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Henry JamesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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When they return, Verena finds two notes, one for Olive, and one for herself from Basil. She takes Basil’s letter upstairs before Olive sees it. Later, in “a sufficiently gay and natural tone of voice” (229), she tells Olive that Basil would like to see her at 11 the next morning. Olive tells her it is her “own affair” (229). When Olive remarks snidely that perhaps Verena can invite him on the train, Verena tells Olive she is “bitter” (229). Olive questions the necessity of Verena’s meeting Basil. Verena informs her she is “curious” (230) and that she hopes to convert him. Whereas before, Verena had seen Olive’s “peculiarities” (230) as admirable, she now wonders if they are “inharmonious with the scheme of the universe” (230). She is happy that she did not tell Olive about Basil’s visiting her in Cambridge.
After dining with Mr. Burrage, Olive shows Verena the letter she received that day from Mrs. Burrage. In the letter, Mrs. Burrage asks if Olive will visit her at home the next day so they can discuss something important. Verena remarks that it will be nice for Olive to “have a secret with Mrs. Burrage” (232), and Olive reminds her that it will not be a secret because she and Verena tell each other everything.
Olive considers that Verena should stay with Mrs. Burrage after all but worries Verena will see Basil. Verena, for the first time, feels “impatience” (233). She tells Olive that she does not understand why Olive is so suspicious of her. Her charms work on Olive, whose “silent kiss” (234) shows that she believes Verena.
Verena, it is decided, is “firm enough in her faith” (235) to meet with Basil. Olive will visit Mrs. Burrage at noon because Basil is visiting Verena at 11, so Olive can be sure he leaves in a timely fashion. However, when she leaves to visit Mrs. Burrage, Basil is still there.
Mrs. Burrage’s note contained a large check. Olive believes money to be “a tremendous force” (236) for their cause. Once she arrives at Mrs. Burrage’s house, Mrs. Burrage expresses a desire for Verena to stay with her and to marry her son. Though Mrs. Burrage claims to care for their cause, Olive notes that Mrs. Burrage lives “the very opposite way from all earnest and improving things” (237). Mrs. Burrage wonders whether Olive understands the “immense advantages and rewards there would be for her in striking an alliance with the house of Burrage” (237), and Olive imagines taking what the Burrages offer and then discarding the family.
Olive claims Verena “is absolutely free” (238) and asks why Mrs. Burrage is consulting her. Mrs. Burrage answers that that her son is trying to marry “the very person in the world [Olive] wants[s] most to keep unmarried” (238). This truth, stated so flatly, irritates Olive. Her greatest concern is now that the Burrages will “take too fond a possession” of Verena (240), and she feels “a presentiment of jealousy” (240).
Olive thinks about the “social pedestal” (240) such a connection would allow Verena. However, she worries that Verena is “susceptible of deterioration” (241) in the face of being “over-indulge[d]” and “flatter[ed]” (241). Annoyed, Mrs. Burrage frightens Olive by suggesting that if Verena marries her son, she can avoid Basil Ransom. Because Verena is beautiful, she will have many suitors—the best Olive can do is to marry her off to someone “safer” (243) so she can avoid becoming “prey to adventurers, to exploiters, or to people who […] would shut her up altogether” (243).
Olive knows “there [is] a detestable wisdom in her hostess’s advice” (243). As she leaves, she admits to herself that Basil is the greater “menace” (245). When she returns to their lodging, she discovers that Verena has gone out with Basil.
Basil begs Verena to go to Central Park with him, making her “uneasy,” for he has “a peculiar effect upon her” (246). In Cambridge, the decision to go out had been hers, and there was the “pretext” of showing him the college (246).
Basil seems to have visited with the purpose of telling her he believes her ideas to be “balderdash” (246). She sees him “a scoffer of scoffers” (247) who believes “he might laugh at her all day without her taking offence” (247). He complains that if she does not go out with him, she will leave having given him “nothing but this stiff little talk in a boarding-house parlour” (248). His poverty prevents him from being able to propose to her, so the best he can hope for is to “take possession” of her for one day (248).
Verena is too “good-natured” not to appreciate that he has sacrificed a day of work for her (250). She agrees to go but wants to come home before Olive. Basil asks whether Olive is the only one who can go out. Verena’s reply—that Olive’s going out “proves that she trusts me” (252)—causes even her to be “alarmed” (252).
Once in the Park, Verena is glad she went. Her trip out with Basil is “different” from her trip with Mr. Burrage because “it was more free, more intense, more full of amusing incident and opportunity” (253). However, when Basil “joke[s] about […] the emancipation of women” (254), Verena grows “weary and sad” (254). She is put off by his “bitterness” (254) and his “aggressive and unmerciful” (254) attitude. Verena finds herself hoping “that something really bad had happened to him” (255) so she can “forgive him for so much contempt and brutality” (255).
Verena finds it “harsh, almost cruel” (255) for him to have taken her out specifically to mock her beliefs; however, she cannot help listening, for “it was in her nature to be easily submissive, to like being overborne” (255). She stays despite feeling “anxiety” (255) over the fact that Olive must have returned home by now. Knowing she is causing Olive pain convinces Verena that this is the last time she can “ever sit by Mr. Ransom and hear him express himself in a manner that interfered so with her life” (256).
Verena tells Basil he is “the only person in this country” who feels the way he does (256), but Basil believes many people privately agree with him. He also believes that she is “made for love” (257) and that “in the presence of a man she should really care for” (257), the “false, flimsy structure” (257) of her beliefs would crumble. When Verena suggests he write down his ideas, Basil tells her he has tried to publish articles but that “editors are a mean, timorous lot” (259). Thinking of his work being rejected, Verena feels “a strange pity and sadness, a sense of injustice” (259).
Basil does not want to “destroy” women, only “save” his “own sex” (259) from “the most damnable feminisation” (260). Their “whole generation is womanised” (260), leading to “mediocrity” (260). Verena is appalled, but hides her feelings.
When Verena declares there has to be a place for women in society, Basil replies that he believes they should stay “at home” (261). Verena wonders what will happen to women who do not marry. Basil is “perfectly ready to advocate a man’s having a half a dozen wives” (261) and declares that women should spend their time “making society agreeable” (261).
Basil then asserts his displeasure that Verena is associated “with all these rantings and ravings” (262). He insists the beliefs were “imposed” on her and that she “accepted them” because of “the sweetness of [her] nature” (262). She always seeks to “please some one” (262), whether it be her parents or Olive. He claims she is but a puppet on a string.
Verena walks away and Basil follows. His comments are “far beyond what Olive could have imagined as the very worst possible” (263). When she asks if he finds women “quite inferior” (263), he agrees they are inferior “[f]or public, civic uses” (263) but not for “the realm of family life and the domestic affections” (263).
Verena refuses to let him escort her home. As she walks away, she is glad “that Mr. Ransom was on the wrong side” (266) because she would be attracted to him otherwise. Once home, she tells Olive where she was and asks what Mrs. Burrage wanted. Mrs. Burrage wants Verena to stay with her, but Verena insists she wants to return to Boston. She begs Olive, “sobbing” (266), to “take [her] away” (266).
In a way, The Bostonians is a coming of age story in which external forces prevent a young woman’s blossoming on her own terms. In Central Park, Basil spews many insults about the inferiority of women, but Verena only walks away from him when he mocks her lack of agency. Verena stomachs his complaints about the “feminisation” of his generation (260), his “sarcasm” (254), his laughter, and his “brutality” (255). Moreover, Verena’s responses to Basil’s statements about feminism illustrate the very passivity and people-pleasing he identifies in her. When she insists the “social system” must have a “place for us” (261), it is only “with her most charming laugh” (261). Verena meets Basil’s misogyny with sweetness, appeasing Basil even as he offends her.
However, what inspires her to flee is his statement that she is a feminist only to please others, that she is “an inflated little figure” (262) like a puppet on a stage. Verena’s taking offense at this suggests she has started to recognize the attempts of those around her to control her movements. Her attempt to prove her independence by noting that Olive “trusts” her, however, only serves to show how little agency she has, and even she is “alarmed” what she herself has said (252).
At the same time, the commodification of Verena continues— Olive accepts money for her from Mrs. Burrage. This cheapens the cause, further illuminating how it can be exploited for personal gain. Basil, too, seeks “to take possession of Verena” (248) only for the day, only because he is “too shamefully poor […] to have the right to talk of marriage to a girl in Verena’s very peculiar position” (248). Basil believes that one day is all he can expect—or all that he can afford.
Still, Olive claims Verena has her own agency. She tells Mrs. Burrage there’s no need to consult her about Verena’s marriage, for Verena “will do exactly as she likes” (238) and is “absolutely free” (238). However, Olive is concerned that the Burrages will “take too fond a possession of” Verena (240), and she is plagued with “jealousy” (240). Olive’s insistence that Verena is free is like her framing her own decisions as coming from Verena: both absolve her of guilt and enable her to pretend that Verena follows her of her own volition.
By Henry James