37 pages • 1 hour read
Lauren WeisbergerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Andrea (Andy) Sachs is a 23-year-old college graduate and is working as a junior assistant to Miranda Priestly, the powerful editor of Runway magazine. Andy is currently trying to follow Miranda’s cryptic instructions to pick up the editor’s sports car at the garage and to collect Madelaine. Miranda never bothers to describe the make, model, or location of her car. She also fails to tell Andy who Madelaine is. Frantically, Andy tracks down the necessary information. She finds the sports car and discovers that Madelaine is Miranda’s new puppy and is at the vet. Andy gets the car and the dog and deposits both at Miranda’s townhouse.
Back at the office, Miranda berates Andy for not bringing the dog and the car to the office so that Miranda can take them away for the weekend. Andy concludes this episode by thinking to herself, “You don’t want her to die […] Because if she does, you lose all hope of killing her yourself. And that would be a shame” (8).
Andy skips back in time to recount how she landed the job as Miranda’s junior assistant. After graduating from college with a degree in English literature, Andy dreams of landing a job as a writer for The New Yorker. To do that, she needs to build a strong resume. After weeks of searching fruitlessly for a job, Andy is amazed to receive a callback from Elias-Clark, the publishers of Runway.
Apparently, Miranda Priestley is looking for a new assistant, having promoted her last one. When Andy shows up for her interview, she appears dowdy, unaware of how to dress for a job in high fashion, and knows nothing about the magazine or the dragon lady at its helm. She’s put off by the employees and thinks, “Their lips never stopped moving, and their gossip was punctuated only by the sound of their stilettos clacking on the floor. Clackers, I thought. That’s perfect” (13). To her amazement, the interview goes well and she gets the job.
Having landed a job, Andy scrambles to find an apartment in the city. Her boyfriend Alex, an inner-city schoolteacher, is delighted to have her close by but disappointed that Andy’s new position won’t exercise her writing skills. She eventually sublets space in a tiny apartment with two Indian girls. The quarters are cramped but are all that Andy can afford on her meager salary.
Andy buys a big new bedroom set only to realize that her room is too small to fit anything but the bed. On her first day of work, she’s nervous because she’s never taken the subway and gets lost on her way to the Elias-Clark building. When she finally arrives, Miranda’s senior assistant, Emily, indoctrinates her. Andy will report to her. Luckily, Miranda is on vacation for a month, so Andy won’t have to deal with her immediately. Once settled at her tiny desk, Andy is introduced to many of her magazine co-workers, all of whom are extremely tall, painfully thin, polished, coiffed, and dressed to kill.
Emily receives a call from Miranda asking to have a skirt sent to her in Italy. Miranda doesn’t specify anything about the type of skirt, but Emily springs into action and mobilizes all the fashion houses in New York to provide samples. Andy is then sent by chauffeured limousine to collect the samples and a few other items that Miranda wants. She’s gone for five hours on these errands. During this time, Emily doesn’t leave the office even to go to the bathroom. She explains that Miranda insists that someone always cover the phones.
The rest of the workweek goes much the same as the first day—intense and frantic. Emily and Andy unwrap hundreds of Miranda’s expensive Christmas gifts. Emily explains that the editor will loathe most of them. She casually gives Andy one of the rejects, a high-end cell phone. The two assistants also wrap a few hundred gifts from Miranda to her friends and business associates. Andy calculates that the gifts and shipping will cost more than her annual salary. During her first week, Andy receives her ID card and the unnerving knowledge that it can track all her movements while she’s in the building.
On Friday, Emily announces that she’s going out to lunch with friends. When she hasn’t returned three hours later, Andy goes to the cafeteria to grab a quick bite. Emily catches her and is livid that the junior assistant has left her post. She says, “Our first priority—our only priority—is Miranda Priestly. Period. And if you can’t deal with that, just remember that there are millions of girls who would die for your job. Now check your voice mail. If she called, we’re dead. You’re dead” (69).
Fortunately, Andy gets a call from Miranda’s nanny, who says that she covered for the missing assistants. Back at home, Andy is too exhausted to meet Alex, her boyfriend, for dinner, so he brings an impromptu meal to her tiny flat to celebrate her first week on the job.
In the first segment of the book, the reader gets only a brief glimpse of Miranda. Andy’s perceptions of her new boss rely entirely on what others tell her. These chapters focus mostly on Andy’s innocence as a newcomer to the business world and, in particular, the fashion world.
Because she’s fresh out of school, with limited prospects for landing the job she wants, Andy is an easy target for Miranda’s abusive treatment. The young graduate is prepared to do anything to further her ambition to work at The New Yorker. Little does she realize the ordeal she’ll endure to get that career boost. Further underscoring Andy’s naivete is her ignorance of fashion. Her future co-workers laugh at her dowdy apparel when she arrives for her job interview. In addition, on her first day of work, she gets lost on the subway and can’t find the Elias-Clark building, which adds to her anxiety.
The telephone, as an ominous symbol of a shackle, appears almost immediately in the story. Andy is too poor to afford a cell phone of her own but is overjoyed to accept Miranda’s expensive castoff. She soon comes to loath this gift. Two occasions demonstrate the symbolic significance of phones as a shackle. The first occurs while Andy is out running errands, and Emily doesn’t leave her desk for five hours even though she needs to use the bathroom. The senior assistant stresses the importance of someone always being present to cover the office phones.
In another instance, while Emily takes a long lunch, Andy sneaks down to the cafeteria to grab a quick bite. Emily angrily reinforces the message that one of them must stay put in the office. Even though Miranda is on vacation, she makes her presence felt by harassing her assistants via the phone.
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