27 pages • 54 minutes read
Julia AlvarezA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
When the Garcías arrive in America, they must decide how to relate to Spanish, their native language. Language—speaking it, writing it—is a primary way to articulate identity to others. Navigating bilingualism—in this case, speaking both Spanish and English—looks different for Carlos, Laura, and Yoyo in “Daughter of Invention.” The way each character makes decisions about their use of English or Spanish reveals the particular challenges they each face in inventing their identities in America.
Laura commits to speaking English, though “her English was a mishmash of mixed-up idioms and sayings that showed she was ‘green behind the ears,’ as she called it” (245). Her communication is a blend of English and Spanish, and when speaking in English, her communication is limited to sayings and idioms, as opposed to language she crafts herself. Additionally, her daughters often correct her mix-ups. Laura’s bilingualism reflects a sense of her being “in-between” Spanish and English and not quite clear in either. She remains connected to the traditions and values of their Dominican life while also eagerly exploring the possibilities of their life in America. Yoyo, on the other hand, finds authenticity and power in her use of English. When writing her poetry, she writes in English, indicating that even in the private parts of her identity, she uses the language of this new life. For Yoyo, mastering English is a thing of necessity: “She needed to settle somewhere, and since the natives were unfriendly, and the country inhospitable, she took root in the language” (245). Language becomes a tool to find success and notoriety, something so desired by her mother and ultimately achieved by Yoyo in her speech at school.
Carlos speaks primarily Spanish, which reflects the other ways he remains rooted in his native country. He reads Dominican newspapers and even imagines returning when he hears the Dominican Republic is having its first free elections. Carlos’s use of Spanish keeps him connected to his life in the Dominican Republic, but it also separates him from his daughters. When he recites his valedictorian speech to Yoyo as inspiration, none of the girls can understand him: “Yoyo and her sisters were forgetting a lot of their Spanish, and their father’s formal, florid diction was hard to understand” (245). This distance between Carlos and his daughters is perhaps not only one of language, as indicated in his tearing apart Yoyo’s speech. Yoyo’s original speech signifies something greater to her than just her success in English. After reading Walt Whitman and writing with a sense of freedom, Alvarez writes: “She finally sounded like herself in English!” (247). When Carlos tears that speech to bits, he is also rejecting new parts of Yoyo’s identity that he fears will put her in danger. Yoyo and Laura insist that the dangers he fears are those he still holds onto from their old lives, demonstrating the way diaspora identities can be divided from each other.
The roles of mother and wife conflict with Laura’s desire for recognition. In the opening of “Daughter of Invention,” Laura takes her daughters to the department store to research the gadgets she dreams up after everyone has gone to bed. Their research trip is misconstrued, and Alvarez notes that “a perky saleslady approached, no doubt thinking a young mother with four girls in tow fit the perfect profile for the new refrigerator with automatic defrost or the heavy duty washing machine with the prewash soak cycle” (242). Laura’s “profile” as a wife and mother associates her with the stereotypes of domestic care. She is someone, in the eyes of her new American life, who should be thinking about cooking or washing dishes, not inventing.
Despite her ambitions, her family sees this part of her as a joke: “By now, it had become something of a family joke, their Thomas Edison Mami, their Benjamin Franklin Mom” (244). They use the names of known American inventors, both men, to tease her, as though she were playing dress-up as opposed to making something of value. Laura’s family and the world see her as someone who should remain within the confines of the home instead of aspiring to create change. The daughters get frustrated at the ways their mother’s ambition affects their own lives, thinking that “[i]n the close quarters of an American nuclear family, their mother’s prodigious energy was becoming a real drain on their self-determination” (243). Laura’s energy and excitement are thwarted, though, as soon as she sees someone else has invented something she independently dreamed up. This reveals the fragility of her ambition. When the outside world and her family want her so badly to be in the role of mother and wife, it becomes easy for her dreams to be supplanted by their needs and expectations.
When Yoyo needs help with her speech, Laura’s inventiveness returns, albeit within her expected family role. When she first supports Yoyo, she cites the saying: “Necessity is the daughter of invention” (248). The “correct” saying is “necessity is the mother of invention,” meaning that when a desperate enough need arises, a new and inventive solution will be born. Laura misspeaks, but in her mistake, Laura and Yoyo become connected in their role as inventors—Laura of gadgets and Yoyo of writing.
Laura and Yoyo collaborate on a speech that satisfies the various roles Yoyo must play in her new life. She must honor the traditional values of her father and submit to the desires of authority at school. Laura understands that despite their great ambitions, they must stick to the roles that have been assigned to them for now. Laura’s time as an inventor ends with the story’s conclusion, and she passes the possibility of a new role onto her daughter: “It was as if, after that, her mother had passed on to Yoyo her pencil and pad and said, ‘Okay, Cuquita, here’s the buck. You give it a shot’” (250).
The memory of living in fear under Trujillo follows Carlos to his life in America. When Laura shouts out in the middle of the night after seeing an advertisement for her invention, Carlos cries out: “There was terror in his voice, the same fear she’d heard in the Dominican Republic before they left” (246). When he is sleeping, Carlos returns to the period when they were watched and followed by SIM, Trujillo’s secret police. Despite now being safe from Trujillo in America, Carlos is haunted. The dangers that Carlos fears are not present in America but still inform how he protects and parents his daughters.
When Yoyo goes to Carlos’s room to share her first speech with him, Carlos has been reading Dominican newspapers and watching TV. Laura turns the volume off the TV before Yoyo begins, but behind her, the screen shows “soldiers in helicopters landing amid silenced gun reports and explosions” (248). The scenes are likely from the Vietnam War, but “a few weeks ago it had been the shores of the Dominican Republic” (248). After hearing her speech and immediately rejecting it, Carlos whispers to Laura “as if secret microphones or informers were all about” (248). Despite being physically located in their home in America, Alvarez points directly to the ways Carlos’s view of Yoyo’s speech is informed by his memory and trauma. When Laura resists Carlos’s anger, she tries to convey that “[t]his is America, Papi, America! You are not in a savage country anymore!” (249). Despite the new context, Carlos is unable to believe that he and his family are safe and lashes out.
Yoyo uses the power of Carlos’s trauma and memory to anger him after he destroys her speech, demonstrating another way traumatic wounds can reoccur and persist in the present. Alvarez makes it clear that Yoyo might not understand all that Carlos endured, noting that Yoyo wouldn’t push the subject if she “realized her father had lost brothers and friends to the dictator Trujillo. For the rest of his life, he would be haunted by blood in the streets and late night disappearances” (249). Carlos’s memories create separation between him and his daughters and between him and his life in America. He cannot access the experience of safety and freedom his wife and daughters are feeling, because he thinks he still needs to protect them from the violence of their life in the Dominican Republic. When he brings Yoyo her typewriter in an act of reconciliation, he says he wants “to protect [her]” (250). What his daughters actually need protection from—students throwing rocks at them at school and anti-Dominican bias, for instance—is invisible to Carlos.
By Julia Alvarez