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67 pages 2 hours read

Kate Morton

The Clockmaker's Daughter

Fiction | Novel | Adult | Published in 2018

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Part 1, Chapter IV-Part 2, Chapter VIChapter Summaries & Analyses

Part 1: “The Satchel”-Part 2: “The Special Ones”

Part 1, Chapter IV Summary

Birdie watches her visitor sleep and reflects that she misses having a face and voice. She describes living with Mrs. Mack, Mrs. Mack’s brother, the Captain, who had a wooden leg, and Mrs. Mack’s son, Martin. They took in children for payment, and Mrs. Mack had special plans for the narrator. An older girl called Lily Millington takes Birdie with her when she goes out, and while she waits for Lily in the market, Birdie watches the vendors, particularly a French magician. Lily is killed weeks later, beaten to death by a sailor, and Birdie says that “she gave me her name: the most valuable thing she had to give” (103).

One night, Birdie is summoned to the parlor where Mrs. Mack gives her a fancy dress with deep pockets. Birdie does not like the way Martin, a few years older, stares at her.

Her visitor stirs, and Birdie tests whether he can sense her. She guesses that he does. He reminds her of a soldier named Leonard. She feels like something unexpected is coming.

Part 1, Chapter 8 Summary

Summer 2017. Elodie sits in her flat, wearing her mother’s veil and watching the river. She thinks about the photograph and the sketchbook and the feeling that they belong with her and she had been meant to find them. She thinks about how her mother would be regarded if she were still alive. Pippa visits and confirms that the photograph is mid-1860s, possibly associated with the Pre-Raphaelites and the Magenta Brotherhood. She gives Elodie a book on Edward Radcliffe. In it is a picture of a painting called Sleeping Beauty that has the woman in the photograph as his model. The books says that the woman was his muse, his model, and his lover. She was known as Lily Millington, and she broke Radcliffe’s heart by stealing a family heirloom and running off to America with another man. However, the author of the book never identified his source for this information.

Pippa also gives Elodie a photograph that her friend Caroline took long ago. It shows two people, Elodie’s mother and the violinist, on a picnic in a beautiful garden. Caroline was traveling in July 1992, saw the couple, and snapped their picture. Lauren Adler died shortly thereafter and, when Caroline realized that she was the woman in the picture, she decided not to publish it. Elodie knows with a “deep, human, intuitive knowing” (116) that her mother was in love with the violinist. Pippa asks Elodie about her upcoming wedding and Elodie changes the subject.

Part 1, Chapter 9 Summary

Elodie sits to read the biography of Edward Radcliffe and feels “an immensely satisfying sensation of coming home, as if this, right now, was the very thing that she was supposed to be doing” (120). The book was published in 1931 by Dr. Leonard Gilbert. Gilbert shares Radcliffe’s biography and the theory that he was devastated not by the death of his fiancée but the loss of Lily Millington. The police reports said that Frances had been shot during a robbery and Lily was an accomplice. The jewel stolen was a 23-carat blue diamond, rare and valuable, called the Radcliffe Blue.

The house, Elodie learns, is called Birchwood Manor. She looks up the address and learns it was used sometime as a girl’s school, then given to the Art Historians’ Association. The pictures that she finds online reveal that Birchwood is indeed the house in the sketch and the house from her mother’s story—the house her uncle Tip was evacuated to during the war.

Elodie feels compelled to know more. She takes off the back of the frame of the photograph of the woman and finds a letter, addressed to J and signed BB.

Part 2, Chapter V Summary

Birdie reflects on the visitors who view the house when it is open to the public on Saturdays and is amused by the way they discuss Edward and Frances (Fanny). She is always surprised when they refer to her as Lily Millington, but she is aware of what Leonard wrote in his book. She says that she has been many things—a thief, an imposter, a lover—but she did not fire the gun that killed Fanny Brown.

She learns that her visitor’s name is Jack Rolands, and he has been sent by a woman named Rosalind Wheeler to find a stone. He says that he’s searched all the places mentioned in Ada Lovegrove’s letters. Birdie recognizes that name. She whispers to Jack to come inside the house. He only looks around for a moment.

Birdie reflects on her time with Mrs. Mack and her schemes in which she pretended to be lost, looking helpless in her fine dress, and then picked the pocket of people who tried to help her. In the winter months, when it was cold, Birdie would travel by bus and pick the pocket of those who sat next to her. She was usually successful; the French magician taught her distraction.

While she watches Jack search, the narrator reflects on her time in the house with Edward and how he wanted to paint a work he called the Fairy Queen in which she would wear the Radcliffe Blue. She remembers learning that Edward had died when Lucy, his sister, inherited the house and came to inspect it. Birdie reflects on when Lucy turned the house into a school for girls. Mrs. Mack always told Birdie that her father was in America and read letters promising that he would send for her soon. Birdie remembers Ada Lovegrove.

Part 2, Chapter 10 Summary

Summer 1899. Ada Lovegrove is eight and lives in Bombay, the child of British parents. Ada is surprised to learn that the family is taking a trip to England. Ada loves living in India and trips to the market with her nurse, Shashi. Ada’s father describes England as a small island that contains “the engine that drives the world” (150).

Ada does not like England and is not happy when her parents pay a call at Birchwood Manor. She is introduced to Mrs. Thornfield, who takes her to the library to wait for her parents. Ada looks with interest at a collection of fossils. An older woman enters who shows her one that is an amulet. She introduces herself as Lucy Radcliffe. Ada’s parents enter and say that she is to stay for the afternoon. Only after they leave does Mrs. Thornfield inform Ada that she is now a pupil at Miss Radcliffe’s School for Young Ladies.

Part 2, Chapter 11 Summary

Ada huddles in a small compartment inside the wall in a hallway, hiding from two older girls, Charlotte Rogers and May Hawkins. Charlotte makes fun of Ada for being from India. The only thing that Ada likes about the school are the classes that Miss Radcliffe teaches, science and geography, and being part of the Natural History Society. Miss Radcliffe shoos the girls away and tells Ada to come out of the compartment; she was the one who showed it to Ada. Instead of music class, Ada goes to her room to check on a kitten that she rescued when she found a boy drowning kittens in the river. As punishment for missing music class, Ada is directed to help sew costumes for the end-of-term concert.

Part 2, Chapter 12 Summary

Ada decides to get her revenge and adjust Charlotte Rogers’ costume so that her skirt will be loose and bothersome during the concert. To Ada’s great delight, the skirt falls to her feet during Charlotte’s solo, humiliating her. At the end-of-term picnic, Charlotte suggests a truce and invites Ada to go boating with her and May Hawkins, though Ada cannot swim. As they float on the river, Charlotte produces Ada’s kitten and holds it over the side of the boat, saying that kittens are not allowed in the school. Ada reaches for the kitten and falls in. As she sinks to the bottom of the river, she sees “a bright blue shining light, a jewel, a moon” (182).

Part 2, Chapter VI Summary

Birdie reports on another visitor: Elodie Winslow, an archivist with Stratton, Caldwell & Co., who looks after the archives of James William Stratton. Birdie is struck by that name. Birdie follows Elodie through the house, wishing that she could “grab her by the wrists and implore her to tell me everything” (186). She wants to know how Elodie came by Edward’s sketchbook. Jack invites Elodie to come back the next day.

Birdie thinks about Pale Joe and how they met. Birdie got caught picking a woman’s pocket on the bus. She ran from the police, climbed a rooftop, and ducked into a window. She found herself in a boy’s bedroom, with the boy, young and pale, staring at her from a bed across the room. The boy ordered the policeman to go away and then offered Birdie food from his tray. He explained that he was ill and did not often leave his room, which is full of toys. He says that his name is Joe, and she tells him that she is Birdie. He shows her a toy called a thaumatrope and invites her to visit again. Birdie says, “he became my secret, just as surely as I became his” (196).

After Edward, Pale Joe is the person whom Birdie misses the most. She wonders if he knew what was said about her or if he read Leonard’s book. Pale Joe was the one who guessed that she was in love with Edward when she visited to talk to him the night that Edward’s painting, La Belle, was exhibited at the Royal Academy in 1861. Pale Joe says that love “is the lifting of a mask, the revealing of one’s true self to another” (199), even if that love is never returned.

Birdie thinks then of Leonard, who was working on a dissertation about Edward. He played a record player, smoked an opium pipe, and had nightmares in which he called for someone named Tommy.

Part 1, Chapter IV-Part 2, Chapter VI Analysis

This section reveals that Birdie, the first-person narrator of the interwoven chapters, is a ghost who inhabits Birchwood. She thinks of Birchwood as her home and the other people who enter as her visitors. The name Lily Millington is introduced as the name of Edward Radcliffe’s model and the alias that this narrator, Birdie, adopted in memory of a young woman at Mrs. Mack’s who mentored and shielded her.

This theme of Love of Art and Appreciation for Artistic Accomplishment surfaces in the connections drawn between the characters in the present day and the past, many of whom are either artists or musicians, or study and catalogue art. Elodie’s friend Pippa identifies the artistic provenance of Elodie’s photograph and gives Elodie the book on Radcliffe written by Leonard Gilbert, while Caroline gives Elodie the picture of her mother on a picnic with the violinist, a photograph taken in July 1992 shortly before Lauren Adler died. With the hint from Tip that Lauren had asked him about the house, Elodie has further reason to visit Birchwood and will become one of Birdie’s welcome visitors, one of her “special ones,” particularly because of her possession of Edward’s sketchbook and her connection with James Stratton. By assigning artistic roles even to secondary characters, Morton uses the artistic theme to enrich the granular details of the novel in another echo of pre-Raphaelite style—indeed, on her author website, Morton identifies Caroline as a character who had a larger presence in the book in earlier drafts, but those chapters were subsequently cut.

Leonard’s book deepens the mystery around the events of 1862 by introducing the theory that Lily was responsible for the theft of a valuable diamond, which it turns out that Jack Rolands is at Birchwood to find. Jack’s mystery is a treasure hunt while Elodie is on a more personal quest of discovery, but both are both playing detective, a task that will bring them together and prompt the reader to simultaneously solve the mysteries.

Ada Lovegrove’s portion of the novel provides both atmosphere and rising action, as her history reflects the time when Birchwood was a girl’s school. She is also a parallel of Birdie: both young women left without parents to find her way in the world, though the girl’s school offers Ada more opportunities than the life of crime that Birdie is compelled to live. Ada finds a mentor and protector in Lucy Radcliffe, the eccentric schoolmistress with a love of science and history, while Birdie finds a mentor in Pale Joe. Birdie’s story, set in the 1850s and 1860s, makes frequent allusion to scientific advancement and the innovations of technology that marked Victorian efforts. Ada’s story, taking place in 1899, represents Britain’s imperial project since she grows up as a colonial presence in Bombay.

Ada’s quest for survival is complicated by the rivalry of two older girls, whereas elsewhere in the story, young women are aided and supported by their elder counterparts. Ada’s story, at least in this portion of the book, ends in apparent tragedy, much like the life of Lauren and of Frances (and Birdie, since she is a ghost, though the reader is left to wonder about her death). Morton generates suspense by leaving it ambiguous whether Ada dies in this section and what her visions are of in this section; it is unclear whether she drowns in the river and hallucinates the image of a woman—Birdie—and a blue light, the Radcliffe Blue.

The overall tone of the novel continues to be quiet and reflective. Morton takes the time to bring settings richly to life, for instance Ada’s life in Bombay before she travels to England. The prose style continues to be lushly descriptive, yet suspense builds because each time the reader learns more information—for instance, Birdie’s relationship with the boy she calls Pale Joe—the mystery around 1862 deepens.

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