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50 pages 1 hour read

P. G. Wodehouse

The Code of the Woosters

Fiction | Novel | Adult | Published in 1938

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Chapters 7-9Chapter Summaries & Analyses

Chapter 7 Summary

After Gussie despondently leaves Wooster, Jeeves arrives with good news: His call to the secretary of the Junior Ganymede club has yielded paydirt. The club rules forbid, on pain of expulsion, the leaking of specific details to non-members, but he says the mere name “Eulalie” should be enough to neutralize Spode. After an unsuccessful house-wide search for Gussie, Wooster returns to his room to find him there, knotting sheets together. As Wooster attempts to lift Gussie’s spirits via Jeeves’s good tidings, Spode arrives, interrupting them and still trembling with rage toward Gussie. Gussie cringes into a corner, but Wooster, puffed up by his new knowledge, tears into Spode, calling him “fat head” and many other names. However, at the critical moment, he can’t remember the name Jeeves provided him. As he hems and haws, and Spode advances on Gussie, the latter, in desperation, seizes a framed canvas from the wall and brings it down on Spode’s head, where it hangs around his neck like a “ruff.” Before Spode can react, Wooster seizes a bedsheet and winds it around him, which trips him up, as Gussie makes his escape. Wooster then attacks Spode with a vase and a lit cigarette, whereupon Aunt Dahlia enters the room.

Spode, recovering his senses, asks Dahlia to leave the room so he can “thrash” Wooster and break his bones. Dahlia scoffs at him, with an angry “Here, you!”—which fortuitously reminds Wooster of the magic name “Eulalie.” He quickly uses it against Spode, with the bluff that he knows “all about” it, and the effect is “stupendous”: The massive Spode bows and scrapes like a frightened schoolboy threatened with a caning. After he cringes out of the room, Wooster and his aunt puzzle over the secret of Eulalie, which they think must be very scandalous: a wronged woman, perhaps, maybe even a pregnancy or unfortunate death. However, Dahlia soon returns to her idée fixe: the cow creamer, which she thinks Wooster can now easily steal, having removed Spode from the equation. Wooster counters that his first priority is recovering Gussie’s notebook from Stiffy so that the former can reconcile with Madeline, who may otherwise corner Wooster into matrimony. The notebook, he thinks, is probably hidden in Stiffy’s room, but, from a glance around his own room, he knows the search won’t be easy. After Dahlia leaves, he enlists Jeeves to help in the search, despite the valet’s look of “aloof disapproval.” Since Stiffy has gone to the village to play piano for a slideshow, Wooster thinks they’ll have plenty of time. However, her Scottish terrier is still in the room, and the fierce animal quickly traps them atop large pieces of furniture.

Chapter 8 Summary

Jeeves politely declines his master’s suggestion that he spring from his perch on the cupboard and envelop the angry dog in a bedsheet, so the two are forced to remain in place until Stiffy’s return, which is sooner than expected. Giving the two intruders a blasé look, she explains that the slideshow was cancelled because Harold Pinker accidentally dropped the slides after she broke off their engagement. She can’t marry a man too selfish, she says, to steal a police officer’s helmet for her. Now that Gussie’s notebook is no longer useful to her, she’s just about to tell Wooster its whereabouts when Harold appears in the window, brandishing the stolen helmet. As Harold falls into the room, Wooster notes from his gracelessness that he has changed little since their college days. Harold explains to them that he grabbed the helmet when Constable Oates momentarily took it off and was able to escape with it unseen. The engagement is back on, but unfortunately for Wooster, this gives Stiffy’s extortion scheme new legs. When he begins to ask her for the notebook, she interrupts him to say that she needs “the book” a while longer, and then tells Harold that Wooster would be delighted to steal the cow creamer to help put him in her uncle’s good graces.

Once they’re alone, Jeeves suggests to Wooster that he try a little extortion himself to get out of this jam: It seems to him, from Stiffy’s nervous interruption, that Harold doesn’t know about her theft of the notebook, nor does she want him to. Trying this angle, Wooster catches Stiffy alone and demands the notebook, on the threat of telling Harold everything. He expounds for her Jeeves’s deductive reasoning, though he takes credit for it himself. Starting to cry, Stiffy begs him not to tell Harold and seems at a complete loss about what to do. Sensing an impasse, Jeeves weighs in with a “psychological” idea for softening up Sir Watkyn: Before they mention Harold, they should tell Watkyn that Stiffy is engaged to Wooster. Watkyn so dislikes Wooster, he says, that he might happily embrace any alternative, even Harold. Wooster isn’t keen on the idea, but, with the notebook on the line, lets himself be persuaded.

Chapter 9 Summary

Entering Sir Watkyn’s study to play his role in the “softening,” Wooster finds the ex-judge conferring with Constable Oates, the police officer who recently lost his helmet to an unseen thief. At Wooster’s behest, Watkyn asks Oates to leave and then mentions to Wooster that he was “missed” after dinner, and wasn’t found in his room. He clearly suspects Wooster of being the helmet thief, but Wooster, preoccupied with his task, doesn’t seem to grasp this. Watkyn says that the thief in question won’t be fined a mere five pounds, as was Wooster for the same offense during boating day, when such offenses are taken lightly, but will go to jail this time. Wooster winces with sympathy for Harold but then moves the conversation on to Stiffy. Awkwardly and circuitously, he announces that he and Watkyn’s niece have “plucked the gowans fine” (173) and plan to marry. Watkyn is deeply shaken. He sends at once for his niece, who reassures him that Wooster has got the wrong end of the stick and that Harold Pinker has won her heart. Watkyn isn’t thrilled by the idea of Stiffy marrying a mere curate, either, but after a heated discussion, he consents, with the haunted but slightly relieved look of a convict whose death sentence has just been commuted to life.

Once they’re alone, Wooster asks the exuberant Stiffy to hand over the notebook, as she promised, but she wants to talk only about Harold’s theft of the helmet, which she thinks may cause trouble for her down the road because he dropped one of her gloves at the scene. She asks Wooster for suggestions on where to hide the helmet before Oates can search her room, but he brushes her off, wanting only to discuss the hiding place of Gussie’s notebook. Finally, she tells him that it’s hidden in her uncle’s cow creamer. As Wooster racks his brain for ways to retrieve it without being caught, the butler informs him that Madeline Bassett requests a word. Knowing that the subject will be matrimony, Wooster walks to the meeting with the doomed bravado of a condemned man.

Chapters 7-9 Analysis

At this stage, the events initially seem to be hurtling toward resolution. Jeeves’s call to the secretary of his club chalked up a significant win: the cryptic name “Eulalie,” which, he says, should work like magic on Spode—much like the phrase “Modern Dutch” on Bassett but with a pacifying effect rather than an enraging one. In the heat of the moment, however, Wooster can no more remember the name than he can accurately quote Browning or Shakespeare. After bombarding Spode with eloquent abuse, he forgets the one word that will save Gussie and himself from a thrashing. (Typically for Wooster, his dressing-down of Spode goes no deeper than his fashion choices, which, he says, “disfigure the London scene” [124].) Luckily, another venerable staple of farce—slapstick—comes to the rescue: In desperation, Gussie bashes Spode with a picture from the wall, leaving the frame hanging about Spode’s neck like a “ruff.” (This epicene accessory foreshadows Spode’s secret flair for designing ladies’ underwear.) With Chaplinesque agility, Wooster swaddles him with a bedsheet and then sears his “ham-like” fist with a lit cigarette. However, the sudden entrance of Aunt Dahlia blocks Wooster’s escape from the room. As in any “door-slamming farce” trope, an opening door is always a game-changer—either serendipitous or inopportune.

Dahlia’s appearance is both serendipitous and inopportune: She bars Wooster’s escape, but her inimitable inflection of “you” saves him (and Gussie) by triggering his memory. Once the cowed Spode cringes away, Dahlia and Wooster flip through their mental gallery of scandal for the dark meaning behind “Eulalie.” Judging from the brutish Spode, they think it must involve a forsaken young woman, an infant, or a death. Although this opens a new vein of suspense, the answer, when it comes, won’t be anywhere near so dark.

Right after Jeeves has worked the miracle of turning Spode from a rampaging “gorilla” into a fawning servant, Wooster inwardly chides him for not offering a ready solution for their next crisis, which is entirely of Wooster’s own making: their entrapment atop large pieces of furniture in Stiffy’s room, cornered by her dog. Over the years, Wooster has become so dependent on Jeeves to get him out of jams that he now regards any failure, even momentary, almost as an affront. However, after Stiffy’s arrival and then Harold’s appearance with Oates’s stolen helmet, Jeeves offers a canny solution for Stiffy’s romantic woes. As with many of Jeeves’s ideas, for his master it’s a mixed bag: Wooster must seek an audience with the hated Sir Watkyn and ask for Stiffy’s hand in marriage, relying on Watkyn’s utter scorn for him to sweeten Harold’s prospects for her hand.

In the Jeeves stories, Wooster is often the sacrificial lamb in Jeeves’s solutions to other characters’ problems. (In Right Ho, Jeeves, he engineers a solution only by forcing his master to pedal 18 miles on a bicycle in the middle of the night.) This dynamic is central to the theme of Class Satire of Master and Servant. Whether this is all coincidental or part of a subtle revolt by Jeeves against his servitude is hard to determine, given his habitual inscrutability. However, for the demands of comedy (or drama), seeing folly and complacency punished with mild humiliation or duress is gratifying.

In Wooster’s tortured interview with Bassett, the ex-judge’s dark insinuations about the theft of Oates’s helmet pass right over his head, making it clear (though not to Wooster) that a new crisis is brewing for him. However, his nervous ramblings serve the moment, since they intensify Sir Watkyn’s antipathy toward him as a would-be nephew-in-law. Jeeves’s plan is a triumph, and most of the story’s problems now seem on the verge of resolution: Spode has been tamed, Stiffy’s engagement has been blessed, and once Madeline sees the notebook, Gussie will be in the clear. Nevertheless, this is just a lull in the storm. All roads in this novel lead back to the silver cow creamer.

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