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Eugene O'NeillA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The symbolism tied to Brutus Jones’s name serves a dual purpose in conveying his character traits and reinforcing central themes within the play. The name “Brutus” immediately evokes connections to historical figures, particularly Marcus Junius Brutus, a pivotal conspirator in the assassination of Julius Caesar, the Roman emperor, as well as Shakespeare’s homonymous character. This association reflects Jones’s transformation from a powerless individual to a self-proclaimed ruler who governs with an iron fist. It underscores how far he is willing to go in his quest for dominion, resorting to cruelty and exploitation.
However, by characterizing Jones as a “brute,” the play inevitably invokes a problematic racial trope, thereby detracting from his complexity as a character. His name leaves no room for subtlety, presenting him as a dominant, forceful, and at times violent figure. This reductionism not only oversimplifies the character but also perpetuates harmful racial biases that have been historically used to marginalize Black individuals.
The silver bullet holds profound significance throughout the play. Notably, the play was originally titled “The Silver Bullet,” emphasizing the central role of the motif. At its core, the silver bullet symbolizes control and domination. After surviving a failed assassination attempt, Jones cunningly convinces the island’s inhabitants that he is immune to lead bullets and that only a silver one can end his life. This fabrication leads the islanders to believe that Jones possesses divine qualities that render him all-powerful and untouchable. They worship him as a deity, falling under his rule without question.
The silver bullet’s motif extends beyond mere physical power and relates to Jones’s exploitation of fear and belief for personal gain. Jones uses the superstitions of the islanders to solidify his position as emperor. Thus, the silver bullet also connects to Jones’s manipulation and deceit.
However, the silver bullet also foreshadows Jones’s demise. It serves as a powerful reminder of the islanders’ suppressed resentment and desire for rebellion. At the beginning of the play, Jones’s rule has become so tyrannical that the islanders have taken up arms and plan to depose him. Ultimately, they forge silver bullets of their own and use them to challenge his supposed immortality, appropriating Jones’s own myth against him.
The motif of the recurring tom-tom drumbeat amplifies Jones’s psychological turmoil. Described as the “faint, steady thump of a tom-tom” (162), the drumbeat punctuates the narrative and carries significant meaning throughout the play. Its presence acts as a haunting reminder of the islanders’ revolt against Jones’s oppressive rule.
The tom-tom’s tempo steadily increases as the play progresses, mirroring the mounting tension within Jones’s mind. This auditory element immerses the audience in the protagonist’s subjectivity, emphasizing the weight of his actions and his psychological state. The drumbeat becomes an ever-present specter, underscoring the inevitability of his downfall.
The forest serves as a multifaceted and powerful symbol that reflects the psychological and thematic complexities of the narrative. Initially, the forest represents an escape for Jones. Fleeing from the islanders who once revered him, he seeks refuge within the dense, uncharted wilderness. In this context, the forest symbolizes a temporary sanctuary and a means of physical survival.
However, as Jones journeys deeper into the forest, it undergoes a transformation. It ceases to be merely a physical landscape and becomes an extension of Jones’s own psyche. His past sins come back to haunt him in the form of hallucinations and spectral visions. Forced to confront his guilt in this way, Jones grapples with the moral dimensions of his actions and finally admits wrongdoing. The forest becomes the site of Jones’s reckoning, as the uncolonized setting is ultimately outside of his control.
Jones expends all his bullets in a futile attempt to rid himself of the hallucinations. By eliminating the manifestations of his guilt and fear, he temporarily regains control over his mind. Ironically, Jones uses all his ammunition on the phantoms, leaving himself without a means of defense when the island’s Indigenous population finally confront him. Thus, Jones’s journey through the forest mirrors his tragic trajectory from a position of power and arrogance to one of vulnerability and despair.
At the outset of the play, Brutus Jones’s clothing symbolizes his perceived power and control, as it is associated with his position as a self-proclaimed emperor. Described as “a light blue uniform coat, sprayed with brass buttons, heavy gold chevrons on his shoulders, gold braid on the collar, cuffs, etc.” (150), his outfit is part of a carefully crafted image that Jones uses to manipulate the islanders and maintain his dominance. The uniform represents not only his physical authority but also the psychological power he exerts over the islanders. It is a costume of imperialism, a facade that conceals the brutality and exploitation of his rule.
As the play progresses and Jones’s rule begins to crumble, so does the illusion of power represented by the uniform, which becomes increasingly tattered and soiled. Once a symbol of authority, the costume becomes a symbol of his vulnerability and the emptiness of his claims to power.
Another interpretation for the symbolism behind Jones’s uniform is that it represents his inner turmoil and his confrontation with the depths of his subconscious. However, Jones’s changing appearance, which progressively resembles that of the Indigenous islanders, carries deeply problematic implications. The play uses this narrative device to suggest a connection between Jones’s unraveling mental state and a perceived “primitiveness” associated with Indigenous cultures. This portrayal perpetuates harmful stereotypes by implying that the uniform’s deterioration mirrors Jones’s journey into madness and into a more “primitive” and “uncivilized” state.
The Crocodile God emerges as a potent symbol that challenges the self-aggrandizing image Jones has constructed. Throughout the play, Jones presents himself as a god-like figure, the ruler of the island and its inhabitants; he revels in his perceived invincibility. In confronting the Crocodile God, Jones ultimately confronts his own distorted sense of self.
The Crocodile God’s demand for sacrifice becomes a metaphor for the repercussions of Jones’s sins. It encapsulates the idea that no one, not even an emperor, can escape the consequences of their actions. Jones’s encounter with this figure serves as a turning point in the play and a potent preamble to Jones’s tragic fate.
By Eugene O'Neill