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52 pages 1 hour read

Grady Hendrix

The Final Girl Support Group

Fiction | Novel | Adult | Published in 2021

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Chapters 1-5Chapter Summaries & Analyses

Chapter 1 Summary: “The Final Girl Support Group”

Lynnette Tarkington wakes in her apartment and, after forcing herself to exercise and shower, has her first panic attack of the day. She is always on high alert. She learns from the news that there’s a new “Final Girl”—16-year-old Stephanie Fugate—who survived a mass murder at Camp Red Lake. Lynnette knows Stephanie can never be happy again because Lynnette is also a Final Girl. She describes how one becomes a Final Girl—when real life mimics a horror movie where the killer takes out people one by one until he gets to the one girl who didn’t think it was a good idea to be there in the first place. That girl survives because she’s in good shape and somehow kills the killer. “Ever wonder what happens to those Final Girls?” (5), Lynnette asks. They end up in a support group.

There used to be seven Final Girls in the group, until Chrissy betrayed them all. Lynnette is worried about Adrienne. Camp Red Lake was where Adrienne became a Final Girl; it’s also where Adrienne has set up a retreat for survivors of violence.

Lynnette leaves for group, noting that this is the only time she leaves her apartment. She always makes sure she knows how to escape and has set up her life to avoid anything unexpected: “I don’t like risk” (6). She wears running shoes keeps her hair short and her clothes tight so she can’t be grabbed, and always carries a box cutter, razor, and pepper spray. Lynnette gathers what she needs, and leaves for group.

Chapter 2 Summary: “The Final Girl Support Group II”

Lynnette sees that four other Final Girls showed up for group: Dani, Marilyn, Heather, and Julie. Heather is complaining to Dr. Carol that there are no snacks at the meeting. Adrienne isn’t there, and they assume it’s because of the killings at Camp Red Lake. Marilyn questions whether they need the group, as perhaps they should stop focusing on the past. 

Details about the women are revealed. Marilyn married a rich Republican politician. Julia, who uses a wheelchair, married her physiotherapist, and he stole all the money she’d made through the franchise of her story. Heather is snarky and recovering from addiction. Dani announces she’s planning to stop coming to group to be home with her wife Michelle who is dying from cancer.

Lynnette assumes they’ve kept group going for 16 years because they all assume Heather would fall apart without it, but Lynnette begins to cry at the thought of group ending—it provides her only contact with other people and gives her a reason to leave her apartment. However, when Lynnette mentions the need to stay together for Heather, the room grows uncomfortable. Julia says they kept going for Lynnette, not Heather. Heather piles on, accusing Lynnette: “You’re not even a real Final Girl” (19). Just then, Marilyn finally looks at her phone, which has been ringing, and learns that Adrienne is dead. Lynnette knows this means her monster got her, and any of them can be next.

Chapter 3 Summary: “The Final Girl Support Group 3-D”

The women leave group separately. Lynnette is on high alert again. She considers, “Men don’t have to pay attention the way we do. Men die because they make mistakes. Women? We die because we’re female” (24). She believes she can be killed any day just for being a woman.

Final Girls haven’t just survived one mass murder—they’ve also lived through their killers coming back a second time. When Adrienne was a counselor at Camp Red Lake, nine of her friends were murdered the night the counselors went to the camp early to prepare for the campers’ arrival. The killer had been Bruce Volker, the camp cook, who was out for revenge because 20 years earlier some counselors were having sex instead of watching his son Teddy, who drowned. Bruce claimed the killer was Teddy back from the dead, but the killings stopped when Adrienne beheaded Bruce. Later, it was determined that there was no son named Teddy. It was Bruce, a lonely sociopath and pedophile. On her bus ride home, Lynnette grieves Adrienne, who always had time for her. Lynnette’s apartment has a cage she designed and built for extra security:

“Each of us responded to our trauma differently. Dani became self-sufficient, Adrienne got into self-help, Marilyn married up and buried her head in the sand, Heather got high, Julia went activist. Me? I learned how to protect myself” (27).

She’s focused solely on staying alive, which she believes is due to her “willpower and self-control” (28). She greets her plant “Fine,” the one thing she cares for, gets her gun, and examines her apartment for intruders.

Adrienne’s story became the Summer Slaughter movie franchise. She got back the rights to the story, setting an important precedent for all the Final Girls. All the proceeds from the Summer Slaughter movies went to the Adrienne Butler Fund for the Prevention of Violence against Women. Adrienne turned Camp Red Lake into a retreat for survivors of violence. She was generous and protective of all the Final Girls.

Now, Adrienne was seemingly killed by Bruce Volker’s nephew Christophe, who was three when Adrienne killed his uncle. Christophe was angry that his family got no money from the movies that were partly about his family. He killed the staff at Camp Red Lake, and then went to Adrienne’s house, where he placed his uncle’s decapitated head in her refrigerator and killed her with an ice pick.

Someone knocks on Lynnette’s door. Lynnette is terrified, but then she sees that it’s Julia and she decides to ignore the door, angry that anyone knows where she lives. Later, there’s another knock. Lynnette sees that this time it’s Julia and the Ghost—the killer Julia escaped, whose story became the Stab movies. Lynnette knows she has to help Julia because of an unspoken agreement between the Final Girls to be there for each other when their monsters come back.

Chapter 4 Summary: “The Final Girl Support Group IV: Return of the Final Girls”

Lynnette shoots at the Ghost, but Julia reveals that in the Ghost costume is actually journalist Russell Thorn—Julia had him dress up so Lynnette would open the door. The mesh in her cage was supposed to let bullets through, but it didn’t, so Russell is fine. Julia tells Lynnette that someone is writing a book about group, and Russell believes Christophe Volker knew about it. Julia thinks it’s Heather. A book is dangerous because it provides too much information to the monsters’ fans, who think of the Final Girls as obstacles for their heroes.

Julia is a Final Girl because her high school boyfriend and college boyfriend dressed up in the same ghost costume to kill her classmates. Julia killed them both. When she pushed her college boyfriend out a window, she fell with him and now needs to use a wheelchair to get around.

Russell opens the curtain and sees police swarming the street. Then, someone starts shooting into the apartment. Russell tries to escape, but he’s hit and goes down. Julia is hit too. Lynnette runs too. She’s ashamed to leave Fine and Julia behind.

Chapter 5 Summary: “The Final Girl Support Group’s New Nightmare”

Lynnette feels like a failure. She failed Julia and Fine, and she failed to protect herself after all her efforts. She calls Dr. Carol and asks for help. Dr. Carol picks up Lynnette in her car and takes her back to her house, where she lives with her two sons, eight-year-old Pax and 20-something Skye. Once there, Dr. Carol learns that Heather’s halfway house burned down. The authorities think Heather started the fire.

In a room in Dr. Carol’s basement, Lynnette considers who might be after the Final Girls. Final Girl fans are one possibility. But more terrifyingly, it could be all the Final Girls’ monsters: Ricky and Billy Walker, Nick Shipman, the Hansens, the Ghost, Teddy Volker, and the Dream King.

Chapters 1-5 Analysis

Mixing the horror and realism genres, the novel builds a parallel reality in which women survivors of stereotypical horror events are well known. To add verisimilitude, each chapter opens with a piece of media—subreddit posts, emails and speeches, magazine and newspaper clippings, paragraphs from scholarly journals and books, meeting notes from the group, and even VHS box copy—that functions as existential evidence. Similarly, Hendrix’s Acknowledgments also blur the line between reality and fiction. He lists people who worked on the movies he names in the novel, movies that don’t exist beyond the pages of the book, and he ends the acknowledgments by suggesting his real-life wife Amanda Cohen was a “Final Girl” herself of a situation that led to the fictitious movie “The Easter Bunny Massacre” (342). Amanda Cohen is alive and well in real life, but as a dark joke, Hendrix dedicates the book to her memory.

The opening chapters establish the Final Girls’ characters, which tend to be informed by their traumatic experiences—as Lynnette explains, “Each of us responded to our trauma differently” (27). This allows Hendrix to bring psychological reality into genre fiction, considering how real women would respond to living through the kinds of horrific events that horror plots tend to subject their protagonists to. This brings up an important theme: Trauma Repeats—each protagonist faces nightmarish scenarios over and over again, which is fitting for the main characters of horror franchises, which bring the same characters back to endure vicious attacks in sequels. As a result, Lynnette has become hypervigilant, paranoid, and has designed her entire life around extreme safety. She has been living with massive anxiety and PTSD ever since she was 16. Marilyn has chosen a more escapist approach to dealing with her trauma: She cultivates her Texan “fake-politeness” and has married into wealth to remove herself from day-to-day worries. In contrast, Julia is political and scholarly, retreating into the life of the mind, which is possibly a slightly reductive way of positioning a character with a disability. Dani loves her wife and is about to lose her. Heather is scrappy and talks a lot; she lives in a halfway house, which indicates her socio-economic precarity and marginalization.

These chapters introduce one of the novel’s key motifs: Defining the Final Girl Trope. In group, Lynnette’s friends see her as troubled—so much so that they’ve kept the group going to help her—partly because she never got to kill her monster, which Heather says makes Lynnette not a real Final Girl. This is also Lynnette’s biggest insecurity: She didn’t save anyone during her traumatic event, like a Final Girl should, and when someone shoots into her apartment, she runs rather than protect Julia or her plant. Lynnette feels like she fails everyone, which means she doesn’t deserve to have survived over others.

What makes a true Final Girl comes across in the other women’s stories, which feature references to real horror franchises, blurs the line between fiction and reality even more. For example, Adrienne’s backstory matches the Friday the 13th series. All of the Final Girls’ lives have been marked by another major theme, Violence against Women, mostly perpetrated by men. As Lynnette points out, women are in danger simply because they are women, and men are their predators. Adrienne’s death, the fact that someone shot at Lynnette’s apartment, and Heather’s halfway house burning down are all evidence that Lynnette’s biggest fear has come to be: Their monsters are after them again.

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