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Jordan not only spends her summer in the hedonistic attendance of parties, but also campaigns against the dress-down trade in the garment district, fighting for the rights of working-class women. She loses sight of Nick for a while, until she finds him at the Bijoux night club. He tells her that he does not understand her, and Jordan replies that she likes him. He says that he does not know her well enough to know whether he likes her. She asks him to sleep over at Aunt Justine’s where she will furnish him with a pajama set and his own room.
When Jordan kisses him goodnight, he jokes that she might not always be “a very nice girl” (69). She replies that she has greater virtues than being nice and realizes that she is truly falling for Nick and even goes to check on what he looks like asleep.
Aunt Justine warns that she hopes that Jordan knows what she is doing. The next morning, Jordan goes to find Nick and invites him to cheer her on at a tennis match in East Hills. He tries to get her to come to his house that evening, but she rebuffs him. Then, as Nick chatters on at the breakfast table, Aunt Justine comments afterward that “he’s not quite all there” and that there is “something missing in the eyes” (72). Jordan says that he is fine for her, though privately is concerned about making a go of a serious relationship with anyone after what happened with a previous lover. She wonders whether the racist laws that prevent interracial relationships will be lifted, especially as white women got the vote two years ago. Still, Jordan maintains to herself that she will try to enjoy the present moment rather than worry about the future.
Jordan was brought to America by Eliza Baker, who visited Tonkin and fell in love with the baby she was. Eliza died within a year of her return to America and then Mrs. Baker died. As a result, Jordan is left with the ancestral ghost of Anabeth Baker and Judge Baker, a racist judge who pushes the hardest sentences for Black men and tells Jordan, in an alcoholic stupor, that he forgives her for Eliza’s death. She is happy to be able to escape the dour household when she attends high school and makes friends with Daisy’s help.
Jordan’s first real attraction is toward a girl called Helen Archer, who she makes out with in a closet. Jordan spends her teens in sexual experimentation with both girls and boys. She stays at their houses and knows the right things to say at family dinners to make everyone comfortable. Nevertheless, she is aware that “it was my exotic looks and faintly tragic history that made me such an attractive curiosity” (78).
She is staying with the Fays, when Daisy’s father insists that they attend a function where there are officers from Camp Taylor. There, Daisy meets Gatsby, a man who looks at her unguardedly. Jordan later sees them kissing passionately on a boat and they become “the great secret of the summer” (81). Jordan helps the romance along by covering for Daisy when necessary. Daisy is devastated when Gatsby leaves for Europe.
In the next few years, Daisy and Jordan drift apart, with Daisy not approaching Jordan until 1919, needing help obtaining her abortion. Meanwhile, Jordan does domestic war work as Judge Baker declines. Daisy marries Tom and Jordan gets swept up in Daisy’s relative Walter Finley. She has sex with him and worries about becoming pregnant, but nothing happens. Still, she is devastated when he leaves, having liked him more than she could even admit to herself.
When Judge Baker dies, Jordan feels a desperate urge to get out of Louisville and ends up going to live with Judge Baker’s aunt in New York, a Mrs. Sigourney Howard, who allows Jordan to call her Aunt Justine.
As Nick becomes more established on the New York social scene, he and Jordan see each other more frequently. She knows that he is seeing other people, including a girl from Jersey City. Jordan minds this less than the fact that Nick expects that she would not know about his other affairs.
At a house party, Nick and Jordan half undress and Jordan warns him that she is not easy and prone to changing her mind. Nick accompanies Jordan to speakeasies, but will not go to the Cendrillon, a place known for its sexual activity.
Located between Cathedral Heights and Harlem, the Cendrillon looks like a “sad little theater” from the outside and you can only get in by wearing the right flower (91). Jordan exoticizes herself by keeping a tab under the name “Miss Shanghai” (93). However, the name works in obtaining her good drinks and she feels completely at home there, dancing and flirting with the regulars and experiencing the frisson of sexual attraction with both men and women.
She finds Gatsby there, who has been amusing himself with a privileged young man from Amherst College. He insists on talking to her in one of the Cendrillon’s back rooms. Gatsby comments that Nick has a midwestern attitude and would never come to the Cendrillon himself. Gatsby wants Jordan to get Nick on his side so that he can arrange a meeting at his house with him and Daisy. Gatsby claims he still loves Daisy. When Jordan questions his love and his motives, Gatsby threatens her, first by being physically intimidating and then by saying that she should run out of town if she does not grant him his wish. He insists that he has only ever loved Daisy in his life, and that a meeting with her will remind her of this. Jordan plans to take the train to East Egg the next day to see Daisy.
On the train to East Egg, Jordan sees a woman come out of a garage door who bears the description of Tom’s mistress Myrtle from Fitzgerald’s original novel. Once she gets to the house, Daisy feigns delight at seeing her and Jordan insists that they go somewhere they can talk privately. She delivers the news that Gatsby still wants Daisy. Daisy repeats that Gatsby still loves her like a mantra. She grips Jordan’s hand in anticipation and fear.
Daisy’s marriage to Tom occurs three months after the abortion and nine months after the Armistice. The wedding is a grand social event that takes place in the Church of the Nazarene, which Daisy and Jordan have attended since their girlhood. At the wedding, Jordan is enchanted with Walter and uses him as a distraction from the scene that occurred the previous evening.
Mrs. Fay approaches Jordan and asks her to “do something about Daisy” before the pre-wedding dinner (110). Jordan finds Daisy drunk and devastated on her bed, proclaiming that she has changed her mind about the wedding. She has cried so much that her tears have disfigured her. Jordan hastily tries to get Daisy under cold water and realizes that the latter is clutching onto Gatsby’s letter while in the tub.
Daisy tries to get Jordan to make up a paper doll cutout of her—one that will come to life and potentially perform her social duties for her. Jordan obliges, careful that the doll should resemble Daisy as closely as possible. It ends up being a high school version of Daisy, with a sheared small finger. Still, Daisy feels unready and confesses that Gatsby is back from the war and wants her. She shivers and then tells Jordan that she has changed her mind back and wants to make a life with Tom. Daisy makes it through the dinner and afterward, strikes and buries the paper doll Jordan had made of her on the lawn until “the poor paper girl was a smoking pile of earth and ash” (123). Jordan walks home, utterly haunted by what has happened, imagining that she is surrounded by her own cast-off paper dolls.
The theme of The Other as Outsider continues, as Vo provides a vignette of Jordan’s upbringing amongst the declining, racist Southern dynasty of the Bakers. While Eliza, who adopted orphaned baby Jordan from allegedly dangerous Vietnam, positioned herself as a white savior, she died within a year of their return to America. This left Jordan in the hands of Eliza’s more ambivalent parents. While Mrs. Baker kept Jordan out of school during her lifetime, thereby isolating her further, Judge Baker pursued a racist course of action in his work by perpetrating the harshest sentences on Black men. His actions diminish Jordan for her color, and he does not consider her a daughter. They are unable to bond.
While a teenage Jordan experienced a degree of freedom outside the home, her stark awareness that her exoticism and tragic origin story are her chief attractions makes emotional intimacy and relationships of equals impossible. As a result, she is further isolated, even as she supplements emotional intimacy with sexual intimacy and thus draws upon her looks and wits to procure encounters with the objects of her desire in closets. Sexual Fluidity gives her a sense of empowerment, as she finds that she can declare what her body wants in a realm of increasingly acceptable sexual permissiveness. For example, her reaction to Gatsby’s “beautiful mouth” leads her into the reverie that “it was something I liked on men and women, a beautiful mouth that might kiss me or whisper secrets in my ear or open and let me kiss them” (96). Here, Jordan delights in suspense and multiple possibilities, as sex with people of both genders gives her a sense of openness that she cannot find in a world that judges her for her ethnicity. Still, while she considers the Cendrillon club a sort of home for its propensity to host such experimentation, her tab there is still under the name Miss Shanghai, indicating that she must trade on her appealing exoticism to truly belong. She therefore co-conspires with a society that is objectifying her. Vo shows how Jordan’s complicity is at odds with her social values, which include campaigning for garment workers’ rights alongside Aunt Justine.
The theme of Heightening Reality Through Magic is notable in this section when Jordan uses her abilities to create a stand-in for Daisy from a paper doll cutout. The drama and tension of Daisy’s struggle to decide the path of her life—represented by Tom or Gatsby—is given a spectacular feel as Jordan tries to help Daisy be in two places at once. Daisy does not want to have to choose. Still after an internal tussle between an uncertain magical world and the more secure comforts of dynastic marriage with Tom, Daisy settles on the latter and brutally deforms and buries Jordan’s paper double of her, much to Jordan’s dismay. Daisy’s careless treatment of Jordan’s powers and subsequent dismissal of them with the destruction of the doll, heightens the women’s differences. The use of magic in this section depicts the women’s relationship as exploitative, a quality that is less pronounced without magic.
Vo also uses fantastic and romantic rhetoric to fuel the magical tone of the book, even when no actual magic takes place. Vo details that “in one still moment, it was as if Daisy had, all unknowing, taking Jay Gatsby’s heart for her own, and he would spend the rest of his life trying to get it back” (80). While Gatsby is the chief enchanter, the metaphor of Daisy taking Gatsby’s heart for life, has a spellbinding aura that puts him permanently in her power. The metaphor later proves to be reality when Gatsby takes responsibility for Daisy’s careless driving and ends up paying with his life. Then, Vo’s description of the couple’s connection “when they stood and kissed like something out of the old Shawnee stories about doomed lovers and descended stars, and all along the shore, the mischievous girls and dangerous boys of Louisville were silenced” (81), depicts Gatsby and Daisy’s love as one that necessitates an audience. Further, Vo references folklore here (“Shawnee stories”), which conveys the nostalgic tone often associated with fairytales.