44 pages • 1 hour read
Lynn PainterA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Emilie Hornby is not a die-hard fan of Valentine’s Day, but she is a romantic who believes in the existence of true love. However, she doesn’t believe in passive concepts such as “love at first sight” or “fated soulmates” but instead believes that “fate is for suckers. Love is for planners” (1). Her parents fell wildly in love at the age of 18, but that love turned into a marriage full of years of disagreements and a devastating childhood that Emilie had to endure.
Emilie is determined to learn from their mistakes. Rather than date boys who make her swoon but might turn out to be wrong for her, she only dates the boys who “hit their marks on [her] pros-and-cons sheet” (2). Following this logic, she has found the perfect boyfriend, Josh Sutton, whom she’s been dating for three months. Their anniversary happens to fall on Valentine’s Day, and she is determined to make it the perfect day, even if it means planning it down to the minute.
Emilie wakes on Valentine’s Day in a great mood. A quick look at her planner shows her to-do list for the day, including emailing her upcoming summer internship advisor, exchanging gifts with Josh, and telling him she loves him for the first time. Her stepmom, Lisa, interrupts her shower by knocking on the bathroom door and requesting Emilie hurry up so her younger brother, Joel, can use the restroom. Though irritated by the request, Emilie hurries to wash up and vacate the bathroom.
On the drive to school, Emilie is deciding what song to play over her speakers when she crashes into the back of her surly chemistry lab partner, Nick Stark’s, truck. Nick accuses her of texting and driving which infuriates her. Yet, when her vehicle is towed away and Emilie’s parents don’t answer her phone calls, Nick gives her a warm coat from the back of his truck and offers her a ride to school. On the ride to school, they bicker about Nick’s love for Metallica, and Emilie learns Nick hates Valentine’s Day.
Emilie is pulled from class and sent to the Principal’s Office where a woman named Mrs. Bowen delivers unfortunate news. She informs Emilie there was an error in scoring the fellowship applications for the prestigious summer journalism program that Emilie got into, and with that error rectified, Emilie is no longer eligible to attend. Though devastated, Emilie maintains a polite smile and thanks Mrs. Bowen for the opportunity before leaving the office. Her texts to both her parents afterward are left without reply. Emilie’s college depends on scholarships and without the fellowship, her chances of affording college at all are slim. Even with the unfortunate events of the day piling up, Emilie comforts herself by looking forward to exchanging gifts with Josh and telling him she loves him.
When Emilie fails to connect with Josh between classes, she decides to leave his present in Josh’s car. Josh usually goes for a coffee run during his study hall, and she believes he will get the present then. However, when Emilie reaches the parking lot, she sees Josh inside his car with his ex-girlfriend, Macy Goldman. Before Emilie can approach, Macy grabs Josh and kisses him. When Josh kisses Macy back, Emilie makes a loud sound of surprise that catches Josh’s attention. Though he exits the car and chases after Emilie, she tells him to stay away from her.
Emilie pretends to vomit to get sent home from school early. Macy catches Emilie before she leaves to apologize and claims that she kissed Josh, not the other way around. Emilie doesn’t accept the apology and walks away. When Emilie returns home, her dad sits her down to talk. He informs her that he’s been offered a promotion that requires they move to Houston, Texas—15 hours away from their current residence in Omaha, Nebraska. Emilie is shocked and hurt when her father talks about him, Lisa, and the twin boys moving to Texas while Emilie stays in Omaha with her mom. The conversation makes Emilie feel forgotten by her own family. Despite this, her father gives her more attention than her mother, and she considers him home. After the conversation, Emilie calls her Grandma Max and asks to stay the night.
Emilie ignores the several messages Josh sends, asking to talk which quickly devolves into anger. After hearing about the events of the day, Grandma Max wonders aloud why Emilie never says what she truly thinks or feels to people. She advises Emilie to stop worrying about making everyone else happy and focus on what she wants. When her grandma asks her to pepper the soup, Emilie accidentally uses a 50-year-old shaker which makes the soup have too much kick. Unable to take any more unfortunate events, Emilie decides to go to bed early.
From the very first chapter, Lynn Painter sets the scene for a young adult contemporary romance. The main character has a specific, yet faulty, view of love that will change by the end of the novel. Additionally, the promise of love to come also implies that the teenage protagonist will discover vital things about herself in the process.
Painter hints at Emilie’s internal conflicts in these early chapters. When she mentions splitting time between her mom’s and her dad’s houses since their divorce, she admits to still feeling like “just a nomad in the way. At both of their houses” (7). This internal wound Emilie nurses regarding her family dynamic suggests the oncoming turmoil her father’s promotion and eventual move will have on Emilie’s feelings. The lack of reaction to her car crashes every morning of the time-loop also demonstrates the distance between her and her parents, and the loneliness she feels as a result. Her parents do not answer her phone calls or contact her in any way, other than when she acts in a way that disappoints or angers them. Though Emilie attempts to make herself feel better by reasoning that her parents not calling her back was nice because “it postponed the immense amount of trouble [she] was about to be in” (16), she can’t help but be hurt by their lack of concern for her.
The novel’s incorporation of a time loop, a narrative device often found in speculative fiction where the same timeframe repeats, sets the novel apart from the traditional contemporary romance genre. The time-loop element also aids Painter in exploring the novel’s key themes. The time-loop plot device enables Emilie to repeatedly experience the consequences of her actions and decisions, offering her multiple opportunities to reassess her priorities and values and demonstrating The Futility of Excessive Planning. The time loop also serves as a metaphor for the idea that personal growth and self-understanding often require revisiting and reevaluating past experiences.
Painter also thematically explores The Reality of Imperfection in Emilie’s failed attempts at exercising control over her life, especially the doomed time loop. Emilie’s approach to love—choosing a partner based on a pre-drafted pros-and-cons list—illustrates her attempt to manage her emotions logically to avoid the mistakes her parents made. However, as Emilie comes to learn, love can be messy and uncontrollable. The series of unfortunate events on Valentine’s Day, including the car accident, the loss of her fellowship, and Josh’s betrayal, shatter Emilie’s illusion of control. The time loop effectively reinforces the theme, showing that life is inherently unpredictable, and perfection is unattainable. Chasing perfection, as Painter demonstrates, will only bring failure and unhappiness to Emilie. She must learn how to embrace the messiness of life and relationships and accept that she cannot plan or control love and happiness to the extent she believes.
In Chapter 3, Emilie admits that her friend Chris “always said [she] had serious issues with needing people to like [her]” (24). This statement reveals Emilie’s struggle with genuineness and introduces Painter’s thematic exploration of The Importance of Authenticity. Emilie’s journey of self-discovery involves distinguishing between what she truly wants and what she believes she should want. It also hinges upon her desire to people-please, which often prevents her from acting upon her desires. Her grandmother’s advice in Chapter 5 is a pivotal moment:
“Sometimes I don’t understand why you don’t open your mouth and say the words that are on your tongue,” my grandma said, walking over to the kitchen and turning down the stove. “I get the privilege of hearing you let loose with your anger. Others should, too. You are not the people-pleasing mouse you purport yourself to be. Burn some cities down with your rage! […] Quit worrying about making everyone else happy” (37).
The scene establishes that Emilie’s arc will involve learning to be more authentic to herself. The repetition of Valentine’s Day is therefore a mechanism that allows Emilie to confront her fears about speaking her truths, ultimately leading to a more genuine understanding of herself. It is through this forced, repeated process of self-actualization that Emilie will learn from the past and come into her true authentic self.
By Lynn Painter