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50 pages 1 hour read

Brittney Morris

The Cost of Knowing

Fiction | Novel | YA | Published in 2021

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Chapters 1-4Chapter Summaries & Analyses

Chapter 1 Summary: “Scoop’s”

Content Warning: This section of the guide includes discussion of self-harm, suicide, sexual assault, homicide, gun violence, deaths of children, deaths of parents, and racism.

Sixteen-year-old Alex Rufus sees the future every time his palms touch a person or an object. He usually ends the visions as soon as they begin, but he can choose to watch them play out. Alex’s visions began when he was 12 and woke up in the hospital after the accident that killed his parents. Alex works at an ice cream shop called Scoop’s, and he has a vision that the shop will close in two years. He doesn’t tell the owner because, he thinks, he’s “tried to alter the future too many times to think it’ll work anymore” (5). When he made previous attempts to stop what he saw in his visions, people sometimes thought he caused whatever he was trying to prevent. To avoid that embarrassment, he resigns himself to letting fate run its course. The shop’s owner, Scoop, tells Alex that he needs to work the front of the store, which is “an anxiety minefield” for the teenager because of the constant flurry of visions that comes with touching the register, sample spoons, and other objects (7). The only things he’s found that keep him from having visions are the heavy-duty gloves he wears when he washes dishes, but he must leave them behind before he operates the cash register.

A redheaded woman named Ena and her seven-year-old daughter, Mabel, enter the shop. Thinking that she’s paying him a compliment, Ena calls Alex well-spoken. She offers Alex a job at her consignment shop and gives him her business card. After Ena leaves, Alex throws the card away. He wonders if he only did so because he saw himself throwing away the card in a vision. To test this, he takes the card out of the trash. To Alex’s relief, the next person who enters the shop is his girlfriend, Talia Gomez, and Scoop tells him he can go home early. When Talia takes his hand, Alex has a vision of her wearing a black sundress and glaring at him with hatred in her eyes. He quickly makes up an excuse that he’s feeling sick so that he can avoid touching her again, and he worries that his odd behavior could be the reason that Talia becomes angry and breaks up with him in the future.

Chapter 2 Summary: “The Photo”

Alex and Talia drive away from the ice cream shop in his blue Geo Metro. A few weeks ago, Alex had a vision of his car’s future owner, a white married man, drowning in the vehicle. He was so upset by the vision that he canceled his plans to go swimming with Talia and went home. During the drive, Talia takes off her hat, revealing that she’s dyed her hair electric blue. Alex pretends to be surprised when he already knew she would dye her hair blue because of his visions and is scared that the change represents another step closer to their breakup. It starts to rain, and the weather reminds them of Shaun, Talia’s brother and Alex’s best friend, who died three years ago. Talia asks Alex if he’ll visit Shaun’s grave with her that night. Alex can’t put his grief into words, so he uses the excuse that he’s too tired to accompany her.

Alex lives with Aunt Mackie, who is a prominent Chicago real estate agent, in a gated community called Santiam Estates. On their way to Aunt Mackie’s home, Talia and Alex pass a house with a yellow door and pink hydrangeas, and he recalls his girlfriend mentioning that she hopes the two of them can one day have a home like that. Talia and Alex find Aunt Mackie looking through old photo albums in the dining room. Some of their neighbors, the Zaccaris, are protesting an upcoming concert by a rapper named Shiv Skeptic, also known as the Black Dragon. Alex and Talia would both love to attend the concert, but he avoids crowds because of his anxiety, and she can’t afford tickets because she lives with her single mother who struggles to make ends meet on disability checks. Aunt Mackie accidentally knocks one of the albums to the floor, and Alex retrieves a fallen photo of his family at a Chicago Bulls game that was taken a week before the accident. He recalls how joyful and kind his parents were and how he and his brother both had “a light in [their] eyes that’s gone now” (41). Alex’s 12-year-old brother, Isaiah, is increasingly closed off, and Alex feels that the only thing they have in common is the “aching empty space where [their] parents used to be” (33). As Alex holds the photo, he sees himself putting the photo on Isaiah’s casket.

Chapter 3 Summary: “The Graveyard”

That night, a sleepless Alex tosses and turns as he ponders his brother’s fate. Based on his visions, Alex believes that Isaiah will die in a matter of days. Although he convinced himself long ago that attempting to change the future is futile, he feels “adrenaline coursing through [him] like there’s some way to fight this” (48). When Alex was 13, he had a vision of Shaun dying in a car crash on a day with torrential rain. Afraid and unable to tell his best friend what he knew, Alex avoided Shaun the last days of his friend’s life. His guilt at leaving his best friend alone prevents him from visiting Shaun’s grave with Talia. Determined not to make the same mistake twice, Alex resolves to make sure that Isaiah doesn’t feel alone in his final days even if there’s nothing that he can do to prevent his brother’s death. However, he’s unsure how to bring his little brother joy when Isaiah secludes himself from everyone and seems to hate the world.

Early in the morning, Alex decides to check on Isaiah. As he leaves his bedroom, he sees the new door Aunt Mackie installed the week before. He laments the loss of his old door, where he kept a collection of stickers from all his favorite bands and artists, including Logic, Kendrick, Panic! at the Disco, and Shiv Skeptic. When Alex enters Isaiah’s room, he is surprised to see his little brother is still awake. After their parents’ death, Isaiah and Alex rarely spent time together unless they were playing with Shaun, and the brothers’ relationship disintegrated after he died. Alex apologizes for not being a good big brother, expresses his desire to make things right, and offers to drive Isaiah anywhere he wants to go. Although Isaiah is initially defensive and insulting, he eventually asks Alex to take him to the cemetery where their parents are buried.

During the drive to the cemetery, Alex turns to his usual sanctuary from awkward conversations and anxious thoughts: music. The brothers are astonished to learn that they have the same favorite artist, Shiv Skeptic. They happily rap along to some of Shiv’s songs together. Alex considers touching Isaiah to learn more details about his imminent death but decides he’d rather focus on the present. Alex apologizes for not knowing more about his brother, and Isaiah answers that he still has time to get to know him. Isaiah shares that he wants to be a rapper when he grows up, which is why he spends so much time composing songs with a phone game called BeatBall. On their way out of Santiam Estates, the boys see Mrs. Zaccari, who warns them that the Shiv Skeptic concert means they’ll “get all kinds of people around here” and then invites them over for cookies later (70).

Chapter 4 Summary: “The Cemetery”

Isaiah knows his way around the cemetery because he visits it frequently when his aunt and brother are asleep. Alex knows how dangerous it is to be “Black and out walking, at night, in the wrong neighborhood” (75), but he promises not to tell their aunt. Alex hasn’t been to his parents’ graves since their funeral, and he reflects on how he isolated himself after they died and when his visions started. Through tears, Isaiah explains that he has visions in which he relives the day his parents died over and over and sees all the things he could have done differently to prevent the car crash. He can also see the memories and regrets of the people around him. His room is the only place where he doesn’t receive visions. Alex divulges that he can see the future.

Alex takes a sick day so that he can have more time with his brother. Even though he believes he has the right priorities, he still feels guilty. Partly, this is because his father once told him, “Son, a man’s not a man without his paycheck” (95). Alex decides to start thinking about what he wants for himself. On the drive back home, Isaiah asks if they can rid themselves of their curse. Alex isn’t certain that this is possible. When he was 14, he was once so desperate to stop his visions that he cut part of the skin off his thumb, but even that didn’t work. Nonetheless, Alex promises Isaiah that he’ll try to break their curse.

Chapters 1-4 Analysis

In the novel’s first section, Alex has a vision of his brother’s burial and begins his mission to make their last days together meaningful. One of the novel’s major themes is Fate Versus Free Will. At the beginning of the story, Alex feels powerless against fate. He’s had visions of the future for four years, and he’s never once managed to prevent what he’s seen from taking place. As a result, he feels resigned to let fate take its course. In addition, his visions severely impact his mental health. The physiological effects of his visions manifest as anxiety: “I can already feel my heart picking up speed, that racing adrenaline that makes me jittery like I’ve had six cups of coffee and a Red Bull. On really bad days, my mouth gets dry and I start sweating” (8). In addition to these unpleasant, unpredictable physical symptoms, Alex deals with stress, exhaustion, self-imposed isolation, grief, and guilt because of his visions. Specifically, he’s haunted by the vision he had of Shaun’s death three years ago and the way he left his best friend to meet his fate alone. As the novel continues, Alex’s guilt over Shaun consumes him and figures prominently in his need for healing. Due to the mental and physical torment he endures because of his visions, it’s no wonder that Alex views himself as an “anxious, cursed kid” (52). Brittney Morris’s novel belongs to the genre of magical realism, and her protagonist’s powers serve as an extended metaphor for the anxiety experienced by young Black men.

Another one of the novel’s major themes is The Pressure to Grow up Too Soon. Since his parents died in a car crash when he was 12, Alex has felt that he must be responsible and independent. This pressure manifests in ways that look good on paper but come from inner pain, such as his achievements as a student and his reliability as an employee. His visions complicate matters further: “I don’t feel sixteen. It’s hard to feel like anything in the present when I’m staring into the future every thirty seconds” (28). In Chapter 4, Alex reflects on his parents’ deaths and recognizes that he isn’t done growing up: “Neither of us are ‘big boys’ yet. Not big enough not to need our parents” (80). As the story goes on, Alex grapples with the factors that pressure him to grow up too soon and reclaims his youth.

Alex’s visions aren’t the only struggle he faces. He also contends with racism, including the actions of racist white people. For example, in Chapter 1, Ena’s “compliment” to Alex is a microaggression that he experiences frequently: “People tell me all the time that I’m ‘well-spoken,’ as opposed to however they were expecting me to sound” (14). A microaggression differs from more overt forms of discrimination because the person who commits it may not realize that what they are doing or saying demonstrates demeaning biases. Alex’s conversation with Mrs. Zaccari in Chapter 3 demonstrates that dealing with racism is second nature to him: “I’m used to it by now—the code-switching, the two-facedness, the pretending to empathize with white people’s concerns about Shiv Skeptic concertgoers, while in another reality [...] I might be one” (70). As the novel continues, Morris uses the Zaccaris to explore the danger posed by white people who perpetuate racism in various forms.

Due to the nature of Alex’s powers, the novel contains an abundance of foreshadowing. For example, in Chapter 1, Alex sees a night when Talia wears a black sundress and looks at him with loathing as though he is “her mortal enemy” (167). Fearing that touching her will show him more of this unwanted future, Alex withdraws from his girlfriend. This creates a self-fulfilling prophecy in which he causes the strain in their relationship that he wants to avoid. Over the course of the novel, Talia’s struggles to get close to Alex and have him communicate honestly with her play a major role in her character arc. In Chapter 2, conversation about Shiv Skeptic foreshadows the concert, which is a major plot event later in the story. The most significant instance of foreshadowing in the novel occurs at the end of Chapter 2 when Alex has a vision of Isaiah’s burial. This profoundly shapes the remainder of the story. Due to his prior experience with fate, Alex knows that he can’t prevent Isaiah’s death, but he exercises free will by striving to make the last days of his brother’s life full of joy and meaning.

Alex and Isaiah’s relationship develops the novel’s third major theme, The Importance of Brotherhood. At the start of the novel, the brothers have grown apart as their mutual grief over their parents and Shaun isolates them rather than drawing them together. After three years as strangers in the same home, Alex is unsure how to reach his little brother: “How do you bring joy to someone who just wants to be left alone?” (52). Still, Alex’s knowledge of his little brother’s imminent death gives him the motivation to try. Throughout the novel, music serves as a motif for the theme of brotherhood. In Chapter 3, the brothers take their first tentative steps toward bonding thanks to a shared love of Shiv Skeptic. Music acts as a source of joy, connection, and safety for the boys. Isaiah shows his older brother that he’s willing to strengthen their relationship and make up for lost time by opening up to Alex about his dream of becoming a rapper. This act of trust sets the stage for Chapter 4, in which the brothers reveal the secret of their psychic powers to one another. Just as Alex’s visions are like anxiety, Isaiah’s powers manifest in a way like depression. The 12-year-old is weighed down by the past, experiences overwhelming feelings of regret, and isolates himself in his room. The fact that Alex and Isaiah both have powers and can thus understand one another in a way no one else can speaks to The Importance of Brotherhood. Alex has felt cursed for years, but he was never alone. United in a way they haven’t been in years, the brothers set their sights on a new goal, freeing themselves from the curse.

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By Brittney Morris