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56 pages 1 hour read

Frederick Forsyth

The Day of the Jackal

Fiction | Novel | Adult | Published in 1971

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Part 3Chapter Summaries & Analyses

Part 3: “Anatomy of a Kill”

Part 3, Chapter 19 Summary

Lebel is woken by Caron, who has devised an idea of how to narrow their search for the Jackal. With the help of Bryn Thomas, they narrow the list of names to any Dane who reported a lost or stolen passport during a recent trip to Britain. Next, Lebel hears a recording of a wire-tap. In the recording, Jacqueline tells Valmy that the French police know that the Jackal is posing as a Danish priest. The police arrest Valmy. When the daily call comes from the Jackal, Lebel answers the telephone and poses as Valmy. He says that there is nothing to report, and the Jackal hangs up. The call perturbs the Jackal enough to make him ditch his Danish identity, just as Lebel issues a search for Paster Per Jensen. The Jackal bounces between cheap hotels, changing his clothes and hairstyle until he can pose as the American student Marty Schulberg.

When the French police realize that the Jackal has slipped away again, Lebel asks Thomas to search for any other reports of missing passports from people who match the Jackal’s physical description. At the daily meeting, Lebel plays the recording of the wire-tap. Saint-Clair de Villauban realizes that he is the leak and leaves to write his resignation. Lebel reorganizes the search: They are now looking for a “common murderer” (347), so they can use the press to help their manhunt. The French authorities enlist the help of every organization they can muster, as well as illegal organized crime networks. Lebel believes that they have three days to find the Jackal, as 25 August is Liberation Day, a holiday closely associated with de Gaulle’s public character. Lebel reasons that the Jackal knows that de Gaulle will be in public, regardless of any threats. Later, Thomas contacts Lebel. A long search has brought them to a likely name: Marty Schulberg. Lebel disseminates this name and description to the manhunt.

Part 3, Chapter 20 Summary

The Jackal, posing as Marty Schulberg, goes to a gay bar. He immediately attracts interest from the patrons, and he flirts with a “slim, elegant” (357) middle-aged man named Jules Bernard. He allows Bernard to take him home. Before they leave, he festoons himself with a garish wig and poorly applied make up. When the police officers stop them in the street, they are so revulsed by the idea of gay men that they allow the Jackal and Bernard to pass. The Jackal plans to wait out the remaining days in Bernard’s apartment. When a television news report discusses the search for Marty Schulberg, he kills Bernard. In the meantime, Paris is “searched as it never had been before” (360), but no sign of the Jackal is found.

On the evening of 24 August, Lebel is summoned. The manhunt has turned up nothing, and de Gaulle refuses to change his schedule. Lebel is certain that the Jackal still intends to go through with the assassination attempt. Much to Frey’s surprise, Lebel’s only solution is to wander through the sites where de Gaulle will appear in search of anything out of the ordinary. That night, the Jackal prepares himself. He changes his disguise, becoming a wounded French veteran named Andre Martin. In addition to his identity card, he has his false veteran documents from the Belgian forger. He inserts the disassembled rifle into the steel tubes which become his crutch. He changes his appearance until he looks disheveled.

The next day, Liberation Day, is “scorching hot” (365). De Gaulle’s security is increased as much as he will tolerate, and massive crowds are gathered throughout Paris. A police officer named Pierre Valremy is “fed up” (367). He guards a security perimeter and has been instructed to let no one through. An old man approaches the barricade and wants to pass through. Valremy studies the man, who is missing a leg and walking on a crutch. The old man claims to be a veteran who lives inside the security perimeter. After inspecting the man’s documents, Valremy allows him to pass. The Jackal hobbles past Valremy and approaches the house he previously selected. He asks Madame Berthe for a glass of water. When she invites him inside, he knocks her out and ties her up. Locking the door to the street, he frees his leg from the strapping and ascends to the top floor. He “lovingly and meticulously” (373) assembles his rifle and waits for de Gaulle to appear in the square below.

Part 3, Chapter 21 Summary

For the first time in many years, Lebel is “really frightened” (374). Each of the day’s ceremonies has passed without incident. One remains, in which de Gaulle will issue medals to veterans in the Place du 18 June. Lebel arrives in the area but can find nothing out of order. He speaks to the officers on the barricades; when he speaks to Valremy, the officer admits that an “old cripple” (376) pass through the barricade. Lebel rushes off down the street to find the Jackal, ordering Valremy to accompany him. They burst into the house overlooking Place du 18 June and find Madame Berthe unconscious and bound.

Outside, de Gaulle begins to issue medals to the veterans. The Jackal lines up his sights and carefully waits for his moment. He fires, but the bullet misses, as de Gaulle bends down to “give the traditional kiss of congratulation that is habitual among the French” (379). As an Englishman, the Jackal was not expecting this kiss. He picks up a second bullet and takes aim again. Before he can fire, Valremy and Lebel burst into the room. The Jackal swivels and shoots Valremy. Before he can reload, Lebel picks up Valremy’s machine gun and shoots the Jackal. Outside, the ceremony continues unabated. The sound of gunfire is later explained as “a motorcycle with a faulty silencer” (381). The Jackal is dead.

In England, Bryn Thomas discovers that Charles Calthrop is a different man who was taking a fishing trip to Scotland. Thomas is perplexed, wondering who the Jackal might be if not actually Calthrop. The British authorities are prepared to wash their hands of the incident, seeing as the man presumed to be the Jackal is not actually Calthrop and may have been falsely posing as an Englishman. In Paris, Lebel is one of the only attendees of the Jackal’s funeral. The Jackal is buried in an unmarked grave. Lebel returns home to his family, knowing that “the day of the Jackal [is] over” (382).

Part 3 Analysis

In Part 2, the Jackal seduced and murdered Madame la Baronne de la Chalonniére. What began as an amorous diversion as he made his way slowly to Paris became—in the context of Lebel’s pursuit—a hiding place. In Part 3, the Jackal repeats this maneuver in a darker, more cynical fashion. This time, posing as an American student, he allows a middle-aged man to take him home, hinting at the possibility of a romance between them. The Jackal’s willingness to exploit human vulnerability aligns with the theme of The Rise of Meticulous Men, showing how he manipulates situations with ruthless precision. Whereas the Jackal was sincerely interested in Madame la Baronne de la Chalonniére, at least at first, his brief relationship with Jules Bernard is pure cynicism. He needs somewhere to hide until Liberation Day and kills Jules as soon as the news report comes on the screen. The first romantic dalliance is enjoyable before it becomes desperate, while the second is desperation alone. In both instances, the Jackal’s actions reflect his political detachment and self-serving motivations, illustrating the consequences of a life lived with no emotional connection to others. Other human beings are simply a means to an end. Jules barely even merits a pause in the Jackal’s thoughts; the Jackal hides his body and then begins to eat his bread, forgetting immediately about the man who welcomed him into his home. These people are as disposable as the false identities and the rented car, just tools to be used up and discarded as soon as they no longer perform their function. The Jackal’s callous disregard for human life and his purely transactional approach to relationships highlight a thirst for power transforming into extreme personal detachment. In this way, the Jackal demonstrates his heartlessness.

On the final day, the Jackal assumes his final identity, his most ambitious identity yet. He poses as a French soldier who was wounded in the war. Not only does this require him to bend his leg and strap it up in a painful fashion, but he must present himself as an authentic French person to other French people. This careful attention to detail reflects his characteristic meticulousness, while also hinting at the theme of The Consequences of Hubris, as he becomes increasingly confident in his ability to deceive. Whereas he has previously posed as an Englishman, a Dane, and an American, this final identity demonstrates the Jackal’s overconfidence: He has become so convinced of his own talent during his journey that he believes that not even a French person will be able to notice his disguise. The Jackal comes close to being vindicated. Valremy is convinced by his disguise, which is good enough to pass through the busy streets of Paris unnoticed and to get him into the house from which he plans to shoot de Gaulle. The success of this disguise, however, only fuels the Jackal’s hubris. His increasing self-assurance, combined with his desire for a seamless identity, underscores the idea of individuals becoming trapped by their own pride and ambitions. He is so convinced by his methodical approach and his success that he forgets about a small but fundamental part of French culture: de Gaulle bows to kiss the veteran in the traditional French manner, and the Jackal’s bullet passes over his head. For all his efforts to pass as a Frenchman, the Jackal is undone by a small cultural detail. His disguise, his documents, and his planning mean nothing due to this small, overlooked detail. The nuance leads to his missed shot, turning his greatest success into his greatest failure.

Lebel bursts into the room and shoots the Jackal. The assassin dies and he is buried in an unmarked grave. Lebel’s final confrontation with the Jackal showcases the clash between meticulous professionalism and unchecked ambition, with Lebel’s steady persistence triumphing over the Jackal’s reckless overconfidence. On a macro level, Lebel has succeeded. He has protected Charles de Gaulle from the plot on his life, and he has done so in a manner that has not caught the attention of the media. He has done the impossible, and delivered far more than could reasonably have been expected of him. Yet his success is undergirded by a hint of failure. At the beginning of his assignment, Lebel set up to learn the Jackal’s identity. He believed that the right name could lead him to his target. Through his cleverness, he learned the names of the false identities that the Jackal adopted. This was made possible through a bit of luck, however, as the revelation about the real Charles Calthrop suggests that the fundamental premise of Bryn Thomas’s investigation was flawed. As such, Lebel never truly knew the Jackal’s identity. The assassin is buried in an unmarked grave, taking his true name with him. Lebel goes to the funeral to mourn not only a worthy opponent, but also any chance that he will ever know the man’s name. Lebel succeeded in preventing the assassination, but he failed in uncovering the Jackal’s true identity. For a meticulous professional like Lebel, this small failure means much more than any success.

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