a child of destiny—a little girl with a birthmark on her wrist in the shape of a dove.

When Jerusza takes the girl, the child appears to recognize her, and Jerusza takes this as a sign. As she grows, Yona’s dove-shaped birthmark becomes darker and more prominent, and it stirs and moves to warn her of danger, such as when she encounters her father, Siegfried Juttner, as an adult. After Jerusza’s death, magical realism fades into the background except for mentions of Yona’s birthmark, which still flutters when she feels danger or other strong emotions. The touch of magic plays an important role in setting the story’s events in motion and leading Yona to the discovery of her identity and her destiny.

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