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32 pages 1 hour read

Octavia E. Butler

The Evening and the Morning and the Night

Fiction | Short Story | YA | Published in 1987

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Literary Devices

Allegory

Science fiction often uses allegory, presenting a story or scenario that allows it to indirectly investigate real-life situations or concerns in order to present a hidden message. “The Evening and the Morning and the Night” does not come to any firm political or philosophical convictions, but it is rich with exploration and analysis of some of the controversial questions of Butler’s day (and ours). It is often through this literary device that Butler investigates the themes of Human Nature and Social Structure and Self-Determination and Individual Responsibility. When the story was written, as now, abortion was a perennial issue of debate. In the 1980s, prenatal genetic screening for conditions like trisomy 21, which causes Down syndrome, had become increasingly common. Many minor characters, including Lynn and Alan’s parents, are morally opposed to abortion even though they know their children are likely to suffer from their illness. At the other extreme, Alan feels so strongly that he should not pass on his condition that he opts for sterilization, and he even suggests that all DGDs should be sterilized to eliminate the condition. In the middle of the spectrum, Beatrice characterizes DGDs that have children as reckless, while Lynn recognizes that while she does not want to have children, she doesn’t want others to tell her she can’t have them. This discussion of sterilization inverts conventional discussions of abortion. In traditional debates on abortion, the focus is generally on the woman’s right to make choices about her body in contrast to the unborn fetus’s right to life. Here, however, the question is whether DGD parents are morally obligated not to have children because of the suffering they are likely to endure.

Ambiguity

In her exploration of various ethical issues at the center of human nature, Butler relies on ambiguity to resist coming to any firm conclusions, and we can see this reflected in other literary devices throughout the story. For example, in her examination of the theme of Human Nature and Social Structure, Butler does not arrive at any absolutes. Alan worries that the Dilg retreat functions like a bee colony, with the uncontrolled DGDs basically functioning as mindless drones without free will. On the other hand, Beatrice argues that she is providing an opportunity for the DGDs to live peaceful lives where they realize their potential. At other institutions, like the one from which she rescued Naomi, DGDs receive poor care, and these institutions tend to abuse those suffering from the condition. Ambiguity can also be seen in various symbols throughout the story. For instance, when Alan and Lynn first meet Naomi, Alan’s mother, she is sculpting an old woman and two children. This might be taken as a symbol of their relationship to Beatrice, but as Naomi is taken out of her routine by Beatrice to talk to Alan and Lynn, she never completes it. This suggests that the nature of the relationship between the three is indeterminate.

Foil

The two other major characters, Beatrice and Alan, can be seen as foils for Lynn. Their similarities to and differences from Lynn allow us to appreciate the difficult position she finds herself in. Alan is like Lynn in that they are both double DGDs who, at least initially, feel certain that they have a short and miserable life ahead. Unlike Lynn, Alan tends to adopt stern absolutist positions, arguing, for instance, that all DGDs should be sterilized to put an end to the condition. In contrast, Lynn tends to be more of an individualist, arguing that she doesn’t want children but she doesn’t want anyone to tell her she can’t have them (42). Beatrice, on the other hand, is like Lynn in that they are both double DGD women, which means they have a unique ability to care for other DGDs. Beatrice is clearly older and more experienced and is more certain of and at peace with herself. While it is clear at the end of the story that Lynn feels a moral obligation to become like Beatrice, she clearly doesn’t want to, and it is uncertain that she will be able to make peace with that internal conflict, reflecting the theme of Self-Determination and Individual Responsibility.

Foreshadowing

Foreshadowing can be seen in the story in its anticipation of the revelations about DGDs that Beatrice will provide at the story’s climax. For example, Lynn often comments that she feels driven and focused, and she notes this is a trait common to DGDs and that it is a stereotype others have about them. She chalks it up to a sense of terror stemming from the nature of their condition. She also, for reasons she does not fully understand, takes on a caring and managerial role among the DGDs with whom she shares a house. They do not seem to mind her frequent reminders to complete assigned chores, and she seems to naturally fall into the role. At Dilg, Beatrice reveals to Lynn that DGDs are in fact generally inclined to intense focus. Moreover, double DGDs like Lynn have a natural propensity for caring for other DGDs.

Symbolism

Butler often uses symbolism to reinforce Lynn’s state of mind or to emphasize an underlying ambiguity in the message of the story. For example, the story does not reveal Naomi’s final sculpture, reinforcing the idea that their ultimate path is unclear. Elsewhere in the story, Lynn mentions that she and her housemates are careful to take care of the lawn in the front of their house, but they are more careless about the back yard. This symbol reflects their state of mind and recalls the nature of the disease, which includes drifting. Perhaps the most telling symbol of all is the end scene, where Lynn refuses to turn around because she fears that she will see herself, instead of Beatrice, “growing small […] and vanishing” (68). This speaks to Lynn’s apprehension at the prospect of becoming like Beatrice and recalls the theme of Self-Determination and Individual Responsibility.

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