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52 pages 1 hour read

Erin Sterling

The Ex Hex

Fiction | Novel | Adult | Published in 2021

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Chapters 19-22Chapter Summaries & Analyses

Chapter 19 Summary

The next day, Vivi tries and fails to focus on lecture notes instead of Rhys’s kiss. Amanda Carter, from the witchery department, visits Vivi’s office to talk about the ghost. Vivi is surprised by Amanda’s appearance: She is young and even wears jeans, unlike the other “serious” witches. Amanda says that she has been at Penhaven College for only a few months, and that she has heard that Piper was “obsessed with the history of the town, trying to summon spirits” when she was alive in the 1990s. Amanda says the easy part of rebinding Piper’s ghost is the binding spell itself—the hard part will be finding and capturing her again. She pulls a candle from her bag and asks Vivi how she feels about haunted houses.

Chapter 20 Summary

Rhys receives a text from Vivi, asking him to meet her at midnight at a specified address. Rhys is cheekily proud of himself for having only “80 percent” filthy thoughts about her. When Rhys arrives at the address, he sees Vivi waiting for him outside a gate, dressed head-to-toe in black. Instead of using a spell to make light, Vivi hands him a flashlight. She tells him they are here for a “quest.” After they jump the fence, Vivi points to a cabin up the hill. It is a small place that witches attending Penhaven occasionally rented—including Piper McBride, the library ghost. Rhys is astonished when Vivi pulls from her bag the candle Amanda gave her. It is a Eurydice Candle. When they light it on Piper’s old alter, it will trap her spirit so that it can be released elsewhere when relit. Rhys worries the candle will be affected by the town’s curse, but Vivi says the cabin is just outside town limits and therefore outside the curse’s reach. Rhys notes the haunted house’s stereotypical appearance as Vivi successfully creates a magic light for herself.

Chapter 21 Summary

Inside the house, Rhys and Vivi take in the sight of molding wallpaper and broken furniture. They walk through the ground floor, trying to find Piper’s old bedroom. Neither Vivi nor Rhys feels any traces of lingering magic, but suddenly they hear footsteps. They extinguish their light sources and wait. Vivi realizes the footsteps are outside the cabin, and she can hear more than one person whispering outside. She looks out the window and sees her student Hainsley, whose last paper had evidence of cheating Vivi detected with magic. Hainsley is with a girl; Rhys realizes the cabin’s floor is so clean because this is now a local hookup spot. Rhys and Vivi decide to hide in a closet. They overhear Hainsley trying to convince a girl, Sara, to have sex with him in the cabin. Rhys and Vivi become increasingly aware of how close they are in the cramped closet, and Vivi touches Rhys’s hips; they kiss. Hainsley suggests to Sara that they at least explore the creepy house. Vivi casts a spell that causes a framed photograph to fall off the living room wall and break on the floor. Hainsley and Sara scream and run out of the house. Vivi and Rhys celebrate her successful magic, and as he leans in to kiss her, Vivi steadies herself against the wall with one hand. She yelps suddenly, realizing she has touched a series of runes painted on the wall. They have found Piper’s altar.

Chapter 22 Summary

Rhys looks over the runes, some old and faded, but others looking like dark, fresh slashes. Vivi lights the Eurydice Candle; the temperature drops, and a mist seeps in under the closet door. In the living room, Piper’s ghost appears. She looks faded, more translucent than she was earlier in the library. Piper’s ghost looks around, confused, as her form becomes mistier and is sucked into the candle. She says Rhys’s last name, Penhallow, and just before she is pulled completely into the candle, she says, “What was wrong must be righted, what was taken must be relinquished” (202). The candle extinguishes, leaving Vivi and Rhys alone in the darkness.

Chapters 19-22 Analysis

The arrival of Amanda Carter gives Vivi a faint sense of hope, as this young witch who wears jeans and who successfully navigates the serious, “snobby” ranks of the academic witches visually resonates with Vivi. She herself is younger, dresses more casually, and takes herself less seriously than the academic witches; she was convinced that because of those characteristics, she could never belong among them. Now that she sees Amanda doing that very thing—belonging without sacrificing who she is and what makes her feel comfortable—Vivi sees Amanda as a representation of what her life as a witch could be like if she embraced that part of herself more fully. Amanda’s presence is also a boon to Vivi’s curse-breaking quest, as Amanda possesses useful knowledge that Vivi can utilize immediately to solve one of the town’s many new, magical problems. That said, Amanda’s true helpfulness is her deliverance of the Eurydice Candle. The candle’s name references the Greek myth of Orpheus, who journeyed to the underworld to bring Eurydice, his bride, back to life. The myth itself deals with themes of grief, love, and trust. Thomas Bullfinch, of Bullfinch’s Mythology fame, wrote that Eurydice died twice as punishment for Orpheus mistrusting her presence and believing it was a trick by Hades. The candle being named after Eurydice, who Orpheus was afraid was an illusion, furthers develops the foreshadowing established by Gwyn’s tarot reading, during which she pulled The Moon, the card that represents illusions and depiction. Despite how hopeful Vivi seems about her new academic-witch friend, the imagery and symbolism surrounding Amanda strongly suggests that there is more to her than immediately meets the eye.

The haunted house where Piper made her altar embraces the stereotypes of the novel’s hybrid rom-com and supernatural genres. The house reminds Rhys of every horror movie he has ever seen, and the narrative’s focus on the wooded area and the physical structure of the cabin itself creates for the reader a true-to-genre haunted house trope. The doors hang from the hinges, the wallpaper is moldy and peeling, and nearly every stick of furniture in the place is broken beyond repair. The house is utterly abandoned, and in keeping with further supernatural genre tropes, the abandoned cabin is used as a make-out spot by local teenagers. Hainsley and Sara’s failed plan to hook up in the haunted cabin recreates a scene found in many horror movies: Boy wants sex, girl says no, boy tries to convince girl, something startles them, and they flee. The same generic structure transfers to Rhys and Vivi as soon as Hainsley and Sara are gone. Vivi and Rhys kiss while hiding in the closet, and he even lifts her leg up to better press himself against her. Their physical intimacy would clearly progress further, but Vivi is startled by touching the runes on the closet wall, just as she herself used magic to startle Sara with a falling picture frame and a slamming door. Despite Rhys’s humorous awareness of the genre trope they have walked into, they cannot escape that genre’s conventions.

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