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39 pages 1 hour read

John Irving

The Cider House Rules

Fiction | Novel | Adult | Published in 1985

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Symbols & Motifs

Cider House Rules

The cider house is where the migrant workers both live and work when they come to Ocean’s View orchard in picking season. The “cider house rules” are a list of rules that Olive Worthington has typed up and pinned to the wall. She re-types this list each fall, just as she tidies up the house and brings in fresh flowers. She is making the space clean and welcoming for the workers; at the same time, she is letting the workers know that the space should remain orderly, and that the workers will always be guests and transients.

Mr. Rose, the crew boss of the workers, tells Olive Worthington that he is “good at rules” (311). This seems like a benign reassurance at first but takes on a sinister double meaning. Mr. Rose is good at appearing to follow Olive Worthington’s rules, while actually enforcing parallel rules of his own. He keeps his crew and daughter in line through the threat of violence, since he is known for being good with a knife. While readers do not know what motivates Mr. Rose or what kind of violence he has seen, it seems clear that he is determined, as a Black man, to keep himself separate from his white overseers. His rules are a means of doing this, just as Olive Worthington’s rules are a barrier between herself and the work crew. Both characters illustrate the truth that rules and discipline are not always virtues but can hide and abet bad behavior and justify unexamined prejudices. (For more on the role of rules in this novel, see Rules and Work in the Themes section of the guide.)

Maine Weather

This novel takes place largely in Maine, and the Maine weather is a prominent presence in it. An atmospheric commentary on the events in the novel, the weather influences the characters’ moods and actions. An unusually windy night at St. Cloud’s, for example, sets the scene for general upheaval and change at the orphanage. The local stationmaster dies of a heart attack, disturbed by the loudness of the wind and frightened by the sight of Homer Wells and Dr. Larch’s long flickering shadows; Candy Kendall and Wally Worthington arrive at the orphanage, appearing like visions to many of the children there and setting in motion Homer’s departure from the orphanage. 

The name of the orphanage is an allusion to the weather, referring to the constant clouds and fog that hang around the inland valley town. The oppressive, moody atmosphere adds to the town’s isolation. The fog makes it hard to see far and to gain perspective. The constancy of the fog also gives a sense of the town’s economic and psychological stasis, along with its difficulty in reinventing itself after having once been a logging town. The gloominess and vagueness of the foggy weather also evoke Dr. Larch’s ether reveries, which represent his own sort of stasis. Although he is trying to change the town and society at large for the better, he is also stuck in his attitudes and behavioral patterns.   

The Maine weather is famously cold, and the icy weather also plays a role in this novel. Even when the Maine landscape is easy to see, it is not always easy to interpret, and the “skeletal” winter trees at Ocean’s View orchard instill a sense of foreboding (340). The trees seem to know something that they will not reveal: “Perhaps the trees knew that a war was coming […] The coastal winds gave the brittle orchard such a shaking that the clashing trees resembled frozen soldiers in all postures of saber-rattling” (340). The “brittle” appearance of the landscape echoes the lonely brittle moods of Olive Worthington and Homer Wells, who are both separately studying the orchard. The stark landscape makes Olive Worthington think of her recently deceased husband, and it makes Homer worry about the future: “Homer Wells, at Wally’s window, searched the skeletal orchard for the future – his own, mainly, but Candy’s too, and Wally’s. Dr. Larch’s future was certainly out there, in those winter branches – even Melony’s future” (340). 

Ferris Wheel

A Ferris wheel, part of a larger oceanside carnival, is visible from Ocean’s View orchard. At night, the lit-up Ferris wheel is a focus of meditation for the cider house workers, who can see it from the cider house roof top where they sit and drink. The workers do not know what it is, and when Homer tries one night to tell them, Mr. Rose gives him a discreet warning shove: “You got to understand […]. They don’t want to know what that thing is. What good it do them to know?” (320) He feels that the workers are better off fantasizing and speculating about the Ferris wheel—and the infinite potential that it represents—than they are with confronting its specific limited reality.

However, Mr. Rose asks Homer to take him to the Ferris wheel one night. The two go on a ride, and Mr. Rose, as a Black man in a largely white community, attracts attention and suspicion; he ends up defending himself with his knife. He was interested in the Ferris wheel not as a fun excursion, but more to see whether or not he can face it down. For Homer, too—who like Mr. Rose is an outsider—the Ferris wheel is disconcerting. He is disappointed that he does not have a better view from it: “Only the brightest carnival lights […] were visible from the cider house roof; the visibility didn’t exist the other way around” (297). For both of these characters, the Ferris wheel suggests the promise and prosperity of American life but proves more enticing from a distance than up close.

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